The Still Small Voice of Trumpets by Lloyd Biggle Jr. had what was probably a disproportionate influence on my writing, simply because it was the first “fun science fiction high jinks in a different world” and possibly because I was always a culture nerd to an extent.
Thing is I still remember reading it when I was 13 or 14 and being immediately sucked into it and into the wonder of it.
If you haven’t read it and are going to object to spoilers, do not continue. Though I’ll say it still reads very well if you know how the problem is solved/how it ends. If you suddenly go “Oh, it had an outsized influence on NML”, well, yes, since it and the precipitating event that led to NML ever forming in my head came close together. Though they’re very different kind of books, in a way.)
Okay if you don’t mind the spoilers, TSSVOT is a “clever trick” novel. A distant ancestor of Captain Kirk on the mind-side.
The ambassador is supposed to precipitate a “democratic” revolution (in the sense of for representative government) in an absolute hereditary monarchical planet. The culture is obsessed with beauty. The most revered people in the culture are harpists. Whenever the king gets tired of one of them, or thinks the harpist has gone too far, or because the king has a toothache, he has the harpist’s arm amputated. Then the harpist becomes a thing of horror for the people. They hate deformity and handicaps, as the reverse of loving beauty. Also, of course, they can no longer play, so once they’re in the one-armed camps (to be fair, all sorts of people end up there, including king’s valets, etc. But the harpists are the ones that go from idolized to outcasts) people completely forget them. To the people, they’re dead.
Our hero (TM) finds a way to bring the harpists back to public consciousness and thereby precipitate a revolution by inventing a trumpet that can be played one handed, having them magnificently dressed and having them parade while playing. All their former fans remember them and the injustice of how they were treated creates general dissatisfaction.
There are — probably — several errors in this, including the fact that it takes way more than simply being aware of tyranny to precipitate revolution. However, for a single book, it works. And mind you, as we’re finding in Great Britain, being aware of tyranny is half the battle. (Here too, for that matter.)
So why is this on my mind again?
Well, because some years ago I was struck by how much the one-armed harpers situation paralleled that of writers in traditional publishing. No matter how adored you were — at least up to a threshold — you could be simply “cancelled” — i.e. they could refuse to publish you for any reason or none — and you might as well be dead.
The pressure on writers — all artists really since under the entertainment/news industrial complex, they were all subjected to this possibility of being cancelled — was enormous. You tried not do what would lead to being cancelled well ahead of it. As someone who lived it: it controlled what you did and how you did it well before you might come to anyone’s attention. And because it was (yes, political in SOME cases, but also political in the way of Woke “new directive came down. You’re now double plus ungood.” Often crazily and arbitrarily. They’re now of course cancelling the SSVOT for “sexism”. Will someone get my eyes? they rolled under the sofa.) largely arbitrary what this did was get inside your head and fester.
Okay, it didn’t help that I was almost fired after my first trilogy — a trilogy that EARNED OUT and was taken out of print the day after it earned out — for reasons that still make no sense to me (unless my glass-front face had betrayed me or someone had found my spicy letters to Analog a few years earlier. Which is likely it.) But all the same, what this system did was not only set me up for massive neurotic burn out, as I expected to be cancelled out of the blue any minute for reasons I had no control over, but messed up my relationship with my editors, even the one that had a chance of being halfway decent. I adopted a policy of hiding and not being seen, save for randomly sending books in (increasingly more randomly and utterly detached from contract due date as the burn out made itself felt.) This wasn’t particularly good for my career, but it was me trying to cope with the situation was was.
I also for a while tried to “say the right” (left) things as a shield, until I woke up one morning from a nightmare of seeing myself morph in the mirror, and realized it was a true dream, and that I was in danger of losing my soul (even though at the time I wasn’t 100% sure I had one) and JUST for continued publication, which seemed like an insufficient payment, if you know what I mean. That’s when I started (slowly) taking the mask off, and thereafter was only publishable by ONE house which made me feel even more precarious and–
One bizarre manifestation of this was my hobby room, which I am in the process of dismantling and dispersing, and which had grown to the level of insanity. I was hoarding how to books and craft supplies for things I’ve never done, with the same fervor that people hoard #10 20-year-stable cans of food. (Who are these people, you say? Well, I’m also one of them, at times.) WHY? because crafts hit the same mental/emotional spot as writing. And I expected to be well, technically “laid off” at any minute, which meant I needed to do something with the rest of my life. I’m dismantling it, because honestly, in the time I have remaining, however long, I’d rather write the things cluttering up my head.
But that was some amazing neurosis.
So why am I saying this? Well, not to complain, particularly, though yes, I’d like it recognized widely that I might be crazier than a March hare, but I came by the madness naturally and not just through genetics, and also that some systems are DESIGNED to make everyone insane.
A lot of systems these days, because the left has been intentionally breaking them in just this way for a while. Look, in a way, it is because their system requires that society/thinkers/creatives/everyone be broken in this way. The cancelling and the gulags are necessary because communism cannot survive in a society where people fight back. And don’t be deceived by “progressivism isn’t communism” or “socialism isn’t communism.” The goal, the tactics and the objectives are ALWAYS communism. The way there is a sliding scale to hell, on a greased chute, in a flaming hand basket.
So the left creates that system anywhere they get control, because their ideas are laughably ridiculous and obviously evil, and people who are free to say so will do it, and they’ll never get more power, which their ultimate goal and kink, an unclean lust for power over others.
Part of the poison of the system is, as in The Still Small Voice of Trumpets the fact it is secret. It happens behind the scenes, where no one can see it, and the cancelling is always explained other ways. “Oh, we don’t publish so and so because the numbers were bad.” Or my favorite “We can’t publish them because they’re difficult to work with.” (Which was true, even, since difficult to work with is defined as “will not submit” and “insists on having his/her own opinions.”) This led to writing but also the arts, teaching (particularly at the college level but at this point all the way to elementary school, theater, film, Hollywood, news readers, reporters, in short all the “liberal” arts fields (though they’re now pushing into STEM fields as well.) becoming fiefdoms of the left where only one opinion was heard.
It also lead to lots of fights with me on one side and everyone on the right on the other, where people tried to figure out why the right wasn’t “creative.” The funniest of this was my fight with Roger L. Simon (Whom I LIKE) where he insisted that no, the right wasn’t creative. Why was this funny? People, he had already written Blacklisting Myself, but was apparently unaware that EVERY field was under that same boot.
As a rule of thumb, if only one (broad) side of the spectrum is heard in any profession (or country for that matter) that is not organic, and opinions aren’t free there. BECAUSE THAT’S NOT HOW FREE PEOPLE BEHAVE. (The same as the left raging against inequality. Inequality (economic, of behavior, of education, etc. etc. etc.) is the mark of freedom. The only way humans are equal is if someone is over them making sure all the peasants are the same.)
So why is this relevant again? Two reasons.
First, writing is largely — if only most writers knew it/admitted it — free to romp in indie, and the pay (at least for me, tovarich, I don’t know about the rest of them. I have no visibility into their income — comparable or slightly superior to trad pub (even if the penetration is theoretically smaller. Note I said theoretically, because… who knows? Like all numbers, it’s hard to be sure either way.)
The reason I encourage anyone going indie/trying new ways to go indie is not that I have a hard-on against publishers. My last publisher was largely (within limits) okay, and I think well of Rac press. It is because I want the system so dispersed that it’s impossible to gate keep it again. To that end, yes, we need work arounds for Amazon, and there are ideas, but mostly writers seem to be going to their own shops, at least after they have any following at all. And that’s better, because even more distributed. But yes, it’s a work in progress and I gleefully support the decentralization with time, talent and treasure as much as I can.
That’s writing. News too to an extent. It occurred to me some years ago that for given values (if you squint) I’d come to realize my early-ambition (like before 12) of being a journalist AND magazine owner. Eh. It’s weird but it works, so….
However, not everyone has got the memo, and a lot of people are still trapped in a system that has gotten way crazier and more arbitrary. (This might or might not explain Maher who has had red-pill moments throwing behind Platner. In fact, Maher himself might not be aware of why he did it. As I said the system gets inside your head.)
And then there is Hollywood. Hats off to any actor who dares not be woke. HATS WAY OFF. Even if they beg, shimmy and try to have it both ways, they’re running a huge risk. Bigger than writers because writers aren’t that well paid. Same for professional athletes. Same for– well, anyone in a controlled field.
HATS WAY OFF. And for the rest of the right, keep in mind these people aren’t free. Heck, they might be double thinking so hard they don’t know where they are. Don’t judge them too harshly, even as you make it easier for them to be able to think clearly and say what they really think.
Second: while on that: This is what makes it so difficult to distinguish people who were faking/true converts from the weasels who suddenly are on the dominant side. I bet at the fall of Nazi Germany and Soviet Russia a lot of people came over to the other side, and honestly? It’s impossible to tell who is who. You can’t tell if this person was undercover and finally free to be him/herself, or if the person is a weasel chasing power. Or a baddy wanting to corrupt your movement. We’re already running into some of this in politics, (And much as I like Marco Rubio I wonder if he himself knows which of those he is. Yes, I know, but think on it.)
This is why a civil war would be so costly and why a lot of people on our side would succumb to friendly fire, even as a lot of weasels and baddies survive.
Third: what we need is the equivalent of indie for EVERYONE that it is remotely possible to do that.
(This is one of the reasons I’m strenuously for just calling student loans a bad bet and cancelling them. Most doctors never pay theirs off, and not the way you think. At least for those graduating (my urologist tells me) in the last fifteen years, not just the loans but the terms, and the fact that it’s under government aegis and things change without warning about what is due, when, and what the interest is, even, are so huge and unmanageable and unpredictable that the best doctors can do, even at the salaries they eventually make (after residency, fellowship, whatever) is pay on them in some amount till sixty five when the loans are forgiven (And taxes due for the amount forgiven.) Now you might flap gums about how that’s fair (I have opinions, and most of you won’t like them, including for ex. the fact that it’s the government loaning the money, which means the money has been printed and spent. it was already stolen from you via inflation. Because fiat currencies are fungible.) BUT the fact is those loans, hanging over the heads of highly skilled people who are already highly controlled by government licensing (Seriously) amounts to slavery. If you don’t like that your doctors lied to you about Covid and the Covid vax you should be for the forgiveness of student loans. People whose survival depends on saying what they’re told, will. Unless they have independent means which most don’t.
It’s not just doctors. Lawyers fall under the same heading. As do a lot of other, expensive, requires-graduate-degree professions that are government licensed.)
This includes of necessity Hollywood — in case you wonder why I am AI-positive — and of course news reporting, and frankly everything you can think of, which I’m sure includes thousands of things that aren’t coming to my sleep-and-caffeine deprived brain. (Not to mention paint fummy. I’m refinishing some stuff.)
And this is where “what can you do” comes in. In any way you can think of where you can support a field’s diversification (real diversification), free-form-dealing, and decentralization, DO IT.
Chaos (in this case) is on the side of freedom. And the system that keeps things “organized” is ultimately an iniquitous system for gagging and controlling people.
Build over, build under, build around. Refuse to be controlled.
Take up your trumpet and play the best music you can.