Covers and Other Indie Publishing discoveries

So recently my life has been plagued by Phil, Prince of Heck, Lord of Insufficient Light – for those not of my generation, that’s a Dilbert reference.  Nothing too bad going on, but I seem to get my early mornings piled with what could generously be called “Cr*p that has to be dealt with, and since I’m the antithesis of a morning person, it throws my entire day and this blog off.

Yes, I should blog at night, but by that time I’m usually tired and peevish, and you don’t want me peevish.

This too shall pass.  It’s just a short phase, and I hope you’ll bear with me.

Meanwhile, I thought I’d make this post about odds and ends, because there are some things I need to deal with that aren’t QUITE up to a full post.

Mostly these are things I’ve found through indie publishing.

First – publishers were right on one thing: it’s not how close the cover matches your book, it’s how attractive the cover is that sells it.  Right now, what I’ve found is that my consistent sellers have an attractive human figure on them.  (Because of the availability of such figures, these tend to be female.)  I suspect if I were better at cover design I could make an abstract background and a title very attractive.  But I’m learning this as I go, and I can’t find books on how to do it.  (If anyone has books on how to do it, list them in comments, please.)

Second – YOU MUST link your other works inside books, particularly inside those books you’re giving away.  I found that, say, my first ten short stories are “walled off” from the rest.  I.e. the rest sells very well, but I only get sporadic sales on those.  So I went back and looked.  Because I put the first (published, not written) up the same day, I didn’t link them to each other.  So, SF and mystery sort of exist by themselves and there’s no incentive to click on the others.  I don’t know if ebook readers are lazy or if – like me – they just tend to go with convenience, and convenience means links.  BUT you can run promotions till you’re blue in the face.  If you don’t have those links in the stories, you ain’t gonna sell them.

Third – some people are stupid.  While I was correcting some of the lack of links (and covers.  It’s stuff I’m doing as I find the time) I found that my Marlowe mysteries had really low stars.  Being a wussy I asked a friend to read the reviews for me.  One of them was because they like the musketeers better.  That’s fine.  I’m not sure it justifies a two star review, though.  HOWEVER the other was one star because it’s a short story.  IT SAYS IT’S A SHORT STORY ON THE DESCRIPTION.  So…  I’m also, as I have time, moving “short story” to the first line of the description.  Interestingly this was form when the story was 99c and the person complained about paying 99c for a short story.  Dean W. Smith says low prices encourage low reviews.  We’ll see if he’s right.

Fourth – not only am I getting more money from the higher priced stories, but they’re selling more.  A confession, though, I’m leaving my collections at 4.99 which still makes each short 99c.  I do this because I don’t mind if they cannibalize shorts sales.  I still get more than if I sold each short at 99c, and people get to feel good about “saving” money.  Win win.  (And I need to slam some more five-packs up.  Weirdly, though, the individual stories still sell best.  Go figure.

 

Other notes – like a total dork I forgot to mention that the short story up for free today IS a short in its description.  Now can’t fix it till it’s off promo.  But now you know ;)

So, here’s the link again:  Wait Until The War Is Over.

And my readers, as usual, have been doing stuff –

Martin L. Shoemaker is in this antho:  The Glass Parachute.

Craig Allen has a free story:  Goodbye Sunshine.

Pam Uphoff  has: Comet Fall.

I know there were others, but I didn’t post this for so long I’ve now lost them.  Put them again in the comments, and I’ll update!

And now, I’m going to go for a walk, then work.

 

You Don’t Have to Be Crazy To Work Here

So, how does one become a writer?  The long-delayed post today – because I had a routine doctor’s checkup – gave me time to come back and look at your comments, and we can all agree that a degree in creative writing is about as useful as a meringue hammer.  At least I hope we all agree, because I’m sure of this.

In fact, what little I took in terms of creative writing in school probably hindered my writing commercial fiction.  It’s sort of looking at things the wrong way.  Your Creative Writing professor might have been ecstatic at the bit of symbolism in which you dress a character all in white to symbolize purity, but the reader is probably not even going to register it consciously, and if your character all-in-white proceeds to do nothing much that’s interesting, then well… The reader won’t be happy.

Mostly what the reader wants is to experience emotions.  If along with it you can backload some stuff to make the reader think, and if your reader is a thinking sort of person, bonus.  But mostly the reader wants to experience something and “emotions” is the common denominator, atop of which you add the peculiar “cookies” of each genre.  So, say, for romance, you have to have … romantic stuff and tension between the couple; for SF (depending on subgenre) cool stuff like robots and space exploration; for fantasy everything from LOTR plus some; for urban fantasy shifters and vamps and hot chics (or cute guys) fighting them.  However if all those things don’t contribute to the emotional experience, you got nothing.

While from the critics end… well… they’re looking for symbolism and meaning and wondrous stuff like allusions to other books… yeah.  And most college courses teach you to be critics not writers.

So – you can’t learn it in college.  What makes a writer a writer?

Well, you don’t have to be crazy to work here, but it helps.

Most of us started out telling ourselves stories.  Or we told younger siblings stories.  (I only had cats younger than I, and they were notoriously averse to standing still while I told them stories.)  Or, when we were older, we told our peers stories (guilty!)

I wrote my first “novel” at six.  It was ten handwritten pages and Enid Blyton Famous Five Fanfic.  (Hey, one does what one can.)

By highschool I was writing 20k word “novels” of very, very bad Clifford Simak pastiche.

And that’s part of what makes you a writer.  Like the artists of old who copied the works of the masters, almost all of us started out by writing things in imitation of those authors whose work had moved us the most.

At some point we realize it’s not quite ours, and we start experimenting.  For me that was my twenties, which generated a never end of REALLY BAD experiments, including some that can never be buried DEEP enough.  In fact, my kids are under notice if they find and publish any of them, I’ll come back and haunt them into the next century.

But in the middle of the experiments, my taste, formed by an awful lot of reading, picked this and that that worked, and that other thing that sparkled, and…  And I started to get a clue.

In my early thirties I had the revelation that I was writing for a reader.  Yeah, I know.  I’m slow that way.  Now, I had no idea who “my reader” was or how he functioned, but I had an idea that I would write for the reader I’d like to attract.

And then it became sort of like playing chess on both sides, and things started to work.  That mind set is absolutely necessary to know when you’re too slow, when you’re too fast, when you’ve skipped something essential…

So – it’s hard to acquire, though at this point it’s second nature.  (Posting at austen.com and getting comments as I wrote really helped that sense of what the readers were getting or not.)

And there it is.  You become a writer by:

1-      Copying the masters.

2-      Learning to go beyond copy

3-      Reading an awful lot

4-      Learning to write for readers.

Sounds easy, right?  Right.  And you’re wondering where the part comes where you suffer for your art, aren’t you?

Trust me, there’s suffering enough in there.  Like most simple plans, the difficulty is in the execution.

Now – go work.

So you want to go indie?

I’m writing this because one of the people who invited me for a blog tour asked how to do it and I thought I never really corralled all the information on one page, including links to stuff you’ll need, and if I was going to write something that comprehensive I’d make it a blog post.

First I’ll give a general view on why I went indie and why I think it could be right for people.

We’ll start with the definition of terms: indie is either micro/small/medium but recent and “doesn’t own a paper books division” house OR doing it yourself which can be technically self-published or not.

So why should you do that over traditional?

Well, I’m not saying you should.  Not all of you.  If you have contacts at a publishing house; if you have the type of profile that might interest them (yes, YOU not your book – a profile that interest them at least in my experience is defined as young [you are or look under 35], and with something “piquant” about you, ie what they call a “platform” only since they have zero clue about what a platform means, they apply it to BOTH having a very well attended blog [this one might be on the EDGE of qualifying] or to having an “interesting” personal life story or interesting characteristics.  In both of the later cases, to give you the facts bluntly, what they mean is “politically correct.); if you live close enough to New York City to attend the various meet and greets or cons they attend and make personal contact; if you are patient enough and don’t mind the inevitable groveling in front of people who might or might not deserve it, you should go traditional.  Just read your contract carefully and have an IP lawyer look at it before you sign.  Another exception is if you’re writing Baen sort of stuff AND have time to wait (Baen can be slow) you should try there first.  However even if you WANT Baen, going indie might be the best way to go there.  (Look at Larry Correia.)  When you come in and say “I sold 5k books on my own, Baen will jump you to the head of the line.

Wait!  Isn’t there a stigma associated with going indie?  Doesn’t it mean no one will ever publish you again?  There can be.  There are certain indie houses that have a bad reputation and/or whose writers are known to suck.  So… before you submit to a house it’s a good idea to read some of their stuff.  If you find it horrible, then they’re not giving you any advantage.

My caveat on going indie with a small press is this: the new micro/small epresses are very volatile.  I am involved with one – NRP – and because our manpower is reduced and mostly part time, you can very easily have ALL of us from slush readers to webpage techs sidelined for months.  If you decide to try one or more small presses, try them with only a portion of your output and not the most important part, at least to begin with.

Right now, frankly, the best route to both a lucrative career in indie and to traditional publishing is to self publish – though not technically self-publish – a book and have it do well.  Your chances of this are especially high if you’re someone who’s been writing and underbedding books for the last ten years.  (Underbedding totally is a word!)

If you do well enough you’ll be offered a contract, and if you’re doing massively well, they’ll offer you a million dollar contract.  (And then you’ll have to watch them like a hawk, talk to an IP lawyer, and make some very tough calls.)

So, you’ve decided to self-publish.  Why do I keep calling it not-technically?

Remember when I had to raise my prices because the customer perception had become that 99c to 2.99 was trash, since that’s where beginning indies congregate?  (And I find that annoying, since I think 99c to 2.99 is just right for a “snack” to make you perk up in this economy.  BUT I’m er… frugal.)

Well, there is a similar perception with publishing.  For the public, if your book doesn’t have a publisher, then they look askance at it.  There is a certain justification, since that’s what the bottom-grade, just-beginning indies turn to do.

So, first you form a company.  It doesn’t need to be anything very fancy.  A DBA will do – you’ll need to look at your state, to find out what you need to do for that.  Some states have you register with the secretary of state.  In others, all you need is a bank account in that name.

But please don’t call them “books by me” or “my name books.”  If your name is Smith and you call it Smith Press you just lost all the customers who are trying to eliminate self-pub.

Call it something you find good or representative of your work.  Mine is Goldport Press, after the imaginary Colorado town where I set a lot of books.  My husband’s (which he hasn’t done much with yet) is Mankind ink press.  My son’s is Tilted Fedora Enterprises.  I think Pam’s is Iron Ax press – Right? – I know Stephanie’s is Chromosphere.  Just go for it.

Okay, now that’s out of the way.  Where do you put your books up?

Right now my stuff is at Barnes and noble, smashwords and Amazon.  I need to put it in Kobo in my copious spare time.  Of the three it’s at, Amazon is the best payer month to month, but Smashwords is starting to catch up (takes about 6 months, I hear, because of the affiliates paying.)  Barnes and Noble wouldn’t be worth my time, except that it’s easy to put stuff up in it, so why not.  Also I hear some people whose biggest payday is Barnes and Noble.  No, I have no idea what I’m doing wrong.  Probably tags.  (More on that later.)

There might be a call to put stuff up first on Amazon and under their prime program for the first three months.  (I normally do it.)

Okay, so now you want to put stuff up.  Right.  First, make an account for your press with all the services you intend to use.  If your book is even VAGUELY romance, use allromance.com as well.  I hear their payday is also very high.

How to do it…  there are several books floating around with stuff like “How to format your book for the kindle.”  Also, if you know or have a friend who knows how to code html, you have everything you need, because what all services take – except Smashwords, who takes Word files – is html code.

The way I was taught to do it, which I now call “the brute force method” is to save the word file as a filtered html file, then take the two files resulting, zip them together and use that.

My early published stories will need to be fixed, and some of them look rough or the program resurrected the original font it was written in – courier, years ago – all spidery and odd.  Or other codes were activated.

What I do now is clean it up in word (using see codes,) get rid of the space between paragraphs which is my code bête noir, then bring it up in sigil and save it in ebook format, which I can then upload.  After I upload it I download the preview, because sometimes Sigil lies and there are things I didn’t see.

Amanda Green did a quick workshop on how to do it over at Mad Genius Club.  It think it’s nine posts.  Search on the title.

Of course, before you do this, you should have your book proofread.  You can spend hundreds or thousands of dollars doing this – I’m sure the people who do this for a living among my readers will chime up in the comments –but you don’t have to.  Proofreading yourself is kind of like being your own lawyer.  If you proofread yourself you have a fool for a proofreader.  BUT surely you have someone who normally proofread for you before you submitted to publishers.  In my case, it was usually my husband, who is detail oriented.

If you don’t have anyone, then talk to someone else self-publishing and trade books.  Unless you prefer to pay.  There are people who’ll do it very reasonably.

You’re also going to need a cover – and again you can pay thousands of dollars.  It might even be justified (rarely) to do so.  Say your series started traditional published with a certain look, and you want to continue it.

However, remember that people will be looking at a thumbnail.  It’s bigger in kindle fire, but it’s still not huge.  So…

You can find images all over on line.  My favorite source is dreamstime at least for short stories, because I can find DRAWN covers for like 2 or 3 dollars.  Yes, other people might have the same cover, but how likely is it they’ll use it for the same type of story at the same time?

There’s also everystockphoto and a few other free sites.  Be sure to read all the rights you get VERY carefully.  In fact, go ahead and read The Copyright Handbook to make sure you’re within the law.

A good source for sources is here.  Also, I wrote on covers here.

For novels I plan to enslave my son and to bargain with Travis Lee Clark, depending on what type it is (Robert does well with the more cartoonish ones.  Oh, and stop cringing, I’ll PAY him.  He has college textbooks to pay for, poor kid.)  I just haven’t brought novels out indie, yet.

Oh, yeah, your book will need a copyright disclaimer at the front (go and look at some published book for the template.)  And for ISBNS and other confusions (or I’ll be here forever) go and read Dean Wesley Smith’s New World Of Publishing and Think Like A Publisher.

When you put the book up, they’ll want you to “tag” it – that is add tags that help people find it.  I’m lousy at this, and the best I can do is bug Amanda to do a post on it.  I’m taking a workshop on it online with Dean Wesley Smith next month (if I remembered to book, which is not guaranteed.)  Tag is where you put things like “crime” “pre 1900” but there’s apparently a way to game it.  I just don’t get it.

Other than tags, the best way to sell your book that I’ve found is this:  Have more than one book.  At the end of one book, put the beginning of the other – ten pages or so —  and a link to buy it from wherever they bought this one.  (This means you have to change it in the file from Amazon to Kobo to B & N, etc, before you put it up.  It’s easy.)  Then when you first put the book up, do it in the Prime program at Amazon – that means you can’t have it anywhere else while it’s active, so you don’t want to KEEP it there – for the three months required.  Bring two books out.  Take the first free for a week.  Bring the third out.  Take the second free for a week.  Bring the fourth out – if you’re doing it once a month, the first will have rolled off and you can now put it in other distributors.

Pricing – I’d start at 2.99 then price according to length and reading experience.  I try not to have anything over 10k words for under 3.99 because people have threatened to come to my house and beat me.  Novels will  probably start at 4.99.  This doesn’t prevent taking a book on sale (and put that on the description) for a month or so, when another in the series comes out.  I hear that works well.

If you caught the drift on “series” – yeah. series or even just multiple books sell better.  Fortunately smaller works do well in electronic.  What that means is that if you’ve got a 100k novel that can be logically broken into two, you’d do better with it that way.  (Darkship Thieves can logically be broken into three, for instance.  Of course, it’s traditional, so it doesn’t matter.)  And even short stories can be series.

I have a colleague who says she’s also done well with Project Wonderful ads.

I haven’t tried those, really, not for indie.  So…

You put something up, haven’t taken it free and no one has bought it, yet.  Well, takes time for people to discover it.  Stop worrying about it, and start putting stuff up.  Particularly if you joggle it by taking it free now and then, it will sell.

But… when will you get rich?

Well… you might.  Or you might not.  What I can promise is that the more ebooks you have up, the more you make.  Right now my income from all sources is pegged at about $100 a month, but then all I have are short stories, and I’m very bad about putting stuff up (which is on the slate for this afternoon.)

What seems to be true is that at least with novels, income continues.  So even if all you’re making per month, with ten novels there, is $500, you’ll be doing that for a very long time.  Think about it: under the bed they make you nothing.

And as with publishing, there’s a chance lightening will hit.  (When I find how to can it, I’ll share.)

And now, go work and let me get caffeine in me (I wish I could get it IV) and I’ll go work too.

Good luck.

An Unscheduled Break

Those of you who are following Witchfinder will have to forgive me.  I will try to catch up sometime this week, but it’s possible I’ll have to skip.

Yesterday my body decided I needed an unscheduled break.  I’d like to point out I’m not actually ill.  Yesterday I felt like I might be coming down with something, but that seems to be mostly gone.

So, what is it?  I don’t know.  Could be nerves.  But yesterday my goals were as follows: write chapter, clean house, publish short stories, so I can put one for free, since Waiting For Juliette rolled out.

I think I checked two pages of the novella Whom The Gods Love.  That was it.  Oh, and I cleaned the kitchen.  It was like the smallest task took FOREVER.

I have no explanation for this.

So today I was trying to get to that chapter, but I have all the things that do NEED to be done and done today looming over me.

If you’ll forgive me, I’ll skip a week and resume next week.

Meanwhile — if you have something you wish to promote, please post in the comments here, there will be promo-post tomorrow.

The Magical Science Fiction Tour

To people waiting for today’s Witchfinder chapter – it will be up but probably this evening.  No, I have no good explanation but I woke up feeling seriously under the weather.  Not sure why, but with whatsgoingaround I’d rather not take chances.  I have the chapter sketched, and I’ll finish it tonight, but meanwhile I have some brainless stuff on the slate, some publishing and a very light house cleaning which might clear my head.

However, yesterday I got copies of Darkship Renegades, which means the book is shipping… which means it’s time to start the Blog Tour.  In case you don’t realize this, btw, preordering is REALLY important.  These days chains look to Amazon to see what laydown to have, etc.  At least that’s my understanding.  I don’t have much hope of bestseller list with this book, but if you think it has a chance, you should DEFINITELY preorder it, preferably from Amazon.

Anyway – What I’d like to ask is to do a blog tour to promote the book, though the posts don’t necessarily NEED to be about the book.  (It’s good for them to have a tenuous tie in, at least.)

I know some of you have already contacted me.  Some of you might even be thinking I blew you off.  (It is no such thing.  While this has not be a year to compare to 2003, it’s not been very great either, between wild fires and stupid health tricks…  its being an election year hasn’t helped either.)  The truth is that I have the scheduling ability of cheese (very soft, not aged cheese) and at the moment, for obvious reasons, I don’t even have a part-time assistant.  Also, with indie publishing I’ve added another level of work to an already full schedule.  The end result is that at times I’m foggy on my own name.

So, to get around that, instead of having it come to normal email, if you have a blog that you don’t mind having me appear in for a day, email me here  blogtourinvites@gmail.com

So, what if your blog is really small?  Doesn’t matter.  I mean, if you have more than say a dozen readers or if you have fewer and don’t mind my also echoing it here.

So, you say, what if the blog is about something having nothing to do with books?  Well… ask me if I can do it.  Chances are I can.

But, you say, what if this Sarah woman scares people in your blog?  Well… I can be very non-scary.  Genial, in fact.

But, you further say, why should I let you?  I have no clue?  Glamour?  Amusement?  Or perhaps the ever-present tit for tat, if you’re an author who will at some time have a book to promote.

I would prefer not to blog-tour until after the election, or at least not very hard, but if you really wish it and I can keep it to one or two a week, I think I can do it.

Oh, yeah, you can also interview me if you prefer…

So, anyway, send invites here: blogtourinvites@gmail.com  I’ll go through them and we’ll work a time out.

And now I’m going to do cat boxes.  (This time hopefully without dropping the … er… down the stairs.)  AND I’m going to drink massive amounts of caffeine.  Doesn’t fix the symptoms, but it helps mask them.

The Book Of No Numbering

One of the things that puzzled me when I was a kid  (I almost typed kitten.  In case this is not obvious by how late I am in posting, it’s already been a day) and reading the Bible (because I wanted to know what was in it) was how adamant the Lord was against counting the people.  I kept thinking “what is wrong with that.”

Now that I’m a little older and have experienced census where the “people who don’t want to be counted” get made up and added on, polls, districting, lies, d*mn lies and statistics, it is – with His reluctance to establish a king – one of the most persuasive points for the existence of G-d.

But it is not just in politics or in statistics that counting people is wrong.  Pretty much anytime you take people or the works of people and substitute them with numbers, you’re thingifying them.  Now, I know in some circumstances this is needed.  Say there’s a nation wide epidemic and I need to know how many doses of medicine I need.  Or say that I’m expecting people for dinner, and need to know if it’s five or sixteen.  (Being me, I cook double.  I believe in leftovers.)

And this is not the semi-annual Sarah throws a fit about numbers.  Yes, numbers from publishers are wrong.  Even the best publishers, who are honest get bizarre numbers from the distributors (and are hurt by them too) because the entire industry runs on guesstimates, for reasons that made sense 100 years ago.

But that’s not what I’m talking about.  I’m talking about a more fundamental difference between traditional publishing and what indie can do – which reflects a more fundamental change in the way the world was and the way the world is becoming.

It used to be that book publishers had to classify books in categories to sell them, and even the most micro-genre-specific slicing will betray the book, if the book is truly original.  As control from the top down increased in publishing (and there’s rumors of a merge between Penguin and Random, which only increases the centralization) this effect became worse.

Truly original things might get published, if they could be broadly pushed into a category, but then they tended to die on the vine because the house didn’t know how to market it and people who read it as it had been marketed “Another L. K. Hamilton” and found it was nothing like would feel betrayed.

This is not a defect of traditional publishing so much, as it was part of how things were, the only way things could be marketed at that stage of industrial and population development.  I’m highly amused by Sabrina Chase’s Industrial-entertainment complex dig, but it was in fact that, and it required – as societies do above a certain number – the shoving of product into categories.

This used to stop me cold, because, well… how can I submit a book when they’re asking me whose it is like?  Particularly early on, when I was writing from within – like the epic of Horse and Bull – I found myself UTTERLY bewildered.

Even now that I’m published, I tend to find my books are mostly like themselves.  Yes, I’m very glad DST got compared to Heinlein.  I wanted to do THAT before I died, but “like” is not the same or even close enough, even if I more or less unwittingly stole a ton of his terms.

Editing has made some of my books like other books, but… well, we’ll see when/if I get copyright back.

But here’s the thing – as a reader, yeah, I do have times when I say “I wish I could read some new Agatha Christie, only she’s dead.”  (And in my copious spare time, perhaps after the kids leave, I’d like to write mysteries set in England between the wars, that have SORT of that flavor – but they’ll be of course different when I’m done.)  However, again as a reader, I have never stumbled on something UTTERLY ORIGINAL and well done, and thrown it aside because I couldn’t read it, since it wasn’t like something I’d read before.  However, the categories were so tight that I never sent Witchfinder proposal out. The fact that Nell comes from our world or an analog meant my agent had no clue how to market it.  “It’s neither SF nor Fantasy.”  Now, of course it’s fantasy.  It just has our world as part of its multiverse.  But categories were too rigid for that.

This is something that the system just couldn’t support, as it was in traditional.  With electronic books and new marketing, the publishers that survive will learn, I think, to act in different ways.

And the societies that survive – in a world where where you live and pay taxes has nothing to do with where you work for most professions (yes, I know, doctors will still need physical presence, and some engineers, though even there remote robots offer possibilities.) – will also have to figure out how to deal with more individualized choices.  And individuals used to not having to pick their choice from a block will be different too – less able to fit themselves into the expected pigeon hole.

As a libertarian I look forward to this and to the reaction to it with mingled fear and excitement.

In writing and in the world at large, we’re in for interesting times.

I’m Not Crazy, I’m Just A Little Unwell

So, are writers mentally ill?

By whose definition?

Look, part of the whole problem with the deinstitutionalisation of the mentally ill, which goes all the way back to the early seventies at least, and as far as theory is concerned probably a lot further, is that health professionals started, DELIBERATELY blurring the lines between mental illness and mental health.

Part of this was – I think – a genuine effort to make it possible for some people classified as “mentally ill” to be able to make a go of it in the community.  A lot of new psychiatric drugs had been discovered which, while they didn’t heal, masked the symptoms of mental illness and therefore made it possible for these people to integrate in normal society – provided they would take their meds (more on that later.)

The other part – I know, my SIL took the mental-health portion of her MD in the late seventies – was the insane “equivalence brigade” which tried very hard to convince themselves that the US too did EXACTLY the same things the USSR did.  Since the USSR put political dissenters in mental hospitals, then the people in US hospitals MUST be also political dissenters.  This was hard to prove, since the Soviet system provided ideological support for mental treatment of dissenters: i.e. the Marxist system was perfect, so anyone disagreeing must be mad, while the American system mostly tried to get people off the streets who would do harm to themselves and/or others.  However the medical profession found their justification in an upside-down of the Marxist system.  Since Capitalism was bad for humans and other living things, then everyone who went mad under capitalism were, ipso facto, political dissenters.  So, if you happened to be a woman who liked to throw rocks at strangers and go into bizarre monologues on the subject of cabbage, you weren’t mad, you were a feminist protesting male aggression.

Now I have no proof this was intentional or a coordinated AGITPROP operation.  It’s entirely possible it was (merely) the predictable mix of ill-intentioned agents and well-intentioned idiot fellow travelers.

However the end result was making people too crazy to live alone into political victims and incidentally to give the USSR room to claim the capitalist system created homelessness.

Fortunately or not, the intervening decades have brought more and more evidence that a lot of mental illnesses have a physical basis.

Also, curiously, just like the “freeing” of women has resulted in a lot of them behaving like Victorian maidens who demand special protection from those all-masterful men, the blurring of boundaries has worked in the other direction too.

I’ve mentioned here before that … must be… 14?  13? Years ago, I had a UTI that didn’t let me sleep for a week, and then on my birthday, all the sixty stories or so that I had out came back rejected.  And I had a cold. Also, Dan was in the middle of one of those projects that caused him to work eighteen hour days.  He got out because it was my birthday, in time to take me to dinner.  We had a babysitter.  As I got in the car, Dan looked at me and said “You look dead.  What’s wrong?”  When I told him, he said, “We’re going to emergency.”

So, there I am on my birthday, getting prescriptions for various ailments and knowing when we got out it would be too late to go to dinner (which I’d been looking forward to for weeks) and the doctor tells me “You look depressed.”  I said “I am a bit” and explained why.  And he told me “No, no,  You misunderstand the process.  Depression is caused by an imbalance in your brain.  If I give you Prozac you’ll feel better and that proves it’s chemical.”

My answer was unprintable, and I think I called him a witch doctor.  BUT he was absolutely convinced of what he was saying.

Since then, older boy has taken psychology.  I read his textbook (you can’t trust these critters.)  And guess what?  ANY fluctuation of mood is now described as bipolar.  Apparently we’re supposed to be on an exact even keel all the time, like robots.  External factors are discounted and it’s all “brain chemicals.”

I think witchdoctoring is light.

But what this means is that more and more, I keep finding the “clinicalization” of perfectly normal conditions.

I mean, I knew growing up that dad was of what we could describe as a “depressive habit.”  Not that he moped, but he read a lot of history and he had this tendency to think our most principled days were behind us.  I also knew mom was bipolar and SHOULD have been on meds, because she could get outright scary.  One of these things is not like the other.  Dad was inclined to be saddish and think the world a sad place, but he never talked about killing himself.  To be honest neither did mom, whose stronger cycles are maniacal and involve things like painting half a house overnight.  BUT to the untrained eye it was very clear who could do harm to him/herself and others, and who wouldn’t.

Even for someone of a depressive habit who might have suicidal thoughts, if never acted upon, it’s probably not a concern (at least if they’re over thirty and aren’t doing anything else related to depression.)  But go to any doctor and admit you’ve thought of opening your wrists in a warm bath, no matter what the provocation, you go on the happy drugs.  EVEN if they had to prod and poke and ask if you ever had the slightest suicidal thoughts, and even if the thought was twenty years ago.

And my kid once quoted Ray Bradbury in a school essay to the extent that “I’m seventeen and I’m crazy.  My uncle says both happen together.”  Mind you, he went on to explain he was only fourteen, but he felt that adolescence was a difficult time period.  You guessed it.  They sent him to a psychiatrist without telling us.  Fortunately the younger kid is sane as a rock (literally.  He’s so stubborn and so sure of who he is at his core that he’s like solid rock) so the psychiatrist told the counselor she was making a storm in a teacup.

I would suggest (because I can, because this is my blog, d*mn it) the old definition of mental illness from the village – you might have all sorts of crazy beliefs in your own home, on your own time; you might believe that there is a miraculous shrine of the Virgin formed by mold on your wall, and you might pray to it everyday; you might think your dog is your kid’s reincarnation; you might think you have to wear purple or the demons get you; you might still be mourning your husband who died forty years ago.  No one cares about any of this, and people will laugh a little behind your back (sometimes.  Unless they’re crazier) but you’re still a functioning member of the community.  HOWEVER if you believe you see the devil in your kid’s (or dog’s) eyes and go after the creature with a knife; if you decide you can no longer wear clothes and start wandering the streets stark naked screaming judgment is coming; if you think you’re an onion and start taking slices off yourself, the village elders (after being prodded by their wives) are going to put you in a car and take you to the asylum, because you can’t function as a member of the community.  (Turned out the gentleman who was going around naked did so because he was convinced from the neck down his body wasn’t his, and that someone had replaced it in the night.  Turns out that this isn’t mental illness, but the result of a stroke.  We didn’t know that, and yes, mistakes will happen.  But mistakes will happen either way because we’re human.  He actually went around screaming “This isn’t mine.”  And yes, he died in the asylum, something that upsets my older son very much.)

So, are writers crazy?  Let me say right up front that even if you go by historical standards, no creative person seems to have his/her head on quite the right way.  I mean Da Vinci?  Van Gogh?  In the composers, it’s entirely possible Liszt was sane, but I’d like proof of that.  Among artists, writers are almost sane.  Or at least we can pass.  I mean, I could make guesses about Jane Austen, but no one around her seemed to think she was nuts.

Is this because we’re sane?  Look guys, leveling with you: I’ve had characters appear fully formed in my head and speak in such a compelling voice I had to write it (Lucius Dante Maximillian Keeva of A Few Good Men was one of those.  So was the Athos of the vampire musketeers.)  This can’t be normal.  I’ve had books come to a grinding halt, because I wasn’t getting the dictation right.  This can’t be normal.  I’ve had stories haunt me and hunt me down for years till I write them.  I write 4+ books a year.  THIS CAN’T BE NORMAL.

And yet, I raised my kids no worse than anyone else.  I keep the house clean(ish).  I have been known to curse/throw things at the TV, but only during political campaigns, and who hasn’t?

Am I crazy?  Probably.  Certainly I’m very different from the norm.  However, I can function as a member of the community.

And I’m not going to say that without MY peculiarities society would lose a great deal.  I’m just going to say that without the peculiarities of most artists – if those were cured or masked instead of tolerated, society WOULD have lost a great deal.

So, there is a method to madness, or at least a use.  And if it doesn’t impair your other functions, only a madman would try to “fix” it.

*There is a “sister” post at Mad Genius Club enlarging on this. .

The Wolves And The Sheep

*This is a story I could never send out, and never will put up, because John Kennedy Jr. got himself killed a week after I wrote it.  (Yes, it’s that old.)  I thought with the elections approaching and Halloween and all, you guys might enjoy it, though.*

The Wolves And The Sheep

 

by

 

Sarah A. Hoyt

 

 

I should have fit right in.

     Though I was an American in a Russian bar, I should have melded into the aggressively western decor — the metallic counter, the giant TV screens, the forlorn artificial ferns hanging from hooks on the ceiling — and passed unnoticed.

Instead, I stuck out like a sore thumb.

Despite all the accouterments of foreign ambiance, the bar was profoundly Russian, inhabited by customers with drooping mustaches, and the sad eyes that seemed to be a part of the Russian inheritance.  Even those who wore jeans and T-shirts did it with a false insouciance that betrayed the alien nature of the clothing.

The people who packed every table and stood shoulder-to-shoulder at the counter responded to my foreign presence in the way they’d learned through decades of Soviet rule: by leaving a wide clearing all around me.

All except the short man, who smelled of mothballs, and who pressed close to me and whispered in oddly accented English. “Look at that line.” He gestured wildly towards the large screen TV nearest us.  “Look at it.  No one can line up like Russians.”

The TV screen showed the ninety-year-old Tsar Nicholas III and his Empress sat on newly-built thrones, accepting the respects and curtseys of their most distinguished subjects and a never ending rostrum of foreign dignitaries.  This was the closest I was likely to get to the coronation ceremony.

God only knew what my newspaper had thought when it had sent me here to get the “inside dirt” on the coronation.  Whatever that mean.

There were only two types of print news media left in the US.  There was the Wall Street, Washington Post type, for militant eggheads.  My newspaper belonged to the other type.  Sold at Supermarket checkouts and specializing in brightly colored, lurid headlines, it commanded the same respect abroad that it commanded at home.  None.  Getting a press-pass to the coronation had never been a hope.  Why I couldn’t have watched it from a U.S. bar and got the same I got here, was beyond me.

Gorbachev’s famously marked head filled the screen, as he bowed over the Empress Sveva’s hand.

The camera panned the rest of the line. 

John-John stood just a few steps behind Gorby.  Good old John-John.  The president of the US of A, the ruler of the greatest power in the world, the chief of the colonizers of Mars, the leader of the country that owned most of Russia, yet our president would be a mensch and wait in line behind deposed Soviet dictators.

To tell the truth, John-John could afford to wait.  Waiting gave him a chance to show off his posture and his looks — even the patient, frozen smile which were the best advertisement he could look for.

His regal debonair dwarfed even the aged tsar on his throne.  John-John’s looks and his name had already won him the election, though he’d run as an independent and against candidates of both parties.  It had been John-John’s charisma that ended my TV career.  There was no room in U.S. TV stations for anyone who didn’t support John-John.

“An hereditary monarch meets another,” I said, through clenched teeth.  Bile burned the back of my throat.

My interlocutor, the short stocky man, with his mustache and oddly sculpted beard, turned his small porcine eyes to me in bewildered scrutiny.  “Who?”

“Jo–” In time, I remembered I was talking to a foreigner and refrained from using the president’s childhood nickname.  What one thought and said at home and in private was one thing, but family quarrels shouldn’t be aired for the neighbors to see.  Much less for people halfway across the globe to think about.  “President Kennedy meets the Tzar,” I said.  Even the Kennedy name distilled an odd charm that I couldn’t deny though it galled me.  We’d been told about Camelot so much and so often that even those of us who’d never wanted to join the round table looked to the legend with affection and nostalgia.  “He is— Americans think he is… uhm…  Massachusetts and the– Kennedy…”

“Ah, yes.” A wide smile split the man’s face, showing very bad teeth, brownish red in color.  “The Kennedy clan.  America’s own monarchy.  No matter how they behave, they will be elected again and again.”  He cackled and reached for his glass from the bar counter.  It dropped between his fingers to shatter against the vinyl floor. 

An older man with Stalin mustaches the high cheekbones and heavy eyelids of a mongol, scurried forth to sweep up the shards.  A younger man brought my would-be drinking companion another whiskey.

I should be outside, I supposed, getting the reactions of the men on the street.  But outside it snowed and the temperatures felt impossibly low.  And yet popular celebrations of the coronation burst forth, in every corner and on every street of this Moscow still cluttered by the monolithic, cement apartment buildings that were the socialist legacy.

Most people on the street drank vodka, after a bottle of which no one could feel the cold, but vodka was a treasonous comfort that made it easier to freeze, easier to loose consciousness and die of cold.

Within the quasi-civilized westernized bar, a lot of Muscovites and I drank educated beer and refined whiskey.

Which didn’t keep some of us from getting quite a nice buzz, anyway.

In a corner, a group of Russians started playing the balalaika and singing something that sounded as old as the Volga, as sad as a Russian Winter.

The man next to me gulped his drink noisily.  He banged his glass back on the counter, just as noisily.  In his haste to quaff the liquid, he’d let some of it dribble out through the corners of his mouth.  It trickled from the pointed end of his beard.

“I’ll tell you what, comrade— May I call you comrade?”

A few people glanced uneasily at us.  Comrade was not a popular word in modern Russia, certainly not a popular word on this day, when the Russians had got their tzar back.  Even if their tzar had spent most of his life growing grapes in Italy and until a year ago claimed to be staunch republican.

I looked away from the man talking to me and at the TV.  They were showing views of the city, now.

As everything in Russia, the restoration had gone slowly, haphazardly.

The cameras showed Red Square, renamed Nicholas II Plaza.  Though the plaza had been called Red long before the Soviets reigned in it, the name too had been deposed by association. 

And yet, the Lenin Mausoleum still stood. 

There had been so much talk of demolishing this cumbersome temple to an idol best forgotten, that I gagged in shock at the sight of its foursquare ugliness.

I took a hasty gulp of beer to recover.

“Wolves and the sheep,” the man standing next to me said, in the slurred, confidential tones of a drunkard.  He spoke like someone resuming an interrupted conversation.  “That’s what it’s all about.  Wolves and sheep.”

He was very flushed, his cheeks bright red, the rest of his face a waxy yellow.  Flashing me his odd brown teeth in a smile, he put out a hand to clasp my arm above the elbow.  “Royals,” he said.  “Royalty.  Wolves.  Wolves to the crowd’s sheep.”

I looked around, frantically.  These wouldn’t be popular words in Russia today.  Not today of all days.  I didn’t wish to be lynched in a foreign country. 

My newspaper was broke, edged out of the news business by CNN and cheap net feeds.  My boss would probably be unable to scrape together the money to have my body shipped back.  Not that my ex-wife would care, but I did not wish to be buried in Russia.

Yet no one looked at us: the stranger and the odd-looking man.  They ignored us with the pointed refusal to acknowledge the presence of the unusual that had kept the average citizen safe through the police state.

Just then, the TV struck up the anthem, the sovereigns stood, the patriarch blessed them, and everyone in the bar stood, also, enraptured.

“That’s what chieftains were, you know.  Chieftains, the beginning of royalty.  They’d come to each little tribe and say, here, I’ll look after you and you’ll obey me.  And humans did, because chieftains were different.  Not human at all.  Maybe they created humans, in the far off days, before pre-history,” he cackled.  “Maybe humans were robots… no, how do you say?  Not mechanical… Not robots but androids, supposed to imitate wolves but definitely not them.  Or perhaps wolves were men’s predators, men’s natural enemies.  Wolves to the sheep.”  He leaned close.

I smelled his breath, a mix of mothballs and whiskey.

I tried to pull away but he held my arm in an unbreakable, inflexible grip, the clench of a dead hand.

Something else rooted me to the spot, too — a feeling that this man might know something, be onto something, that he was someone to be listened to.  A feeling of innate respect, as though he had a right to lecture me and I should listen and be thankful.

“And then the wolves got smart,” he whispered.  “They got smart and they disguised as men, and came among men and became their leaders.”

I shook my head.  His tone of speaking and his wild fantasies made me feel more uneasy than ever.  Yet, I couldn’t find words to reply, I couldn’t find the strength to move away.

The beer I’d drunk, a good imported Carlsberg, hit my stomach like a ton of bricks.  I feel nauseated.

The man spoke on, his speech slurred, inter-cut by something like an asthmatic sucking-in of breath, “Yes, that’s what they did.  They trained men, domesticated men, just like men domesticated cows, or pigs, made men their servants, their meat.”

I found words, breath.  “Kings don’t eat people.”

People glanced at us, turned back to watch TV.

Everyone else in this bar had tears in his eyes.  Everyone except me and the crazy Russian whispering at me.

“Of course not.  Of course not.  That’s not what they feed on.  They feed on suffering.  Human suffering.  Blood— Remember all those ancient chieftains to whom blood sacrifice was made after their supposed death?  It wasn’t the blood…  All the nonsense about vampires— It wasn’t the blood.  The blood is as nothing.  It was the pain, the suffering.  That’s why all those kings were always making war, most of them over nothing more vital than an insult received from another king.  All of that were excuses.”  He hissed out breath — mothballs and whiskey — and pressed close, close, too close.  “And some of those chieftains wouldn’t die.  Some of them became immortal, provided they got their sacrifice in suffering.  They became blood gods, to whom all sacrifices were made.”  His voice swelled to a crescendo of enthusiasm, without ever rising above a whisper.  And his hand gripped my arm so intensely I was afraid he’d break my bones.  “Maybe in the beginning all the real ones never died.  But then they forgot who they were, they mingled with men, they crossed with mankind,” his words rushed out, one tripping on the other.  “And yet men still recognize them.  Men still know who they are.  Instinctively, they still worship them, still make them their rulers.”  He looked up at the TV and grinned.  “Hereditary rulers.”

My pride prickled, my head swaying in the smell of mothballs and alcohol, my arm hurting where he had pinched it, scared, alone in a foreign land, I tried to protest, “Americans don’t.  We don’t have hereditary rulers.  We–”

His cackle, half laughter half cough with breath rushing in over it all, interrupted me.  “You don’t, do you?  Did you know that in every election since George Washington, the candidate with the highest percentage of royal blood won?  Fact.  British peerage people checked it out.  Fact.  Even Clinton had more noble blood than Dole, the supposed blue-blood in the race.”

I felt cold, as though ice ran in my veins instead of blood.  The large screen no longer showed John-John’s classy profile, his charismatic pose.

“Only they can rule men, see?” he asked.  “Communists tried to rebel against it, ‘course.  But even they— You can’t rebel, see.  Men are sheep, they’re wolves.  Only they can rebel against themselves.  It’s all a battle among them, and men their pawns, offering up suffering as a sacrifice to them, forever…  And, know what, some of them still live forever, and–”

There was a lull in the music from the TV and in the pause, I noticed three or four people looking at us.

I pulled my arm away, forcibly, from the dead-hand grip of my interlocutor, threw a handful of rubles on the counter, enough — I hoped — to cover my drink and tip.

Pushing through the press of Russian bodies, I made it to the door, all the while feeling as though I’d disobeyed a command, committed a sin.

Such an odd Russian, and yet I felt I should have stayed there, should have listened, should have done whatever he wanted.

Outside, snow fell heavily but music came from all directions, the different melodies and styles clashing mid air, like the armies come from every quarter that had washed over Russia through the centuries.

 Rock music collided with strummed balalaikas interlaced classical music’s majestic swellings.

I pushed between two couples walking the other way, found my car.  Getting in, I put the key in the ignition, turned it.  Nothing happened.

I cursed.  My hotel was a good an hour walk away, past the erstwhile Red Square.  In the freezing cold an hour was an eternity.  I had no money for a taxi, even supposing there was a sober taxi driver not currently circling classier purlieus.

Slamming the door to my rental car shut, I started walking under the falling snow.  My dress shoes, with smooth soles, kept slipping on the hardened ice that covered the sidewalk.

Here and there, I had to avoid shards of glass from broken bottles.  The crowds started to thin out.

That bar… what a crazy man in there.  The whole thing about wolves and sheep…  And yet I felt as though I should go back, as though I owed him something.  But what could I owe him?  Loyalty?  Attention?  I chuckled.  Blood sacrifice?        

If he’d been right, of course, the communist revolutionaries would all have been wolves, too, because only then could they rebel.  And all that stuff about some of the wolves living forever.  I thought of Rasputin and his drawn-out death and feel a cold shiver up my spine.  I remembered how the remains of the Russian royal family, now entombed in the Cathedral of St. Peter and St. Paul, had been treated by the revolutionaries: burned and dismembered and finally submerged in water in a flooded mine, till all that was left were some ashes, scraps of teeth, a few skulls, fragments of bone.  The ancient treatment against vampires.  Were their murderers, then, afraid that someone, one of them, would live forever?

I barked out a bitter laugh onto the frozen air.  The poor tzarovich, who’d been dying from almost the day he’d been born.  Living forever.

God, what nonsense.  What Russian fantasies.

I hurried through the now deserted street and across the erstwhile Red Square.  Snow grew ever thicker, heavy flakes descending like a shroud.  Longing for my room, for a hot cup of tea, I hurried on, the sound of my steps muffled by the snow and the ice, till I felt like a ghost walking in an unreal landscape.

I wondered if the restaurant of the hotel would still be open.  Probably.  It was a Marriott, after all.  And after this freezing exercise, I’d need food.

Scrambling fast, in an odd, dragging walk, to avoid falling on the ice, I saw the looming shape of the Lenin Mausoleum.

Lenin, his body preserved for decades, had indeed been treated as a god.  The Stalinist purges surely were enough blood and suffering to feed a thousand wolves.

I shook my head against  these Russian fantasies, spun of snow, of cold winters, of too much vodka.  I hurried.

My feet went out from under me, I fell forward, tried to recover my balance, found myself fallen, face down on the ground, my brain rattled, my hands painful.

My face against the ice, I felt as if my brain were stuck on high gear, spinning on.  I thought that Lenin was the unlikely leader of a small, unlikely group.   The Bolsheviks had been a secondary group to the Menshevicks, and Lenin secondary to Trotsky.  And yet, who’d emerged on top?  Who’d become a living god?

Getting my feet under me, I stood.  Blood ran from my hand, where I must have hit the shards of a broken bottle.  My hand hurt.  My knees hurt.  I shivered with cold.  I had to get help.  I had to get warm.  There was no way I could make it to my hotel in this state.

I saw a light ahead.  The door on the side of Lenin’s tomb was open.  Should I?

There would be warmth and perhaps I’d find someone to bind my wounds.  Or at least a first-aid kit.

Someone should be there.  Else why would the light be on?

I stepped into a hallway that at one time must have been decorated with pictures.  You could still see the lighter squares against the wall, where the pictures must have hung.

“Hello?” I called.  “Anyone here?” 

At the height of the communist regime five hundred visitors had come through every day, to see the deceased leader.  I remembered reading somewhere that the corpse had a new suit made every eight months because the fabric lost its luster.

I laughed feebly.  Maybe the corpse ran around too much.  My laughter echoed in the empty space and it wasn’t funny anymore. 

My hand dripped blood, my head swam.  I felt warmer, and yet scared and still unerringly compelled to step forward, on and on.

I could leave, I thought.  Go outside.  Perhaps I could find a taxi.  Or at least a car willing to give me a ride to my hotel for a fee.

“Hello?” I called, and thought I heard a replying sound somewhere above.

Maybe there were people here.  Maybe I could get a ride to my hotel from here.

In my clouded brain, my need to get help warred with my irrational fear of this place, all of it layered over with a feeling that I was where I should be, that I had just found the right place.

I climbed stairs, heard a more definite rustle above.  I would find help and forsake the bizarre fantasies haunting my brain.

Down another hallway, following my ears, I came to a large chamber with a glass coffin in the center. 

The coffin was empty.  Had they, then, taken Vladimir Illyich Lenin back to Simbirsk for burial?  I remembered reading something about that plan, but couldn’t place the source of my knowledge.

I imagined what the corpse would look like in that coffin.  I remembered the domed forehead, the trimmed beard and mustache, the pudgy hands folded mid body.

I blinked, while my hand reached forward to stroke the top of the coffin, leaving bloodied smears on the glass.

Lenin had looked a lot like the face of the man who talked to me in the bar.  Hadn’t he?  But it couldn’t be.  Corpses don’t get up and go out for a whiskey and certainly no famous corpse like that could go around unnoticed.

Only, no one would expect Lenin alive and walking, would they?  Just as I hadn’t.  All the difference between a recumbent corpse and a walking wolf.

I shook my head.  Fantasies.  Fantasies.  I must get someone to take care of my cuts, someone to drive me to my hotel.

I heard steps behind me and turned in a rush, trying to remember the Russian word for “help,” although, of course, most Russians spoke English.

Little porcine eyes stared at me from beneath heavy mongol eyelids.  The smell of mothballs and whiskey enveloped me.

“See,” Lenin said, in a malevolent whisper.  “What did I tell you?  Wolves and sheep.”

Tardiness And Inspiration

So today I got up… not late but with too much to deal with before leaving for officeish.  Blog post didn’t get done.

As always when this happens, I get stuck for stuff to write.  The very fact that I’m already late makes it impossible for me to think of anything to write about… and it only gets worse.

It’s interesting what Cyn posted about writers and schizophrenia because my first idea for writing was about the curious relationship between writers and the voices in their heads, the attempts to medicalize it and the middle finger I’d like to show most of those people.

But then I have issues with the medicalization of a bunch of behaviors and problems, and I think in many occasions being depressed is a perfectly normal reaction to your life circumstances.

I might do that post tomorrow, now.  There was after all the link at instapundit about writers having higher suicide rates and despite its being in Sweden (A Portuguese ambassador got kicked out of Sweden for excessive drinking.  Those of you who know how Swedes drink can marvel.  His answer was “It’s the most depressing country in the world.  I had to drink.”) I can see a link here.  My dentist tells me freelance writers grind their teeth more than anyone else, so… there is something in it.

But it is something for tomorrow.

Anyway, so I couldn’t figure out what to write about EXACTLY and a lot of this post is going to be scattered, as I cram into it everything I coulda shoulda might yet write about.

First, my short story Waiting For Juliette is free on the Kindle and non drmed so you can put it on whatever devices you want.  The internet is giving me guff so I can’t give you a link till tonight.  Anyway, if it puzzles you a little, it came out in an anthology “The future we wish we had” – I was going to make it a sentient house story, but Dave Freer scooped me on that, so… cold sleep.

Second, I’m considering a Kickstarter but not sure what for.  I feel if I’m going to kickstart it, it needs to be a research-intensive project which I wouldn’t do without money upfront.  I’m hesitating between the last two books of the Shakespeare series (No, it wasn’t meant to end on the third.)  and a second trilogy in the magical British empire, where the Kaiser is a secret werewolf, and… well… things go wrong and there’s the equivalent of WWI, with the second generation of our brave protagonists joining in and – for reasons unknown to me – a French orphan and a donkey caught in it all.  (She hasn’t told me what she and the donkey have to do with anything.)

Other things at various stages of completion that MUST get done soon (in my copious spare time) include, of course, the long overdue Noah’s Boy, before Toni Weisskopf comes over and superglues my butt to my writing chair; Through Fire, second of the Earth Revolution; Starting DS3; then the indie stuff – The Brave And The Free, Orphan Kittens, the Fourth Furniture Refinishing, Shadow Gods (almost there) and shorter term, a story in DST for Baen for xmas, and a xmas anthology for indie publishing.

It will all get done, one way or another, but I’d be lying if I told you I didn’t wish for a PTerry procrastinator in order to borrow time.

And now I’ll shut up and go to work.