
This is a post with a setup, so bear with me. It all gets to a point. And not just on top of my head.
Yesterday, when I quit work for the day, husband reminded me that we had page proofs to go over for a Chris Kennedy anthology, Bonds of Valor. And by reminded me, I mean forwarded the proofs, because we had established at breakfast that I never got it. (Hotmail is whimsical.)
So at nine something I sat down on the sofa to watch the Saint, but with the laptop, instead of crochet. (Curtain. For office.) Anyway, the minute I sat down, I realized one of you had been trying to reach me over social media, because (among other things) she had a sense of impending doom.
As someone who has awakened since December with the cold in the pit of the stomach, staring at the ceiling round about 2 am I get this. It’s awfully like the last days of 2019 and early 2020. (Not that THAT got better.) Husband has been having the same, which is why he insisted we import the DIL IT (daughter in law in training) within driving distance ASAP, because we need to have those we love close, so we can assist and he said “2023 there’s something bad coming. I can feel it.”
Before you think we’re some kind of soothsayers, we’re not. and we’re accurate-ish in these feelings, though this one feels big. What we are is artistic types.
This ties in with the story I was proofing. You remember where you bright boys and girls egged me on to write muse murder mysteries. Well, I hope you’re happy because the story in BOV is the first one of those, starring one Kit Marlowe, somewhat weirdly changed. It’s noir, and he has become a PI who lives between worlds and investigates crimes between or by authors (and artists) and muses. It came to me, as I was writing it, as though a fever dream, and the world setup poured out. (It’s called Great Reckoning in a Little Room and it will eventually be released as part of a series called The Muses’ Darling. Which will be short novels and novellas, like what I have planned for Rhodes and Magis, and the uplifted cats. And yes, those are coming. Shush. It’s starting to pick up speed, despite the I SWEAR every other month health collapse.)
Anyway, when I finished it, I told my assistant who was proofing it (it was 10k words written in 3 hours, and only gone over by me once, which means the typos they were gifted) “I only wish I were sure that the world building isn’t real.”
To explain, in this world writers, and artists and musicians have thought-wires throughout the multi-universe, crossing into and around parallel worlds. We are, sort of, nodes of these wires, existing sometimes more or less beffuddledly (totally a word) between realities. We are not crazy, just cross-wired. We’re also not sane, because it’s impossible to be crosswired, in a multi-verse where everything can happen, and not be more than a little nuts.
So, it starts with the concept of a multiverse, like an infinite deck of cards, stacked together. Most cards differ by very little, perhaps a wrong dot in the printing that’s in different places. This goes along with the whole concept of crossing between worlds and the Mandela effect. The idea that you routinely, more or less, cross between universes, exchanging with one of you (your alternate in that world) and that you don’t notice because the difference is so small. Like the car that was green is now black. Or the numbering scheme changed in a street, so your familiar address is off by two.
No proof of this, of course. How would you get proof? It’s even possible that even if everyone crosses over the line on the regular only a few are equipped to perceive it and remember it. But some of us do.
Granted it involves some kind of altered state, which calls our testimony into question, but then again, it happens often enough it makes you wonder.
Like, once, in high fever, I realized I was writing at my normal desk, but the desk was in a tower of a Victorian by the sea side. And there was a spiral staircase, leading down. I went a flight down, to the bedroom level, undeniably ours due to furniture, and started towards the stairs to the first floor. Except from it I heard my family’s voices… and mine. And scuttled double fast back to the office. Where I sat down, and suddenly I was in my familiar room, in a Victorian in downtown Colorado Springs. It wasn’t till I described it to husband that he said “Remember that house we looked at in Astoria, in 2002?” And I did.
Most other such events are less spectacular. Things you lost or broke years ago are suddenly on your desk one morning. Clothes you never had/bought show up in your closet. They’re your taste, you just never bought them. Etc.
I hear this from other friends, who are artistic types, sometimes with a degree of panic. There was the friend who opened a door to what should be a classroom, and instead it was set with a round “sharing” type table, and chairs around it. He closed the door, opened it again, and it was what he expected.
I keep hearing these stories, as I said, usually with a degree of panic. And it is probably because I’m somewhat of a den grandmother to a bunch of creatives. Note none of my friends or protegees are into funny substances.
But it reminds me of a much younger Sarah, just breaking in to writing, finding herself forgotten in a corner of a room while a bunch of old pros, some of them her heroes, talked about how they “got” stories and things that happened while writing. And closing her eyes, and sending a prayer up that all SHE got were feelings, and a sense of how the dialogue should go, or at the most dictation in thoughts in her brain. Because DEAR LORD it would be impossible to write and look after toddlers while getting the full panoply of sounds, senses, visions, SMELLS from the character. Uh, no. Thank you.
Anyway, the way I explained it in the story was that we are… odd… and have links to either our other selves or just others in all sorts of worlds. Not just the immediately adjacent ones (Which I think are responsible for most people’s hunches, because their other selves know this thing) but all over.
And I’m not sure it isn’t true.
It certainly explains the sudden panics, the “something wicked this way comes” and the way that the late insanity seemed to be one-off from Ringo’s Last Centurion scenario, only in this case the plague wasn’t and… well, the government insanity is an election cycle off. I just hope it goes well.
In proof that we live in other worlds than here, or that our imagination is really weird, I was going to compare us to something that apparently doesn’t exist in this world. Unless I got it from reading some archeological thing, and it was an unproven hypothesis. And I don’t remember where I read it. (I have poorly controlled ADD at the best of times, even on meds, and right now the meds are hyper caffeination though I have an appointment, which means I go on side quests all the time, and read things that pop into my line of vision. And unfortunately my mind is a cement mixer, so I often don’t remember where the original info came from.)
What I dreamed/read about/whatever was that in olden days, in regions prone to Earthquakes, villages had these bells on a hair trigger, which were in turn set inside other bells, or means of sounding, to amplify their sound. The idea being that even very small foreshocks of the kind only modern seismographs register, would make the bell tinkle and hit another bell that sounded louder, which in turn…. So that the entire village would know if there were a bunch of little tremblors in a cluster, and could get ready for a larger shake.
The thing that occurs to me against that system is that we have tiny foreshocks more or less all the time. Back in my thirties and forties, for whatever reason (not anymore. I think it has to do with the internal ear) I was a living seismograph. I didn’t register EVERY minor tremblor, but I registered some no one else felt. I’d tell husband about it, and sure enough later it would be in the news with “you don’t realize this, but the Earth moved last wednesday.” OR whatever. Anyway. So, the Earthquake Bells, which is what I thought they were called, depending on how sensitive they are, would have a lot of false positives.
As it turns out, creatives who “feel” things have a lot of false positives too.
I won’t go into people who hear voices, or see things — I’ve often wondered if we’re related to the ancient bards and shamans and such, or at least descended from them — and how they regulate that, because I don’t know. Till that, awe-struck moment hearing old pros talk, I had no idea anyone got this any harder than I did.
I know how I “regulate” it and it’s by the “strength” of the feeling. We’ll establish that waking up in the middle of the night with my stomach full of ice, and a sense of “something wicked this way comes” is pretty strong. It’s not as strong as what I got for three months before 9/11 when I’d wake up drenched in sweat, and not be able to sleep more than two hours at a time. So, there’s that.
Then again, for the whole Covidiocy I never got more than what I’ve been getting since December. (And getting worse, same as then.)
I have this theory that you feel an event in proportion to how close it is to you (meaning does it affect you, which 9/11 did, because I was tied to NYC publishing) and how near it is in time. So an event vaguely related to you but HUGE will feel about the same as an incident related closely to you (say death of a relative) which doesn’t impact many people.
So, I hate woo woo, and don’t put much faith in it. Because for all I know the feeling I was having all through the end of 2019 was for John Ringo’s Last Centurion world, and not ours.
Yes, I know this all sounds insane, unless you’re one of us, in which case you’re going “Oh, so, that’s why…” And mind you, I think it’s not just creatives. I think everyone can feel this stuff to an extent. And if you don’t want to go with a multi-verse hypothesis, and the sounding bells, consider that our subconscious might be adding things all the time, and trying to give us warning of something wicked this way comes.
Anyway, Earthquake Bells, if they existed, would be super-sensitive. By the time the shock was big enough to make the bells in your local search start to rattle, it would be practically on top of us. Which is when normal people feel it.
What I want to say is two fold: I’ve been getting reports from creatives, all over, of waking up with cold in the pit of the stomach, or all in sweats, or… definitely the feel of something wicked this way comes.
It might be that living in clown world we’re reacting to shadows and intimations of things not there. It might very well be. Remember that. Even though a lot of us are getting it — and because there are connections between us, we’re all probably panicking the next person, like the little bell on a hair trigger making the bigger bell sound, too — it might not be nothing, or it might be very little and got through relatively easily.
For those of my religious persuasion, praying the cup pass us by without our tasting it is always approved. We have the best example on that. (Though remember even He didn’t get what He prayed for. It’s not a vending machine. Sometimes the plot requires what the plot requires.)
The second part is, just because you get the warning, it doesn’t mean you can do anything about it. The bells can’t stop the Earthquake. They just give early (and sometimes false) warning.
This is what drove me nuts in 2019 and early 2020 (heck, all through it.) It was “if I’m sensing this, I should be able to stop it.” But you can’t really. Even when the feelings are more specific, there’s really nothing you can do, even if they’re true (and sometimes they’re not. Or they’re exaggerated.)
So, if you feel that something wicked this way comes, the warning is not really for YOU specifically (Probably, unless it’s extremely personal. Which is unlikely with how many people are getting it) and you probably can’t do anything about it.
I know — I KNOW — it drives you half insane, but all you can do is prepare as best you can, pray as best you can and then resume building over under and around.
And keep your clothes and weapons where you can find them in the dark.





























