
If you read mad genius club, you know I’ve been under the weather. And though it shouldn’t have psychological effects, this did. For a while there I was unable to choose anything. Like …. do you want ice-cream or rat poison was an actual conundrum. (Not that anyone asked me that, but yes, that was the level of “I can’t even.” And if I could summon words at all they came out flat.
This broke yesterday but of course I’m profoundly behind. And now I’ve hit the stage where I can write, but it all feels like utter drek. This is absolutely bog standard for when I’m very sick. But of course I still worry about what if it sticks like that?
Oh, yeah, and it’s probably nothing to worry about. I’m furious at myself for how slowly I’m recovering — this thing did a u-turn at least once — but almost everyone I know has had it, and the thirty year olds have as much trouble kicking it as the sixty year olds. And this one was so nasty Dan caught it before me. (And is still working on kicking it off, though admittedly better than me.)
I’d like to promise you that next week I’ll be up to snuff, but of course I can’t. I’m going to try really hard though.
And no, this is not the whole point of the post. So ahem, the spiel:
And yes, if you have one of the first books to come out, it came with a foreword explaining this, but I’ve decided to remove it and let the book stand on its own. Also, there’s stuff to explain, some of which will be new to you even if you have read about it before, or you’ve read the book. (And yeah, I promise to write the stuff I mention. Soonish.) And yes, this is a weird place to do it, but this allows me to link the post places that haven’t heard of No Man’s Land. So, bear with me a little.
As some of you know, No Man’s Land is special to me. Look, just like a mother loves all her children, a writer loves all her books. It’s just that some are favorites.
Why is No Man’s Land a favorite? That’s easy. Because it was my first world and because I spent so much time in it as a kid. For various reasons it was a good place to hide, partly because it’s so different from the real world, particularly the world I lived in at the time.
But it’s also the world I thought I could never publish. Why? Well, partly because in Elly, the world in question, everyone is a functional hermaphrodite.
What is a nice writer like me doing with a book like that?
Well– First, I’m not precisely a nice writer. One of the things M. C. A. Hogarth has achieved — I’m not sure she was aiming for it — is convince me that I’m not just a craftswoman but an actual writer. She’s achieved it it by posting things like this, because I have to admit she’s right:

If you’re on twitter this is the link. And if you’re not, this is the link.
Because this absolutely my process. Why would any rational human being, much less a rational human being to the right of Lenin want to jump into sexual/gender weirdness while the left is using it as one of their vehicles to destroy society.
Well, maybe because it’s when it’s needed. You see, the people in Elly don’t choose their gender/sex anymore than we do. They are a bio-engineered race and their ability to each both sire and bear children is a blessing and a curse. For one, because of how they’re designed they have a very difficult time forming relationships, and the only reason they have a semi-organized society is because they were invaded a few times (and fought it out, and invaded again) by a totalitarian empire. They managed to adopt some structures, like marriage (of sorts. They have trouble with it) and monarchy (of sorts. It’s more like tribal power writ large) and commerce (of sorts.)
For another, as the series continues, they’ll have a real disadvantage in relation to normal humans. Also an inability to integrate with greater pan-galactic society. This is complicated, since the only reason they survived at all is that their designers — who were brilliant and insane, geniuses with a My Little Genetics kit and cracked wide personalities — gave them nanos that enable any number of them to have a wide range of psi-powers. And those psi-powers are important to humanity at large AND vanish if more than five generations from Ellyan ancestry. What do you do with that? Normally being a minority hampered in the reproductive department, they’d be genetically swamped and disappear. But the Star Empire that first makes contact with them needs their psi-powers and can’t let them disappear.
So, the situation is fascinating to me, because at what point do humans become zoo animals kept in artificial barbarism so as to preserve their “specialness?”. (They don’t, but the whole thing is very complicated to negotiate.)
BUT when this started out it wasn’t even that. It was that I’d read the Left Hand of Darkness and was OFFENDED to the chore of my proto-writer soul. Because the biology made no sense. The society made no sense for humans of any kind and also REEEE. being fourteen, at the time, I knew everything. So I decided there and then I was going to write better hermaphrodites. (Which I obviously couldn’t. No, seriously. My first attempt was forty pages handwritten.)
However, being — shakes fist at Maggie Hogarth — an artist (ptui. Did she have to make me admit that?) and cracked, I woke up that night with a not quite prince in my head running towards the chamber where his womb-parent the king has just died.
For those who’ve read No Man’s Land, no, weirdly it wasn’t Brundar. It was his ancestor, 500 years ago, at the start of the War of the Magicians. (Yirt the Justice Bringer. Though Brundar has another nickname for him.) And yes, those stories will happen, probably in a series of novellas and shorts.
I did write the novels. Eight times. They got rejected everywhere. The final rejection was a demand I change the pronouns to “she/her” instead of male pronouns. At the time I didn’t/couldn’t because well, visually they look more masculine (not that they look particularly either. Rendering them in midjourney for the sound track is a trip, because it either gives them beards or breasts randomly. And sometimes both.) As in, they don’t have breasts. And if I use “she” everyone sees breasts. However and more importantly, as time when on I realized that using “she” turned it into another big plea for female supremacy or exclusivity of some sort, and frankly I can’t even. (However in the second novel, a female-view-point character keeps thinking a lot of them are more like women or in one case “Psychotic little girl” — this is said admiringly. It’s that sort of situation.)
Anyway, into the drawer it went for a good long time, until two years ago I realized I was getting old, and might die with it unwritten. And at the same time had the brilliant idea (if I say so myself) of introducing a more normal human character (Not that Skip is precisely normal. And I mean that in the good and bad sense.) to be our “seeing eye dog” in the completely new world.
So the book starts with what appears to be a standard mil sf chapter with Future British in Space. And then the second chapter is the death of the hermaphrodite king and his child of the womb inheriting much too early. And because they are barbarians and call their psi-powers magic, you’ll think you were dropped into a high fantasy.
Anyway it ended up at 265 words, which means I had to publish it in three volumes on Amazon. (And the second book, Orphans of the Stars is going the same way, I’m afraid.)
I put the first volume on sale for 99c in the Based Book Sale. I will keep it at 99c till the morning of the eighteenth. Since I don’t intend to put it on sale again for at least a year, this is your chance to grab it if you either haven’t read it OR you intend to give it to a bunch of friends. (Hey, I can dream.)
But isn’t it weird to put it in the Based Book Sale which is supposed to support traditional values and all that?
Well, no.
Because the book actually is disturbingly wholesome. Y’all know that into all of my books a broad stripe of darkness must fall, but really, in the fundamentals, not this one. Oh Skip goes through a disgusting interlude, but he gets better, and fundamentally he’s a decent human being bound by honor and duty. And Elly is practically a screaming advert for marriage and having a lot of babies. (No, seriously.) And emphasizes them as life and civilization affirming. Also the characters are fighting bravely and for a large part of the book seemingly hopelessly against one of the worst villainous societies in science fiction. (Would you believe cannibal slavers? Sure, I knew you would.)
Anyway, that’s No Man’s Land, and it’s in the Based Book Sale. The first volume is only 99c, which is 3.99 off and makes the whole book much cheaper.
MEANWHILE I hate to bother you, but, Done With Mirrors is on pre-order. It’s a collection, but it’s the size of a novel and though the stories are previously published, the one from Black Tide Rising is double the size, because I misunderstood the specifications. Also, some of you might have missed some of the stories, since they were published in various anthos. Now, the collection comes out Valentine’s Day, and I would like to get to at least 200 pre-orders, and it’s lagging short of 150. No, you don’t have to buy it, duh. But if you’re inclined to, please do so.
Done With Mirrors: A Collection of Short Stories (Sarah A. Hoyt’s Short Story Collections)

DONE WITH MIRRORS
From Prometheus Award winner Sarah A. Hoyt comes a dazzling collection that showcases why her work has appeared in Analog, Asimov’s, and Weird Tales—and why readers can’t get enough.
Magic-soaked noir in 1920s Denver. Mirror-hopping time lords fleeing across infinite universes. Survival in John Ringo’s zombie apocalypse. Murder and mystery in the world of Darkships and Rhodes. Each story in this collection pulls you into a different world—and refuses to let go.
Previously published in acclaimed anthologies from Baen and Chris Kennedy Publishing, these nine tales span Hoyt’s most beloved universes alongside standalone adventures. Whether she’s writing in Ringo’s Black Tide Rising series, exploring her own Darkships and Rhodes worlds, or crafting speculative noir that defies categorization, Hoyt delivers the vivid storytelling and emotional resonance that has earned her a devoted following.
From rain-slicked streets where magic and murder collide to the far reaches of space-time itself, Done With Mirrors demonstrates the genre-hopping brilliance of one of speculative fiction’s most versatile voices.
Nine stories. Nine worlds. One unforgettable collection.
Contains the short stories: Honey Fall; Scrubbing Clean; Last Chance; Great Reckoning in a Small Room; Horse’s Heart; Do No Harm; Dead End Rhodes; Knights of Time; Done with Mirrors.
With an introduction by Holly Chism.
(If you want it printed, you have to wait till Sunday, because I got confused about when to upload it. Sorry.)
Okay — embarrassed — done with the sales spiel. You’ll be glad to know the songs have returned. I’ve done the next three on the sound track and will upload it when I have time. And there is one of the “Songs of Elly” cooking as well. I’d also like to do readings, but I need to stop coughing up a lung.
Honestly, I really am on the upswing. It just feels like I’m at the base of a very tall mountain! Hopefully next week I’ll be well.






































































































































