Author: Sarah A. Hoyt

*Trigger warning: this post contains special snow flake melting triggers, you’re not the center of the universe triggers and meltdown triggers for unspanked babies over the age of twenty – you’ve been warned.*

First let me tell you I don’t discount PTSD triggers.  One morning, a few years ago, I came out of the grocery store with my son.  For various reasons I was very stressed, but also very stressed in a way that had been familiar in my youth, where on a few occasions people near me were shot or at least shot at.

When a car backfired, I found myself under a parked truck.  I’d dropped the bags and taken a long dive.  My son was looking at me like I had gone around the bend.  I had to crawl out, grab the bags, and explain.  I was shaky the rest of the day.

Now, this doesn’t even happen every time a car backfires, and I’ve gone to a gun range without looking for shelter.  The noise bothers me, but it’s not that bad (It bothers me because it’s in a range that hurts my ears, not because it gives me flashbacks.)

But put me in the right kind of stress, in the right situation, and the back brain takes over.

I don’t care.  As issues go, it’s not that bad.  Weird, yes, but not that bad.  And it gives me understanding for friends who have much worse triggers to much worse flash backs.

Other PTSD symptoms from growing up in an unstable country are more subtle.  Two hours after hearing about the World Trade Center bombing, I was driving back from the grocery store, my truck filled with groceries, but particularly cooking oil and toilet paper.  This is in no way rational.  There was nothing about the bombings – even when we thought there would be a lot more of them, as we did – that would affect the supply of canola oil and toilet paper in Colorado in the proximate future.  BUT in Portugal in the seventies having these in stock was a very good idea, as they often disappeared from store shelves.  In other words, they  made the confused, scared kid inside me feel safe.  It’s all right.  Took me a year to get through the supply, but it’s all right.

Some of my friends with much worse experiences sleep with a gun at hand, or under their pillow at certain times of the year.  Or completely isolate themselves from humanity for two weeks, because they can’t be trusted not to snap at a triggering incident.

I don’t know anyone – not one person, and trust me I know many sorts of people who are broken in many sorts of ways – who gets their PTSD triggered by a WRITTEN word or a blog post.  I could see, perhaps, a novel that was all-absorbing, about a civil war triggering my feeling of vague stress that could make me vulnerable to PTSD.  This is one of the reasons that, though I love military SF I don’t read it often.  And I have to be careful when I write anything resembling it (I don’t write military sf, I don’t know enough about life in the military, never having served.)  But it would have to be a darn good novel. ALL absorbing.  Way beyond being “a good yarn.”

Normally the triggers are more primal and connected to the gut.  Smell is one of the strongest, in most humans.  You know that, right?  Smell something and suddenly you’re there, when you were three and seeing whatever.  Sight, of course.  Often a certain season/time of year with all the cues.  I thought Pratchett did that beautiful in Night Watch with the smell of lilac.  It was RIGHT.

So what in holy, bleeding, sulphurous h*ll is this about?

Twenty years ago, critics such as Christina Hoff Sommers, Daphne Patai and Noretta Koertge, and Karen Lehrman described the bizarre “therapeutic pedagogy” in many women’s studies classrooms, where female students were frequently encouraged to share traumatic or intimate experiences in supportive “safe spaces.”  Today, at many colleges, academic therapism has spread to other fields.  Welcome to the age of the trigger warning.

The trigger-warning vogue began a few years ago on feminist websites, and then spread to other “social justice” blogs.  The idea behind them is that for people who have post-traumatic stress disorder (PTSD), something that reminds them of the trauma can trigger painful flashbacks and panic attacks.  Initially, the warnings were primarily for sexual assault and partner abuse. Eventually, on some blogs, they spread to just about everything that could be potentially upsetting  to any person of politically correct sensitivities: sexism, racism, homophobia, “ableism,” “victim-blaming,” “slut-shaming,” “fat-shaming,” “body-shaming” and a host of other sins and oppressions.  (My personal favorite, from Melissa McEwan’s Shakesville site, is a warning for “discussion of gender policing”–that is, of norms dictating proper bounds of masculine and feminine behavior.  How startling to find such a discussion on a feminist blog!) Warnings for mere references to gun violence, suicide, self-harm and various mental disorders, as well as things that trigger phobias–from spiders to small holes (really)–have proliferated as well.

I’ve seen those warnings a couple of times, usually on articles about cutting or other addictive dysfunctions.  That I understood.  These are ADDICTIVE dysfunctions.  If you cut, you do it for the endorphins.  There is a seduction to it for you.  The same for drug use.  I can see where a well written, evocative, biographical article on it COULD start you thinking about it and could lead to your wanting to do it again, even though you kicked it.  G-d knows I understand that.  Every time I give up writing, I read a book…  Never mind.  Not the place to joke.  (And I’m not even sure I’m joking.)

I get that type of warning and it’s where I’ve seen them.  If you still choose to go ahead and read the article, you should have a quick dial to your buddy or twelve step counselor or whatever.  Right.  That’s fine.  You’re more than allowed.  You’re encouraged to do this.  In certain circumstances, maybe, if you squint, an article on suicide might even lead you to consider it again.  If the article makes it appear as wonderfully seductive as it has to me in my worst times.  NOT normally, but if you’re at just that point.  It’s a small demographic, but I could totally see a warning before playing certain songs or reading stories to a group of people that goes “If you’re suicidaly depressed…”  (Of course, who admits to that?  And to what end personal responsibility?  Most of us who are cyclically inclined towards depression are aware of it, and compensate.  Weirdly, actually, sometimes the more depressive songs are what pulls me out of it.)

But what the heck, people, seriously WHAT THE HECK?  sexism, racism, homophobia, “ableism,” “victim-blaming,” “slut-shaming,” “fat-shaming,” “body-shaming”?  Spiders? Small holes?  WHAT?

You cannot have PTSD to any of those, because none of those are the sort of trauma that causes PTSD.  Guys, I have black friends who lived in South Africa, under Apartheid, who don’t have PTSD relating to racism.  They get upset at it, sure, (everyone does, with real racism) but they don’t have PTSD.  There can be no “trigger” unless your idea of “trigger” is “something that makes me feel uncomfortable.”  If that’s it, then everything is clear, from the “triggers” for mentions of spiders and small holes, to not feeling safe at a convention because someone, somewhere might make a fat joke.  (Actually fat jokes don’t even make me feel uncomfortable.  I know I’m fat.  I don’t like it.  For various reasons I have trouble controlling it.  But you know what?  It’s still funny.  Heck, I make fat jokes myself.  My favorite is that if my local thrift store doesn’t stop putting size 3 suits in the size 18 section, I’m going to find the sorting clerk and sit on her.  At my weight, that’s serious punishment.)  A fat joke can offend you, if you feel it’s directed at you – though then, that’s not a joke, but just a rude remark.  In the same way a sexist/racist/homophobic comment might upset you.  THAT IS NOT A TRAUMA.  That’s just being bothered and upset.  The proper outlet for it is to either roll your eyes, tell the person they’re annoying (if they’re nearby and not like a performer), not listen to/read the person again, OR, if it really gets on your nerves, vent to your friends about it.

I knew we were in some sort of trouble when I stole my kid’s psychology textbook and found that having mood variations of any sort was being classed as “bi-polar” and needing medication.  I have no idea how it’s being applied, but let me tell you, I know what a real bi-polar person is like.  I grew up with one.  Getting mildly upset or happy doesn’t make you bi-polar.  It makes you human.

You can’t feel unsafe because someone near you might possibly eventually say something that could remotely perhaps apply to you and upset you.  You can’t even feel unsafe because someone might turn to you and tell you you’re a fat cow.  You can get angry, but getting angry is okay. To feel unsafe you have to have a reasonable (note, REASONABLE) expectation of physical HARM.

Listen to me – this thing you’re experiencing?  This upset in the pit of your stomach?  It’s perfectly normal.  Trust me.  It’s part of being human.

That thing where whatsherface heard Larry Summers say that at the very top in the sciences there were few qualified women and felt like she was going to faint or throw up?  Learned reaction.  And the fact that she somehow got it into her head that she should never, ever, ever be upset.

Any woman who feels the need to faint when faced with a statistical truth – that women tend to cluster in the center of the bell curve while men cluster in the center.  Yes, there’s more male geniuses.  And more male morons.  BUT this is not predictive of any given woman or man.  It’s a statistical universe thing – is an unspanked baby.

No, I don’t believe babies should be spanked.  (Yes, I can see the twitter storm now.  That’s fine.  I don’t care.  They’re going to play telephone with anything I say anyway, let them have their fun.)  But I do believe that if you’re never been metaphorically spanked, if the world never hands you a set back, if everyone tiptoes around you and tries to make sure that your tender, delicate, lilac scented feelings can’t ever ever ever be offended, you’re not going to grow up.  You’re going to continue to think like a baby who attempts to control his environment by crying and pumping his hands and feet.  And the more mommy and daddy – or total strangers who buy into your entitlement – rush to protect you, the more you’ll try the trick because, oh, my, that must be your G-d given right.

Listen, princess (and it’s mostly women, though some men are also drama queens) I don’t care how privileged your upbringing, how cushioned your adolescence; I don’t really give a good g*ddamn how many people told you that you were special and must be accommodated in all things, you’re human, living in an human world, and sooner or later reality is going to bite you on your pink powdered ass.  And the longer it takes for reality to bite, the worse it will hurt.

This doesn’t make you a victim (and being a victim doesn’t make you a good person, btw) or entitled to compensation.  Depending on how you take it, it either makes you a grown up, or a bloody nuisance.

But you have TTTTTTRAUMA.  Some uncouth man has looked at you too long, slapped your butt, told you that you were hot…  Some guy – trembles lip – tried to get into your roooooom at a con.

Look, my upbringing was no worse than most people’s.  It was probably better than most in my time and place.  My parents were middle-middle class.  By education probably upper middle class.  BUT thank G-d neither of them believed that I should be raised as the bubble girl, with every harsh feature of the world and humanity cushioned and softened for me.

I know they didn’t like to expose me to what was at the time and place quite a rough and tumble world.  I didn’t like to expose my kids, either.  I remember that first day in kindergarten, letting go of the kid’s hand, knowing they’d get in trouble, be made fun of, be spoken harshly to.

I didn’t get advanced from first to fourth grade because fourth grade was the last grade in the village, and after that I’d need to take a bus to the middle school.  Mom thought a girl of eight was too young.

Now let me tell you why she thought so.  Portuguese buses are usually overfull.  There is either a class of men who rides the bus all day practicing frottage, or there are a lot of these men.

Yes, I’ve had total strangers pleasure themselves by rubbing up against me.   When I was as young as 11, which is when I did go to 5^th grade.  Do I have PTSD due to that?  Oh, hell no.  It was ewwwwwwwwwwwwww beyond all measure, but it happened to everyone and I had been warned.  On the advice of my female cousin/sister (she was raised with my brother and I) Natalia, I’d provided myself with one of grandma’s hat pins.  It became a game to shift just slightly, then STAB.  Oh, the screams, the clutchings, the moans that they weren’t doing anything.  (At which point more often than not the conductor would come and toss them out.)

There were other worse incidents.  It was the culture.  Does this mean I feel unsafe around men?  Oh, please.  Why should I?  WHY would that be a horrible trauma?  Some stupid idiot thought he could get off by doing this.  It makes me feel disgusted, but disgust – LISTEN TO ME – is NOT TRAUMA.

Being rubbed on by a stranger, or being groped by one, even, or even being cornered in a deserted classroom by a guy six years older who is intent on raping you IS NOT TRAUMA.  NOT if you got out of it unscathed.  It was scary.  Oh, it was very scary.  BUT BEING FRIGHTENED DOESN’T CAUSE TRAUMA.

Rape can very well be trauma.  Very bad trauma.  But how many of you have been raped?  Tell me the truth, princess.  Not “slept with him and found out he was not very nice.”  Not “my friends all thought I was stupid for sleeping with him, so I told them it was rape.”  How many of you have been held down and forcibly raped?

I know there are real cases of this.  And I know it causes trauma.  I have friends – female AND male – who have been raped, and who are still traumatized by it.

But look, honeychild, if being “slut shamed” is enough to traumatize you, you’d expect these people who have been VIOLENTLY and FORCIBLY raped  to be huddled under their beds, crying, right?  For the rest of their lives?

The people I know are all functional human beings.  They might have some scars they have to route around, but I can tell you something, your highness, NONE OF THEM WHO READS THIS (and a few will) will complain I “triggered” them.  They can be triggered, yes.  I’ve handled meltdowns with a couple of them.  But not by reading some words on a blog post.

I know my friend, Amanda, likes to just yell at people like you to “grow up” – yeah.  You should.  But I don’t know if you can.  That is, I don’t know if it’s that easy.  Sometimes I wonder if this panic and “injury” is sort of like the psychological version of humans who grow up in houses that are too clean end up having asthma, because their body reacts to ANYTHING as a major threat.

If that’s the case, you can’t just volitionally do it.  But you should try to do it, nonetheless.  Expose yourself to the company of those who disagree with you and DO try to defend your point, instead of screaming they’re hurting you and running away to the “comfort” of all your friends who will pat you on the back and assure you that it was indeed horrible trauma.  Depending on how capable of immersing yourself in art you are, reading biographies of people who really WERE traumatized and didn’t end up as quivering pools of jelly (the world is full of them.  No, seriously) might help.  Or you could help people who have it worse than you.  Take yourself out of your comfort zone.  Baby steps.  Remember, being upset is not abnormal.  It’s part of human existence.  And you are not a fairy princess.  You’re human like the rest of us.

But you have to do something – other than scream and moan and demand to be protected. — Because I’m going to tell you this, Rapunzel, right now a well protected Victorian maiden would laugh her ass off at you.  As much as they presented the “delicate maiden” to the world, theirs was a rougher environment, and they were likely to withstand a lot more than you can, including death of siblings and worse. Certainly being spoken harshly to and being TRULY discriminated against.

And here’s the thing, Cinderella, if you don’t change your ways, you’re giving Victorian maidens a bad name.  I don’t care how much you roar in your “safe” places that you’re an all conquering warrior queen.  The first time you faint at a harsh word, you’re validating all the stereotypes people like me don’t want to have brought back.

You know the whole frottage thing in buses?  And why it was dangerous for a woman to be out alone after eight?  And why a lot of families where I grew up considered it dangerous to send their daughters to mixed-gender schools at all?

Because women were assumed to be too fragile for this harsh workaday world.  They were supposed to be kept cabined, cribbed, confined – PROTECTED by their men.  And any one that was alone out could not be a virtuous woman, not even an 11 year old girl.

Now I wasn’t in the first generation to break that, not by a long shot, BUT there was still enough of that in the culture that I had to be aware of and fight and show that I could handle things so I’d be allowed to go on.  A lot of that.  And I fought back at it, because I did not want to be “protected.”  I was a human being and I wanted to be treated as one.  I wanted to learn and work, and be, just like my brother or my male cousins.

But if you keep up with the helpless-flower act, you’re going to end up giving people the impression that ALL OF US need to be protected.  Slut shaming?  Why, darling, you might not end up locked in the house, but the generation after you will.  It’s so easy.  “I don’t let my daughter go to school.  She’d faint if someone made a joke about her body.”

Next thing you know, we’re all in burkas and being kept from that terrible rough and tumble world.  Maybe that’s what you want for the generations of women after us.  It’s not what I want for my potential granddaughters or great granddaughters.

So, princess, get off your tuffet and stop making like you’re a melting special snow flake.  You aren’t.  And before you destroy what much better women than you have worked for, I’ll see you in hell.*

*and if you thought the last was threat and you wanted to faint or run away, then yes, this post is all about you.

A couple of years ago, I wrote a post on my adventures in traditional publishing, all of it based on the premise that – back then – no matter what your publisher did, it was always the writers fault, and if you had problems with that, well, just shake it off.  He beat you, but he was your publisher, and if you left that, well, you just wouldn’t have an audience.

Those days are gone, thank heavens.  I now can follow Dave Drake’s advice to me eleven years ago, to only work with publishers I respect.  This is because I have the option to go indie for my other stuff.

But in that post, I mentioned something about being Latina, and refusing to claim that and to play the game.  Someone of a ah… politically correct persuasion in the comments to the Passive Guy got all upset because I was claiming that the publishing game was easier for women and minorities.

The answer is yes… and no.

Publishing is easier if you’re a woman/minority who agrees with the Marxist definitions of your role and place in the world.  In fact, if you’re a minority woman whose politics confirm and flatter the New York establishment, you’ll get the red carpet ride to success with extra flowers and champagne.  (So, okay, nowadays that might not mean much.  The champagne has gone moldy and the carpet is moth eaten, but give the bastards their due.  They will try their very best to get you to the top as fast as they can.  Mind you, it’s still better to be a WHITE woman of socialist-feminist upbringing, like the precious flower who got 300 thousand dollars for a book that went on to sell eight thousand copies.  And then got ANOTHER 30k advance.)

If you can be that, or pretend to be that, they will help you any way they can.  (More, of course, if you have minimal talent.)

Note what I’m saying here – if you fit their preconceptions about you.  Or if you are willing to sell your soul to pretend you do.

I was told that I could get the golden ride IF I were willing to write an auto-biography that hit all the right notes.  I wasn’t.

Why wasn’t I?

Well, it starts with the fact that I’m a little contrary.  No.  Wait.  I’m a lot contrary.  Even if I’d agreed with them, I’d have got pretty upset at getting shoved in the “Latina” box and in the “feminist” (whatever this means this week) box.  That’s to begin with.

The other part – EVEN IF I AGREED WITH THEM POLITICALLY – is that this is not what I wanted to write.  It just isn’t.

I can write non-fiction (eh, you’re reading it) and essays and biographical crap.  I can also drive a truck for a living (okay, I can’t, but I could learn.)  For all the joy I’d get out of it, I’d rather drive a truck.

What I wanted to do was write science fiction and fantasy (and mystery, too, but that was more distant and came later.  I had mystery mostly as my popcorn reading for years, not as my ‘work’.)

It was sort of hinted (and driven towards by various agents – I ended up with four serially and those were the ones I didn’t reject outright in initial interviews – that this was fine too, if it was, you know, Latina, feminist SF/F.

Look, maybe other people have more control over what they write.  Me?  I ended up with psychotic b*tch female from h*ll in DST and for a switch a gay male barbarian in AFGM.  It wasn’t my doing.  My subconscious hates me.  (Yes, they’re both lovable.  That’s because I can’t help loving them.) I’m the libertarian whose books become ensemble casts as a matter of course.  This thing is loaded and not fully under my control.

I can’t put that sort of restriction on my work.  My work seems to well up from a deeper part of me, where I can’t dictate.  If I try to it just stops cold.   I can make minor modifications/tweaks, but that’s it. Oh, some of my characters have Portuguese or Spanish names, but I really don’t think once you get to the 25^th century that means the same it means now.  And if we’re going to talk in fantasy… My people’s Celtic notions got thoroughly stomped by the Romans who in their way were the most pragmatic people ever.  Even their magic was matter of fact.  I can write elves and fairies and all that, because I research.  Nothing “authentic” about it.

Besides this being “Latino” or “minority” fiction or whatever IMPLIES an imperative to whine about America and American values.

A)    I think that’s a load of nonsense, and I did even back when I was 15 and some idiot was telling me the reason Portugal didn’t have a computer industry was that America wouldn’t allow it.  (Or it could be the regulations, the innumerable restrictions on invention and a culture that tends to Manana.)

B)    I came to America.  I chose to raise my kids here.  What you’re telling me is that I’m a morally reprehensible person who will trade in her morals/dignity to be part of the “oppressors”?  Much obliged for the image of me you have.  Or I could have come here because I believe in Life, Liberty and the Pursuit of Happiness which this country, flawed though it is, still (more than any other in the world) guarantees its people.  And because I think that’s better for everyone, of whatever heritage.

Of course it’s no use saying this stuff to the people of the NYC traditional publishing establishment.  See, they’re not even badly intentioned.  They’re just convinced it is their MISSION in life to improve how people think and through it society by … mostly pushing a bunch of tired Marxist nonsense at people.  First it starts with viewing people as classes and genders and levels of oppression.  At no time are these people people, with real histories.  For instance, a female of upper middle class background who went to Harvard is ipso facto more “downtrodden” than a man who grew up in poverty and went to community college.  Because she’s female.

They believe this on faith, not on any empirical observation, and they’re encased in an impenetrable wall of kafkatrap.  If you’re a male and say that you’re more oppressed, they scream at you for not knowing your very own “male privilege” , and if you’re a female and say males have it worse, they tell you you’re “colonized.”

They have in fact, in their own minds, formed a completely hermetically sealed alternate reality.

Which would be fine, if it didn’t affect their decisions in our reality.  But it does.

And the problem with the NYC publishing establishment is that it’s not just publishing houses who live in this alternate reality: it’s also distributors, heads of chain bookstores, and in fact all the commanding heights of business and culture.  (They ARE the man.)  Because a pre-requisite of hiring is to have gone to the good colleges where this Marxist (but never acknowledged as such and the usual idiots on my FB page will pull the “no true Scottsman” on me again on this) vision of the world prevails.

So the signs of the books that SHOULD be pushed because they will “educate” and “improve” people are those books that agree with them.  Disagree with them and you get consigned to midlist hell.

Disagree with them while blatantly refusing to be what they think you should be because you are female and technically of a protected ethnicity and…

Well, just before three years ago, when DST did well and indie opened up… I was considering walking away from writing forever.  And writing stories is the only thing I wanted to do since six.  But there’s only so much the heart and soul can endure and I HAD HAD enough.

The choice was to become what they wanted to me to be – and I couldn’t.  I was me, not some widget labelled “female, from Latin country, MA in Languages and Literature.” – or I could walk off.  And I was ready to walk off and try to find a retail job or ANYTHING ELSE that didn’t require me to sell my soul piecemeal.

So, is it easier to be a female of color in publishing?  Oh, much easier, if you’re willing to sell your soul, to void yourself and be exactly what the publishers want.  If you mirror their prejudices at them, they’ll push you as hard as they can.  Of course, as I said, with the new competition from indies and Amazon turning the market on its head, that’s not very far… but it’s farther than you’ll ever get if you insist on being an individual with individual beliefs!

And their prejudices aren’t only of the Marxist kind, mind you.  Being “socially conscious” individuals, they get to indulge their often shockingly old fashioned prejudices in a way that anyone less politically correct would get crucified for.  So my friends who weren’t even distantly “Latina” got told that they couldn’t write science fiction because “women write fantasy better.” or “Ladies can only write fantasy.”  (This was told to a friend with a graduate degree in physics.) I got told that too, and also that “Women rarely plot well enough for mystery.”

This was all said by people who pride themselves on their open mindedness.

So, yes, women writers of sf/f (and anything except maybe romance) meet with prejudice.  And women writers of color meet with worst prejudice.  We’re dehumanized, widgetized (totally a word) and if we refuse to play along we get relegated to a sort of soft midlist ghetto where we’ll never ever be allowed to get ahead or get any support because we just are the wrong kind.

We’re not given the freedom or our own experiences or our own minds, because we iz poor womnynz of color and that idea we have that we have our own mind?  Yeah, totally false consciousness.  We need our betters to tell us how to think and what to feel.  And if we don’t take that received wisdom we are bad womnynz of color and need to be kept in a place where they won’t wrongly influence other people who clearly can’t think for themselves.

Apparently the only people allowed to think for themselves are properly ivy educated white people who can do whatever they want to (but don’t.  They willingly turn in their brains for the contradictory ideology of a crazy German scribbler.  Never mind.)

Look, I can’t imagine a worse “colonization” than that, frankly.  I can’t imagine a colonialist, racist of the 19^th century saying that a subjugated person doesn’t have his own thoughts, is not ALLOWED to have his own thoughts, and if he has his own thoughts he’s wrong and bad.  Or rather, I can, but you’d have to go all the way to slave owners.

So… I don’t wonder why many women writers in science fiction are furious.  I just wish they’d stop and think at who is causing their fury.

No, I really don’t care if your PUBLISHER told you that the reading public wouldn’t take a gay character (told me that.  Agents, too) and I don’t care if they tell you it’s those troglodytes, out there in redneck country who don’t like your daring prose.

Your publisher and your agents are inside a parallel reality. They talk to people like them, and they know what it takes to “sell” books to distributors and store managers, but not necessarily to the people on the streets (which is why printruns keep falling.  Never mind the excuses about videos and games.  Write stuff they want to read and they will come.)

In the last few years, I’ve got to talk to a lot of real people, out there, some even fandom but not organized fandom, and I have yet to see any who resents that I’m a woman, of color (Well, I used to be tan.  Days spent inside have given me this sallow olive look.  I must make enough to buy a beach house.  Then the color I am is exactly that of toast with butter) who writes whatever crosses her mind and none of it victimhood.  The only person who has scolded me for not writing “more Portuguese” was someone mad I write historicals about English History.  (He was from Portugal and I actually agree with him on the wonderfully rich history.  The problem is that there isn’t a substratum of knowledge for it to peg onto in the states, which are still my main market.  I could write Portuguese history, but it would have to be disguised and in the far future.)

The fans don’t care, provided I give them characters they care about and an interesting story.  Heck, my leftist fans stick around despite my obvious libertarian beliefs, which, yes, do bleed through into books.  You can’t help it when you’re writing from the soul.

And interestingly enough, Baen doesn’t care either.  Baen, that evil Right Wing House (which publishes Eric Flint, an avowed communist, and more than a dozen leftists of various shades.  Ah, but they publish people who aren’t leftist, and that makes them ipso facto evil and right wing.)  Baen looked at my books and bought the books.  They accepted that this woman of Latin origin can have a mind of her own and allowed me, for the first time in my career, to write what I really wanted.

Curiously – or not – that was a book that sold better than anything else I’d written to date: Darkship Thieves.

And then I sent them A Few Good Men, on Spec, and they liked it so much, despite the BLATANT gay romance, that they sent me copyedits before the contracts.

(Which is of course, how evil they are, see, they even let the little womyn of color write things that are clearly false consciousness.  The pure evil! – do I need a sarcasm tag?)

So you see, my story has a happy ending.  I escaped from a situation in which I was a widget and there was only one path for success and I’m free – just like a real person! – to forge my own path to heaven or h*ll.  No guarantees, but I get to do what I want to.  I don’t have to sell my soul to be allowed to create “approved of” art.

So, all of the women screaming about their oppression can stop being oppressed.  They can walk away from publishers who demean them, and go indie or find a publisher who respects them.

You can’t force the world to stop thinking whatever it will think, but you can go around and forge your own path and reach readers who just want to read.

And you know what?  The readers don’t care if you’re purple with pokadots.  I know this, because I’m a reader, and I don’t care.  I don’t even care about your politics if you tell me a good enough story that I’ll read it despite rolling my eyes at a few paragraphs.  And I’ll buy the next, too.

Your success is in your hands.  And it has nothing to do with what’s between your legs, or your pigmentation.   Or even what’s between the legs of your characters or their pigmentation.

Traditional publishing, the NY way was making me insane with the lies of its parallel reality.  It was killing me softly with its intent to help me ITS way.

So I walked.  No, I’ll never get the magic carpet ride.  But I’m not afraid of working.  And I’m not afraid of selling to the fans.  I can tell them stories, and that’s all I ever wanted to do.

To every writer treated like a widget: Stop driving yourself crazy.  Set yourself free.  And consider that likely your tormentors are the ones who claim to be your liberators.

UPDATE: Because Kate had trouble slice-o-dice-o-mating our little precious flower link troll yesterday in comments (because, you know, she’s not rude and tries not to wall of text the comments) she continued the vivisection over at Mad Genius Club.

*So, yes, this is a SORTA blast from the past post — but it’s one that wasn’t published here, but at The Lensman’s Children as a guest post in October 2010.  I apologize for doing a repeat post of sorts, but Through Fire has FINALLY started coming together and I’m up to my eyeballs in it.  And then again, I started feeling I needed to do a post on what Heinlein meant to me, because some people are talking a lot of insanity about the poor man, who is not alive to defend himself.  But there’s really nothing I want to say about Heinlein which I didn’t say in this essay.  And so here it is.  A reprint and not a reprint, and some of you might have missed it, so…

UPDATE: since this was written in those days of halcyon sanity four years ago, I feel compelled to clarify — because I don’t want to be answering stupid comments all day, I want to be finishing my book — that no, I’m not threatening to kill anyone.  The end of this essay is simply my expression of belief that those who are so afraid of Heinlein that they must make it a thought crime for people to read him, don’t stand a chance now that the gatekeepers can’t keep out those of us who learn and read from everyone and everything.  Because, you see, we do.  Yes.  Everyone.  Yes.  Everything.  Sticks and stones may break my bones, but ideas are just grist for the mill.*

I’ll start this blog by coming clean and admitting I swiped the title from a speech given in Johannesburg by my friend Dave Freer. I swiped the intention of the title, too. Dave used it to mean that the pseudo-literary aspirations of science fiction had killed what was different and interesting about the genre. He meant that classical science fiction had “fathered” him and that he meant to carry on its legacy, regardless.

My reference is more specific. Years after Robert A. Heinlein had died, my husband and I managed to – yes, it did take some work – have the child we’d been trying to conceive for six years. He was – still is! – a boy, so we named him what we had always planned to name him: Robert Anson Hoyt. Because he’d been due on the fourth of July (I spent months singing Yankee Doodle Dandy to my belly!) when – incidentally — labor started, we didn’t realize the significance of his birth date on the seventh. Not until my husband called my brother and told him the name of his brand new nephew. My brother said, “Oh. And on Heinlein’s birthday.”

The coincidence was too much for my husband who forced me (trust me, it took forcing) to send a birth announcement to Mrs. Heinlein. This initiated a correspondence between us which — eventually – extended to my having her AIM handle. This handle was Astyanax. In one of the last conversations we had I asked her about its significance.

I was, of course, aware that Astyanax was the offspring of Hector and Andromache and supposedly thrown from the walls of Troy after the sacking of the city. But in some versions of the story Astyanax lived on to found settlements in Corsica and Sardinia.

Ginny – I could never call her that while she was alive, though she asked me to. Respect forced me to call her Mrs. Heinlein – told me that was exactly what she meant. Just like the Greeks thought that they’d successfully put Hector down and that no one would survive to avenge him, so the establishment thought it had successfully put Heinlein down and no one would survive to avenge him.

On the face of it, this seemed absurd. After all Heinlein died in his eighties, after a successful career. He was not murdered. His city was not sacked. Even for a metaphorical city, where it referred to Science Fiction, you could attribute falling readership to myriad conditions, including changes in US retail.

However, I knew exactly what she meant. You see, I’d come at Heinlein from an odd direction. In fact, it was many years before I realized that the first book of his I read must have been when I was nine or so. Have Spacesuit, Will Travel. At the time I didn’t realize it was science fiction. I had no concept of Science Fiction. To me my Science Fiction reading started with – of all things – Out of Their Minds, by Clifford Simak. In fact, when I first read Heinlein after realizing what science fiction was, something about the way his characters acted and talked, scared me a little.

I was more comfortable in Clifford Simak’s quieter universe, with its more docile heros. Except some books of Heinlein’s would demand to be read again and again – Puppet Masters; The Moon Is A Harsh Mistress; Starship Troopers. Little by little, Heinlein grew on me. The first time I encountered the notion that taxes were a form of extortion was in his books. First argument against gun control, too, in Red Planet. First argument for individual freedom – The Moon Is A Harsh Mistress. First statement that the future is always better than the past – The Door Into Summer. Growing up in a country that had been a monarchy for most of its existence, a country where in fact, the citizens were held to owe something to the country, not the other way around, this seemed like insanity. But it stayed with me. And it took root.

By the time I was in my early twenties, I knew that Heinlein was not only my favorite author, but – hands down – the greatest influence in forming my mind and spirit. (This, by the way reading mostly his adult books, as only about half of his juveniles were ever translated to Portuguese and available at the time I was buying.)

I was very shocked when I came to the US and found that it was not fashionable, and – in some quarters – not acceptable to be a Heinlein fan. Considering his beliefs, and his work, ranged from hard left to pragmatic right, not just because he was not captive of a view point, but because his beliefs changed through his life, Heinlein is, like the bible, something in which everyone can find something to criticize. There were, for instance, the people who objected to what seems to be the militarism of Starship Troopers. (Never understood that one. Starship Troopers is if you’re hit, hit back and you have a right to survive but that’s me.) There are people who object (oh, of course. Even Heinlein saw that more than the rest, I think, because he expected it) to the sex which ran the gamut of everything people might consider offensive. There are people who object to his views on religion. There are people who object to his female characters wearing high heels. I’m sure I’m leaving a lot out.

(Though I never heard anyone object to Puppet Masters, which is odd, since the story questions our perceptions; our ability to know we’re our own people; media behavior and, incidentally, the limits of Constitutional liberties. No, I don’t object to the book. You see, like Heinlein I believe scary subjects are the ones that should be explored. In an entertaining manner. To make money and make people think, too.)

However, over time, criticism in the field I aspired to enter coalesced around objections coming mostly from the left. This happens possibly because with obvious and clear exceptions the writers and critics in the field, range from left-of-center to left-of-Stalin. (This is not a criticism, merely an observation.) So we hear that Heinlein was unfair to women, too militaristic, too pro-business, too pro-space-colonization and of course, that one thing he could never escape forever (given that if he’d lived he’d now be 102) a dead white male. And yes, we DO hear that he has too much sex, from people who clearly haven’t read their field for a while. Needless to say those who think the proper place of genre literature is competing for space in college reading lists find him “too simplistic” and not nearly “nuanced” enough.

By far though, the shrillest criticism I’ve heard of Heinlein – perhaps because being female I move in female circles socially and sometimes professionally – comes from college-educated women. A female friend told me she’d gotten furious when reading Friday’s rape in the beginning of Friday and had never read him again. The idea baffled me, since lots of authors write about rapes – lots of romance authors, who are mostly female. Mystery, too – and it doesn’t mean they enjoy them or approve of them. It was clear from the raid after Friday’s liberation   that the rapists were killed and their organization destroyed. (Yes, one survives, but he was constrained to rape her, which changes things. And at any rate, he undergoes his own trials by fire. And he was like Friday an artifact, so not a free man.) There was punishment for the act, so why the outrage?

And then I started hearing it from everywhere. Heinlein was anti-woman, they said. This despite the fact that he always maintained in his books that women were superior to men in most ways, and my having first encountered the concept of “date rape” in his books. Heinlein didn’t even write real women, only men with tits. This last baffled me even more since, on a smaller scale – I was never built on the heroic scale. Emotionally and mentally, at least. The hips are getting downright monumental, these days – I’d always identified with his women. And I knew lots of women like them. Ironically some were women who didn’t like him because – they said – he wrote men with tits. At the same time, while being accused of being too masculine, his women were attacked for liking men, for enjoying sex and wanting to be pregnant and for not having ever been told that “all penetration is violation.” (Like a lot of Heinlein criticism, the contradictions can make your eyes cross and your head spin around three times.)

Sometimes the very fact that his women were larger than life was brought up as evidence that he hated women. A puzzling idea, since his men were also larger than life. It’s what made his books so appealing. Very few people – outside college reading lists – want to read about average Joe getting up and struggling with the heart break of Psoriasis.

Sometimes the fact that his women liked men and were willing to dress and behave to please men was brought up against him. Children, if you don’t know what’s wrong with that reasoning, I can’t help you. (Though I might find you some diagrams and a couple of very good manuals.) Women will always dress and behave to please men (even when that includes pretending they won’t) and men will always dress and behave to please women.

Yeah, there are the exceptions, but then they’re really only playing on the opposing team and the same rules apply. Heinlein himself said that everything from poetry to nuclear physics were only variations on the old game. Humans – mirabile dictu – are driven to mate and will go out of their way to make themselves attractive. (Shame on Mr. Heinlein for making his women human, instead of poreless rubber dolls with agendas.)

I soon realized none of these people – mostly women, though also a few men – had ever actually read Heinlein. Certainly no more than a few pages. They had heard how terrible he was and made up their minds about him before they read the first sentence. But they knew   just knew   all that they’d been told was true. And possibly more.

Which is how we came to the sad state of affairs where pros in panels can dismiss Heinlein by saying that like any old man he was obsessed with sex and politics.

The true reason for all this – though I won’t say it was coordinated. Most of it can be attributed to stupidity, a wish to belong and fear rather than malice – is that Heinlein scares the living daylights of those who would restrict the operation of human reason. And so he should.

Yes, his politics varied over his lifetime. He tackled themes that no sane human being would tackle, for fear of retribution. Themes in which powerful elites have a lot invested. Power. Sex. Money. Religion. The definition of human. Obliquely and sideways, race. The changes technology can bring to all of those.

Now, some of the themes were less than elegantly handled. Sex for instance. But when you’re examining the effects of extreme longevity on the incest taboo, it is quite possible there is no delicate way to tackle it.

However, more important than his themes or his political inclinations, or his preoccupation of the moment was his determination that the human mind should be free   free to examine and discover. Free to know. Free to find the truth. Which is why I perceived him – first in rejection, and later in embrace – as the quintessential American writer. His values were – always – of Life, Liberty and the Pursuit of happiness. The primacy of the individual over the state or the church or the coercive group. It could be argued that having been educated in Heinlein I had to become an American citizen. In fact, had become one, in all but name and law long before I landed on these shores.

As he said it, himself When any government, or any church for that matter, undertakes to say to its subjects, “This you may not read, this you must not see, this you are forbidden to know,” the end result is tyranny and oppression, no matter how holy the motives. Mighty little force is needed to control a man whose mind has been hoodwinked; contrariwise, no amount of force can control a free man, a man whose mind is free. No, not the rack, not fission bombs, – not anything – you can’t conquer a free man; the most you can do is kill him.

He never anticipated   or perhaps he did (he did after all mention the crazy years) – an ideology (political correctness) that would make it impossible for anyone to talk about anyone else’s problems, particularly for a man to write about the problems of women without oppressing them by his very act of “usurping” their “victimhood.” An ideology – or perhaps merely a belief – that would make it impossible to disagree with the verdict of the cognoscenti once they’d declared any person’s ideas forbidden, any person’s reasoning offensive.

Mighty little force is needed to control a man – or a woman, or a child – whose mind has been hoodwinked.

They’ve managed to lock Heinlein’s ideas, his thoughts, his persuasive, infectious insistence on individual will and free reasoning, behind walls where most people won’t dare trespass. They have killed him as dead as they can, because – to quote Shakespeare, possibly talking about Marlowe – When a man’s verses cannot be understood, nor a/man’s good wit seconded with the forward child/Understanding, it strikes a man more dead than a/great reckoning in a little room.

They think they are safe. The man’s words are dead. His wit is not available to the new generations. Even his gallant wife is gone.

But, alas, they counted without Astyanax. We are legion. And as long as there is a library standing, as long as the net remains reasonably free and gives us access to his works and those of other believers in freedom, more of us will appear.

I am not going to pretend I am equal in greatness to Heinlein. Would that I were. It was in full humility and sense of my own ineptitude that I dedicated my book Darkship Thieves to him. I hope there is in it at least a spark of his genius, but I know there’s probably no more than that.

But I was raised by Heinlein through his books, and I hope at least the spirit and the intention of the search for truth and individual freedom remains in my work. As well as the certainty that it’s always easier to be a live lion than a live lamb or a dead lion.

I am sure many stand ready to kill me – or at least my career – I’m sure I’ll be held to have despicable personal habits and low mental prowess. Heaven knows, I quite often feel tired and dispirited, as though I’m bleeding from multiple wounds.

But the need to awaken people drags me up again. I start writing to remind others of their innate freedom to think beyond the boundaries imposed by any ideology, any government, any church, any in-group, any literary current. The belief animates me that, so long as we keep fighting for Life Liberty and the Pursuit of Happiness and using our minds to improve the present, the future will always be better than the past.

And then, like Inigo Montoya, the mad Spaniard in The Princess Bride, I rise again and resume my search for those that killed my father: that intransigent refusal to think; that serf-like willingness to believe the wisdom of the self proclaimed “betters”; that boneless, spineless conformity that goes along to get along.

My name is Inigo Montoya. You killed my father. Prepare to die.

The King is Dead! Long Live the King!– a guest post by David Pascoe

This isn’t political. Or at least, not overtly. You see, we buried my grandfather recently. He’d lived a good, long life. He served aboard ships in the Pacific in WWII. My grandmother gave me his dog tags (me being the only other in two generations to serve in the military), and I found an old silver bracelet of his with his name on the front and his serial number on the reverse. It’s around my wrist as I type this.

There were a lot of tears on that overcast Friday afternoon, as we put Mor Far’s (Swedish for “mother’s father”; he had four daughters, so all his grandspawn could call him that) mortal remains in the sandy soil of the Nevada hills, in that little national cemetery. My father spoke at the graveside. Probably some of the best words he’s spoken in a long career as a counselor and pastor, and I’m proud of him.

My grandfather was very patriotic, and not a little conservative. I joked that his casket was haze gray (and underway *rimshot*), and Fallon NAS sent a couple of young ratings to fold his flag and present it to my grandmother. That Mrs. Dave and I had to refold it between the party afterward and the after-party is no comment on them. Those guys were fantastic; folding a flag you’ve never folded before can be dodgy, and they didn’t have time to test it. Even better were the veteran volunteer group who provided the color guard and fired the salute. I’m pretty sure that had the weather been the least bit more hospitable, they’d have shown up on the backs of a mess of motorcycles. Which would have been fun. After, the speechifying and the ceremonying, Mor Far’s five grandsons (and one great-grand, for parity) escorted the casket to the waiting backhoe thingy. We wore his favorite garb: denim and plaid flannel. In addition, I wore a hat, because I’m stylin’ that way.

Once the dust was returned to the dust, we went back to one of the several abodes available, and spent several hours telling stories about Mor Far. His daughters spoke of growing up with him. His sons-in-law remembered to us what it was like to try to work their way into the family. The younger generations told of his jokes, puns and games. I think he taught us all how to play Cribbage, though I don’t know that many of us ever beat him. A running thread was of his support for literacy. He’d spent many years as a library administrator. Most of the gifts I received from my grandparents were books, often signed by the authors and illustrators. This trend continued, with Mor Far frequently making books suggestions that I wish I’d paid more attention to. He did introduce me to Louis L’Amour, to my enrichment.

After the party (and the flag refolding) many of us repaired to my parents’ home for the after-party, where we continued to talk to each other about life and our patriarch for several hours until everybody disappeared into the night. The next day we had the memorial service. Then the after-party, where we had more of the same. And lots of food. Several of us ended up outside around a fire-pit singing songs. After that, back to my parents’ where I mixed several Old Fashioneds and Gin/Tonics. My cousins and I talked about guns. We hashed over some of our frustrations with American and global society. We imbibed. I took to call it SnowCon, as the entire weekend felt like one big party. (There was hardly any snow; Snow is my grandfather’s surname.)

I’m not fishing for sympathy, or trying to talk up a man none of you knew. Part of this is my working out of my own grief, and I beg your indulgence for it. Our society doesn’t handle death and grief well, and this is – in my not terribly humble opinion – one of the better representations of how to do it I’ve run across. The clan gathered, honored the dead, and had a great time. Tears were wept, guffaws were laughed, and we celebrated the life of our patriarch. There isn’t really anything terribly tragic about an 88-year-old dying from old age, but the very immediacy of it gives an impact out of all proportion to Mor Far’s general lack of notoriety.

Death is part of our world, and we – as a society – have tried to limit our exposure to it. To our own detriment, I expect. (Just give it time.) We worship youth and the beauty of it. We’re constantly trying to lose weight, get stronger, get fitter, look younger, have better hair, etc. Our celebrities look decades younger than they should, and that breeds imitation. For goodness sake, almost the entire plastic surgery industry is based on the idea that you can use a knife to stay young-looking!

We do this to our food. Almost nobody slaughters their own animals anymore. I understand that if you want to sell meat, The Law requires you take your animals to a certified abattoir for “processing.” Most Americans have no idea what the blood and shit stink of violent death smells like. (I certainly don’t, though I know several of the Huns do.) We just know that cows eat grass and make more cows and milk and end up on our plate as steak or hamburger. And honestly, most of us are likely just fine with that divorce.

But it’s hurting us.

Perhaps if we knew better what death was, fewer of us would be interested in forcing others to try to solve problems. Maybe a few more people would harp less about suffering, and do more to alleviate it. Y’know, on a personal level. Lord knows, as long as humans are still human, we’re not going to rid our species of pain. And wouldn’t that be a lovely place to live? No wants, all needs fulfilled, and nobody feels pain anymore. Likewise, no innovation, no incentive to work harder (or at all) and – worst of all – no instant accountability. Stupidity should hurt, and when you live a bit closer to the bone, it does. Stop paying your bills, and angry people come looking for the money you owe them. Stop treating your fellow citizens like human beings, worthy of respect in their own right, and you’ll get locked up. Probably beaten silly and possibly killed, in the bargain. (Looks like I strayed into politics. Oops.)

Death is a fact of life. (Yeah, yeah, and taxes. Darn-it. If only I hated roads…) Just as it’s a fact that those in positions of power are most likely to be those who are least connected to the reality we live in. History is replete with examples. Recent history, even. Say, immediate history. *cough* And Death (WHO SPEAKS IN ALL CAPS) always catches up in the end. It just so happens that those with the greatest ability to avoid it in its myriad of faces throughout life are often those who end up bringing it to others in unspeakable numbers. Again, see recent history.

And there’s always another king waiting in the wings.

Yeah, I’m not entirely satisfied with that ending. So what if there’s another would-be-autocrat looking run things according to his (or her, leave us not be sexissss (or hir, as we wouldn’t want to be cis-issss, wait a sec – what are you doing with that carp?)) personal whims? Or those whims he was taught he should have, as a right-thinking person of goodthinky-ness. Look, we of all people know this. Such are a long-standing tradition in scifi and fantasy. Further, it seems like most of them come to ignoble ends, too. (Though let’s not tell the current crop of hopefuls that, shall we?)

What’s our place, then? What for, therefore, is that therefore there for? We keep on as we have been. We know that it’s the magic in our words that changes people for good or ill. Take Marx (please!), or a certain canny Arab from a few centuries back. On the other side of things, take Siddhartha Gautama or that Nazarene guy. And we humble few march in their footsteps, looking to make the world a better place.

Not buying what I’m selling? Look, you, we tell stories. Important stories about people doing people-things, and getting sucked into Great Events. Sometimes they screw up, sometimes they get screwed up (if they’re very, very lucky, they get well screwed in the process). In our stories, they typically come out on top, for a given value of victory. What our world needs from us, we tellers of tales, is stories that grab the imagination and teach us that life is worth living, and to the full.

So who cares which fundament is currently warming the throne. We know that the wizards have the best job. And with so much less heavy lifting, too.

OT Note — this is Sarah — Mike Williamson asked me to share this:

*As you know, I’ve been worried about the direction of conventions, of fandom, of the… public face of our field. Those of you who are in the Baen Bar know Toni Weisskopf, publisher of Baen Books posted about it in her conference.  I thought her perspective on the field was important — particularly for me, who know next to nothing of the history of fandom — partly because it echoed my own views of where we stand and asked her if I could echo it here.  She has graciously given me permission to do so.  The raiding party post by David Pascoe will run tomorrow morning.*

The Problem of Engagement — by Toni Weisskopf

The latest fooforaws in the science fiction world have served to highlight the vast cultural divide we are seeing in the greater American culture. SF, as always, very much reflects that greater culture.

It is also nothing new. When fandom was first starting there was the “Great Exclusion Act” when a group of young, excitable, fanboys attempted to spread their political/fannish feud propaganda at the first Worldcon in New York, and were not only prevented from doing so but not allowed back into the con. All fandom was aflame with war! (The fact that this line is a cliché is also a clue that fandom is not, and never has been, a calm peaceful sea of agreement.)

The reason we have a fandom to disunite now, is because calmer heads prevailed. Bob Tucker in particular, with intelligence and humor, led fandom to the idea that it ought have nothing to do with greater world politics, but should concentrate on the thing we all loved, that being science fiction. (Mind you, his sympathies were with the ones who were excluded, but he was able to overcome his own political inclinations for the best of fandom.)

The fact that fandom as an open culture survived more than seventy years is a testament to the power of that simple, uniting concept. That we are once again looking to be rift by a political divide was perhaps inevitable. But as fandom has grown, expanded and diluted itself, we may have won the überculture wars and lost our heart.  We have not been able to transmit this central precept to new fans. Geeks are chic, but somehow we’ve let the fuggheads win.

And, from my observations, this is an inevitable consequence of the creation of any kind of fandom, from tattoos to swords to us. There is a thing people like. Thing people make initial contact with each other to discuss things and thingishness. At some point a woman (and it’s usually women, no matter what the thing) organizes gatherings, and thing fandom grows bigger and better. At some point, the people who care not about things, but merely about being a big fish in a small sea, squeeze out the thing people. Sometimes thing fandom just dies, sometimes it fissures and the process is recreated. So the fuggheads always win. The only question is how long can we delay their inevitable triumph?

SF fandom has managed to stave it off for a long time. Sadly, we no longer have a Bob Tucker. We don’t have one fan who is so widely respected and loved that his pointedly humorous yet calming voice can soothe the waters. Again, simply a reflection of the greater culture. When SF was aborning, radio and the pulps created huge mass audiences for entertainment. All of fandom read and were influenced by essentially the same small pool of creative endeavor. Now we have not only 300 hundred channels of cable (and nothing on), but the vast output of the Internet, both pro and amateur. It is possible to be a science fiction fan and have absolutely no point of connection with another fan these days.

For instance, a slur that has been cast at people who dare criticize the politically correct, self-appointed guardians of … everything, apparently, is that they read Heinlein. Well, Heinlein is one of the few points of reference those fans who read have. Of course we all read Heinlein and have an opinion about his work. How can you be a fan and not? The answer, of course, these days is that you can watch Game of Thrones and Star Wars and anime and never pick up a book. And there’s enough published material out there that it is entirely possible to have zero points of contact between members of that smaller subset of SF readers.

So the question arises—why bother to engage these people at all? They are not of us. They do not share our values, they do not share our culture.

And I’m not sure there is a good enough argument for engaging them. There is only the evidence of history, which is that science fiction thrives on interaction. Artists, readers, authors, editors, all united in discussing the things that are cool and wonderful, together. We share a belief that the future is worth engaging. It’s an on-going conversation, and it’s worked well that way. Take the example of Eric Flint’s Ring of Fire series. It started out as one novel, not especially envisioned to be the first of a series, an alternate history. The author asked for help researching some abstruse historical points, and did so on an on-line forum of readers. Fourteen years and sixteen novels and nine collections later (not even counting 40+ issues of the on-line professional magazine), a huge, intricate and rich SF world has been imagined and developed.

That process would not, could not, have occurred within any other genre. Yes, it took the brilliance and guidance of one person to set it in motion and shape it throughout, but it is the result of hundreds of people pulling together to explore and create on their own. Not as some side “fan fiction” endeavor, but as part of the—commercially viable—whole. And when I say “commercially viable” it is shorthand for: “lots of people like it and are willing to show this by paying money for it to continue.”

So the core of science fiction, its method, is still a valid way of creating the cultural artifacts we want. But is it necessary to engage those of differing political persuasions to get this method? I feel the answer is probably yes. You don’t get a conversation with only one opinion, you get a speech, lecture or soliloquy. All of which can be interesting, but not useful in the context of creating science fiction. But a conversation requires two way communication. If the person on the other side is not willing to a) listen and b) contribute to the greater whole, there is no point to the exercise.

And this, I think, leads to why the awards are important. They are a resource for continuation of culture. They are a reward for work that is approved of by the field, and a sign to those outside the field that this is what we, the insiders, think represents the best we can do. Awards become instant history. You make Wikipedia.

But awards lists only maintain their legitimacy so long as they in fact accurately reflect the field. So if a large part of the field feels that its interests are not being served–and they do–the award is compromised.

What to do? Fight to reestablish legitimacy? Establish a different awards list? I have long argued that winning the George Washington awards (every royalty period) is all the recognition needed—living well is the best revenge. And that is one reason Baen is publishing a “Best of Military and Adventure SF” reprint anthology next year—it’s a way to get more money into the hands of writers who write what we feel is the good stuff. It will in its way be a “juried” award with cash prize awarded by a small pool of experienced editors.

But are the popular awards worth fighting for? I’m not sure our side has ever really tried, though there are indications that previous attempts to rally readers of non-in-group books were thwarted in ways that were against the rules of the game. And yet, to quote Heinlein, “Certainly the game is rigged. Don’t let that stop you. If you don’t bet, you can’t win.”

I think the problem is that folks just really feel they have no possible conversation with the other side any more, that the battle for this part of the culture isn’t worth fighting. And I think again SF is mirroring the greater American culture. Our country is different because it, like science fiction fandom, was built around an idea—not geographic or linguistic accident, but an idea—we hold these truths to be self evident. And it is becoming more and more obvious that the two sides of American culture no longer share a frame of reference, no points of contact, no agreement on the meaning of the core ideas.

And yet, I can’t help but think that at some point, you have to fight or you will have lost the war. The fight itself is worth it, if only because honorable competition and conflict leads to creativity, without which we, science fiction, as a unique phenomenon, die.

Did you hear about the caterer who was so self centered, he thought that parties were a place of business?

No?

Well, there are apparently a lot of writers who think so.  Because science fiction conferences are – for them – a place of business and a must-attend, they think that they are the same for everyone else.

As I’ve said before in this space, there is a set of my colleagues so strange that they think the important part of the gift is the box.

But I think it’s actually odder than that.  I think my colleagues have lived so long in fictional worlds that they think rules prevent things from happening.

I’ve been getting the usual pitches for cons — mind you this year it’s Ravencon and Liberty con and that’s it, because a) money is tight and b) the reason money is tight is that nothing really got turned in last year, and it must be compensated for this year, so we can sell this house and move (which must be done for various reasons including this house is too much to keep up while having a full time writing job). — and reading them, and about half of them tell me they’ve signed on to the non-harassment rules, so you know, I’ll be perfectly safe.

They’re SO proud of it.  And I sit here and all I can think is of the non-harassment rules in work places, and of the normal behavior of fans, male and female, and then I think:

Before you start screaming, I’m not for harassment (who is?) and I’m not even against rules.  Some basic, enforceable rules are useful.  Say “don’t bring up pron on your computer in a con suite with children playing around.”  Or say “Don’t go feeling up people, or cornering them and trying to feel them up.  And don’t try to get into their rooms.”

Why, yes, that later has happened to me, (no, I wasn’t doing it, sillies.  Well,  I do this stuff to my husband — groping, not pron — but he doesn’t mind.)  I fail to see in the situation what a rule would have done about that, since the first instance (trying to corner me and feel me up) was done by a — then — powerful editor, late at night, in a semi-deserted corridor on the party floor.  Quite frankly, what he was trying to do was already against the rules — civil society rules.  I believe forcibly stopping someone and trying to grope them is assault, right?  Unfortunately, I also wasn’t carrying a handy policeman in my pocket.  I was carrying a knife (I usually am) but you know how con hotels are about blood stains on the carpet.

It never even occurred to me to report it, because a) he was a powerful editor.  b) I was a newly published writer.  c) No one saw it.  d) He was more than three sheets to the wind — and probably wouldn’t remember it in the morning.

Note that C is the killer.  It would be he said, she said, and no matter how many rules there are about it, and no matter that it was I saying it, he should be considered innocent until proven guilty.  And I couldn’t prove him guilty.  Had I been able to prove him guilty, I wouldn’t have bothered the con com.  I’d have gone straight to Tor.  (Yes, him.  Though I only figured that out recently.)

On the other hand, let’s not make of this more than it was — yeah.  He made me feel uncomfortable.  Am I the only woman in sci fi who went to bars when young?  Evading drunk gropers is par for the course, and it shouldn’t make you spend the rest of your life acting like a rape victim.

I had an uncomfortable minute.  I’m going to assume that he had a longer uncomfortable time.  Our transaction was cancelled in my favor.

And right now you’re thinking “But if you had that happen to you, why would you object to a few sensible rules against harassment at cons?  Even if the rules don’t stop it, wouldn’t it be good to remind the troglodytes attending that there are rules?”

The most important part of my objection is this.  A con is not this to most people:

To most people — to the fans, the people that make a convention a convention — a con is this:

This means that a set of people who are so far from average they can’t see it with a periscope use conventions as a means of meeting potential mates; of talking to friends they haven’t seen in years; of — sometimes the only time in the entire year — letting their hair down and being themselves.  I know that I keep a running check at the back of my head not to freak the mundanes.  If I’m talking to someone at church, or in the park, or when the kids were little at school, I have to remember not to use sf references or the geek jokes that are the language of our people.  Because even in these days when geek=cool, the wrong word at the wrong time and suddenly you’re:

So if people now have to mind their every word and be very careful what they say and do at a con, suddenly it’s not a place to go and relax anymore; it’s not a place to have fun.  Suddenly it’s:

Or depending on the rules, and on the rule creep, and on how much credence it’s given to “she said” versus “he said”, it becomes:

Of course, we don’t have to worry about this, because there are no people in science fiction and fantasy (either professionals or fandom), so exquisitely messed up that they suffer from pre-emptive ptsd.  PRE traumatic stress disorder, you could call it.  That is, there are no people who freak out at the mere thought of someone maybe, possibly, saying something that could, might, offend them, at a talk they can attend or not, as they prefer.

Because in an assemblage of geeks and outcasts, we never have anyone who either been stomped on so hard, or been raised as such a precious little princess (particularly the guys! ) that they think the right not to to be offended is a basic right.  And we NEVER have people who completely misinterpret someone else’s actions and think they’ve been “harassed”.

But it is worse than that.  In offices, things can be weird enough.  Studies have been done on what’s considered “sexual harassment.”  Did you know the same exact come-on from an unattractive man with poor hygiene and from an attractive man with signs of wealth are variously considered “harassment” or “Flirting”?

Mind you, in offices, the business of the company and the reason people are there takes precedence, and if there’s no flirting and no hanky-panky (to the extent that’s possible with human beings) it’s all to the good.

So why do I object to no flirting and no hanky-panky at cons?

Guys, do you hear yourselves?  The business of a con is this:

Cross that with the social skills of my people:

How many guys are going to have what they think is a perfectly respectful come-on mistaken for harassment?  How many geek girls are going to take offense at the fact that he is — let’s face it — often lame and think they were abused? (I should add here the only cases of SERIOUS sexual assault I know of at cons, and the ones that go largely unpunished/unreported are guy-on-guy.)

This is what is waiting to happen.  Over and over and over again:

How long, in fact, before conventions become a bit of a chore and something people avoid?

So I look at all these “rules” being put in place by people who think the world can and should be made safe for them, people who believe that not just sticks and stones, but words can break their bones, and I think of the royal families of Europe, when their kids were hemophiliac, trying to save the royal line by putting cushions around every tree and bush to keep the kids from hurting themselves.  It didn’t work for them.  For us… Knowing how overworked, tired, uncompensated the few people people willing to serve on con committees are (I put one on long ago, not in sci fi.  Trust me) I predict what they’re going to get is an avalanche of complaints from booth babes that some guy looked at them wrong.

The good news is that though rules can’t make a con safe — they can make the con com nuts; they can make everyone uncomfortable; they can create spectacularly involved he-said, she-said situations — people can make a con safe.

You need one rule: Jim Baen’s “Don’t be a butthead.”

And you need a bunch of people ready to enforce that rule.  You also need women (and men) who aren’t fainting flowers and, in the last instance, stand ready and willing to defend themselves.

Because no matter how many friends you have, or how many fans ready to defend you, they can’t always be with you at all times — for the same reason you can’t carry a policeman in your pocket —  if you do this:

You’re only giving the butthead power he shouldn’t have.  RULES CANNOT STOP BUTTHEADS.  And there is a hair-fine difference between buttheads and nice guys with zero social ability — which are abundant in our field.  Complaining about the nice guys will just make them run away and hide in the basement for the next fifty years.

So, be prepared to do this:

Because that’s something that both the buttheads and the misguided geeks will get and learn from.  And recover from — far more quickly than an involved, disciplinary “he said/she said” bureaucratic mess.

Do I expect this to be listened to?  What, with people who believe violence never solved anything and that rules will keep them safe?

Never mind.  Carry on with your:

But don’t come crying to me if after the first few crazy blowups, fans do this:

*Oh, yeah, the next musketeer mystery is ALMOST ready to go — my proofreader caught the death flu.  And Witchfinder is hanging by a thread, before subscribers get it.  Thanks to everyone for your patience to me this last year.  I’m not kicking anyone out of my subscription, even if they don’t renew, because I figure I owe you a year of  freebies, anyway.  I think I am FINALLY crawling out from under, just up to my neck in overdue stuff both traditional and indie.*

The prequel to this — Witchfinder — has been removed.  I do promise to go through the copyedits as soon as humanly possible and send the advance copies to those who pre-ordered.  You’ll know when that’s eminent because I’ll remove scattered chapters from this blog.  I do hope to manage it next week, but I’m not promising as I’m still finishing a novel under contract to Baen. Meanwhile, if you donate $6 and note it in the field, you’ll get advance-subscribed to this novel.  I do, however, understand it can be a long time to wait, and if you want to, do so.  I will continue to post chapters here, roughly one a week.

NOTICE: For those unsure about copyright law and because there was a particularly weird case, just because I’m making the pre-first draft of my novel available to blog readers, it doesn’t mean that this isn’t copyrighted to me.  Rogue Magic as all the contents of this blog is © Sarah A. Hoyt 2013.  Do not copy, alter, distribute or resell without permission.  Exceptions made for ATTRIBUTED quotes as critique or linking to this blog. Credit for the cover image is © Ateliersommerland | Dreamstime.com

Wolfe Merritt, Supervisor of Manufactories for the Earl of Savage

The Promises of Rogues

I never knew when we went through the portal.  What I did know for sure was that we were not sent to the Earth, which is what we were promised.

There might be reasons.  After all the magic had gone bad, and was twisting everything.  The Lady Helen had not planned to end in the myth world, and none of us had planned to end up in the belly of leviathan.

Perhaps Hermes didn’t mean what happened.  Or perhaps he did.  The gods can be right bastards.

But I knew that something was wrong the moment I broke through the portal.  First, it was the oddest portal I’d ever seen and there was not the momentary freeze of the inbetweener.  Only we were in Mythworld, then suddenly we were not, and there was mist all around and in the distance a glimpse of a fairy-like castle, and I groaned, and then I cursed under my breath, and then I regretted cursing, because in fairyland words can make things happen.

The Lady Helen, still firmly grasped within my arm, a promise of warmth, a bit of life in this world that had none, turned to look at me.

“We’re in fairyland,” I said.  “In fairyland.”

My voice must have echoed my dismay.  Indeed, I felt as though a hole had opened at my feet and I would presently tumble into it head first.  And from there to the madness I’d known once before was but a breath.

The Lady Helen looked at me, her eyes wide and scared.  I tightened my arm around her, involuntarily and she said, all gasping, “How do you know?  How can you know?  What—”

“I’ve been here before,” I said, between gritted teeth.

And to her look of great shock, because I suppose it is not normal for people of my station – or indeed for anyone – to go traipsing out to fairyland on a whim, I laughed.  I would not normally laugh at the lady nor at her surprise, but indeed it was the strangest thing, for how could one explain one’s life when even one’s own mother found it strange and inexplicable how her son had turned out.  “Pardon me,” I said.  Myrth still colored my words.  “Pardon me, but it is a long story, and a complicated one.  You see, I had to go to fairyland, open a portal on my own, and pay the forfeit too, because it was the only choice I had to get my son back.”

“Your son,” she said in a wondering tone.  Around us, the tendrils of magic fog grew, a sort of pink dazzle in which I could almost see forms.  “You told me you had one,” she said.  “And that you were married.”  She pulled a little away from me, though not much, and to own the truth it was all foolishness.  The barriers between us were much stronger than the mere objection of my being married.  As though her family would ever let her marry a man with no title, no position and one, moreover, who worked for them in a menial position.  She must know that as I did, as I had been conscious of ever since fate had pitchforked us together into this strange adventure.

Before this moment, I’d known that I admired the Lady mightily. I knew nothing of her, then, of course, save her looks and that expression she had, as of a mouse caught in a trap, but a mouse who means to fight back tooth and nail.  But I didn’t love her, anymore than one would fall in love with a statue or a picture.  That is, one hears of men doing so, but they’re invariably the sort of noblemen who also would fall in love with a tree, if the fancy took them.

But after the time we’d spent together, I knew her.  Her quick wit, her indomitable courae.  I knew that she was perhaps the one woman I could love.

And yet, it went for nothing.  I was married, though both the legality of my marriage – since there were varying opinions on the legal status of marriage to the fair folk – and the status of it – since my wife had disappeared into fairyland seven years ago – were not very clear.  But more important than that, she was so far above me as the moon is above the Earth.  And what was more, Jonathan Blythe, Earl of Savage was my employer.  And Jonathan Blythe was the image, and in many ways the echo of his grandfather.  If he even learned I was in love with his sister, even with my never having done anything to make my love into a more practical concern or a more physical affection, I knew him well enough to know he’d have me horsewhipped.  And that was if he were in one of his more lawful moods.  If he were in one of his other moods, if the stories of his grandfather which I’d heard were true, I might find myself stabbed in an alley, in a darkling midnight.  And that was if he didn’t bind me, hand and foot, and sell me to some amphibian magical people in some parallel world, where I’d spend the rest of my life fanning water larvae or whatever else nasty job he could think of.

I sighed and told her, in as cold a voice as I could manage – though let go of her I could not.  Not in this eery, irrational place – “I married a maiden of the fairfolk I found in the woods near my mother’s house.”

She gasped, and this time, though she too didn’t fully wish to leave I think – because there is much comfort in sheer human company in the fairy woods – managed to be within the circle of my arm, without touching.  “But you must know—”

“That it’s not advisable?  Yes, I knew.  But you see, she looked so lost, so forlorn.  She didn’t know how she’d come to be in our woods.  She was mother-naked and lost, and she looked….”  I paused.  “Like one of the naked little birds who have fallen from a nest, and who will die if you don’t care for them.”

It seemed to me she giggled, quickly suppressed.  But when I looked at her, she was red and just nodded.  She cleared her throat.  “So you did it… to protect her?”

“I think so,” I said.  “though there was the glamour, of course.   You know how … no, you probably don’t.  But there is glamour to the fey.  After a while I thought I was in love with her.”  I shrugged.  “I was in love with something, though it might be a counterfeit of what I thought I loved.  Like…. Like when they give you gold coins that are nothing but rubbish.”

She nodded.  The mist around us was thicker, and I wished to heaven that I didn’t have to tell her this story in fairyland, where words were like living things.  It tried to hurry the narration, “I married her.  After a year she left.  She left behind – we thought – my son, Jimmy.  Until we realized it was but a counterfeit, too.  And then I came to fairyland, in search of him.  And I took him back.”

Oddly, it seemed to me she relaxed.  “Oh,” she said.  And then with a sort of nascent hope.  “Then you’ve been here.  And left before.  And… and won.”

I bit my lower lip.  I really didn’t want to tell her what I had to tell her next.  But she had to know, “Not unscathed,” I said.  “there is always a price.  And mind yourself, and try to stand beside me.  What I heard is that in fairyland you always walk alone.  I don’t know if that is true, but I know you can find yourself alone, away from all your companions.  And that no one can protect you.”

I don’t know if she heard me, because on that moment, she was gone.  I was alone in fairyland and the magical fog made me cold to the bone.

Around me echoed the sound of laughter – sharp, little laughter like bells out of tune.  Laughter with sharp teeth in it.

*From Monsieur le Oyster, this morning.  And yes, I’m writing chapter of Rogue Magic.*

We had just one submission this week, so hopefully that means you all are too busy writing to send me links! Now take a break from torturing your characters and watch someone else torture theirs! As always, future entries can (and should!) be sent to freerangeoyster [aht] gmail [daht] com. Happy reading!
Jason Dyck, AKA The Free Range Oyster
Pachyderm Fancier, Mercenary Wordsmith, and Surfer on the Human Wave

Karen Myers

Bound into the Blood – A Virginian in Elfland (The Hounds of Annwn)

DISTURBING THE FAMILY SECRETS COULD BRING RUIN TO EVERYTHING HE’S WORKED SO HARD TO BUILD.

George Talbot Traherne, the human huntsman for the Wild Hunt, is preparing for the birth of his child by exploring the family papers about his parents and their deaths. When his improved relationship with his patron, the antlered god Cernunnos, is jeopardized by an unexpected opposition, he finds he must choose between loyalty to family and loyalty to a god.

He discovers he doesn’t know either of them as well as he thought he did. His search for answers takes him to the human world with unsuitable companions.

How will he keep a rock-wight safe from detection, or even teach her the rules of the road? And what will he awaken in the process, bringing disaster back to his family on his own doorstep? What if his loyalty is misplaced? What will be the price of his mistakes?

Also available from these fine sources:

• Amazon Canada
• Amazon UK
• Kobo
• Barnes and Noble
• Barnes & Noble UK
• Smashwords

*So, why two blasts from the past in one week?  Partly because I was doing the preamble to book plug Friday and it touched on Human Wave, and I thought it was time we had a reminder.  Can you believe it’s been two years?  We need to make more waves! And let’s get with that linked list and all.  Cross-promotion DOES work.*

UPDATE: the complement to this piece is at Book Plug Friday.

This is a manifesto.  I’m not sure what we’re manifesting, but it’s probably destiny.  Or density.  When you’re dyslexic, it can get confusing.  But in any case we’re manifesting something and it’s a patent manifestation.

The proximate reason for this is my post – here.  Or in other words, it’s another fine mess my mouth got us into.  (Okay, my typing fingers.  If you’re going to be nitpicky, you’re right out of the club.)

The purpose of this is to create a new “idea” in science fiction, a new way to look at the genre.  Properly observed (and I’ve observed it) I think the genre should be a way to play with possible futures, with possible outcomes, with possible ideas.  The wonder of science fiction lays in the open possibility.

When we have the list of what we’re sort of aiming for, we can start getting people who “subscribe” to those ideas, or to most of them
Once we have the list of who you are and your websites, we shall send enforcers to your hom…  No, wait.  That’s another list.  Oh, I see.  That’s the list the trolls left behind.  Never mind.

Once we have that list, we can we can have some large, linked aggregate, so we can help each other, and get more attention to the whole idea.

We should also en-list some critics and reviewers.  I know some reviewers but not much about critics in their native habitat.  However, someone else might.

Because we are rebelling against enforced conformity of style and opinion, of belief and ideology, this list is not “though shalt nots” but “You’re allowed to.”  It is also, in the nature of my nature (Okay, who let the copyeditor in?  Rent his robes and throw him to outer darkness, where there shall be wailing and gnawing of blue pencils) to know that this job is not completed.  Heck, it’s not even really started.  There will be discussion of this list at both According To Hoyt and Mad Genius Club.  Come and be heard, and let the discussion begin.

You are allowed to write escapist science fiction – or fantasy.  Sometimes we just need a good read.  If it doesn’t have a big idea but is enjoyable, it’s still a worthy endeavor.

You are allowed to write as much as you wish.  In the new limitless market we see no reason to artificially restrict your output.  Anyone who thinks quality depends on how long something took to write has never known either professional writers or struggling middle-graders.

You are allowed to write first person.  You are also allowed to write second person, third person, and in persons yet to be invented.  As long as your work is entertaining, we hold you harmless in matters relating to verbal malfeasance.

If your world building holds internal consistency, at least according to the buying public, anyone objecting because it doesn’t conform to his or her idea of a future shall be pelted with soft boiled eggs and wear the yolk of shame.

Your objective is to sell books.  Writing is communication.  Your objective is to communicate with as many people as possible.  Or at least to amuse them, distract them, or make the burden of life less burdensome for a while.  Wishing to feed your family is also an acceptable goal.

You can write male heroes.  You can write female heroes.  You can write alien heroes.  You can write human heroes.  You can write western heroes.  You can write non-western heroes.  You can write squirrel-heroes (but you have to know you’re weird.)  You can write it in a boat, you can write it with a goat (but which end do you hold on the paper?) You can write it in a moat (but it will probably drip) and you can write it on a stoat.

You can have a happy ever after.  You can have a happy for a while.  You can have a fleeting happy.  It’s your happy and you can have it if you want to.

You can write action and plot oriented books.  (Who will stop you?  You’ve researched fighting techniques, right?)

You can write sex.  Or not.  It all depends what fits the plot.  You can even write sex with a robot.

You can write politics.  You can write them from the right, from the left, from the middle, the top, the bottom or everywhere at once.  Just remember to make them fit the plot.  And remember not to infodump.

So do we have no principles?  No guidelines?

Oh, it’s guidelines you want, then?  Well, I was manifesting.  But fine.  I’ll throw out a few simple rules:

1 – Your writing should be entertaining.  If you’re writing for the awards and the literary recognition, you’re hanging out with the wrong crowd. (Does the other crowd have a tiny raccoon in a kilt?  Or even a quilt?  Think!)

2 – Your writing shouldn’t leave anyone feeling like they should scrub with pumice  or commit suicide by swallowing stoats for the crime of being human, or like humans are a blight upon the Earth, or that the future is dark, dreary, evil and fraught with nastiness, because that’s all humans can do, and woe is us.

3 – Your writing should not leave anyone feeling ashamed of being: male, female, western, non-western, sickly, hale, powerful, powerless.  It should use characters as characters and not as broad groups that are then used to shame other groups.  Fiction is not agit prop.

4- Your writing shouldn’t be all about the message.  You can, of course, have a message.  But the message should not be the be-all end-all of the novel.  If it is, perhaps you should be writing pamphlets.

5 – You shall not commit grey goo.  Grey goo, in which characters of indeterminate moral status move in a landscape of indeterminate importance towards goals that will leave no one better or worse off is not entertaining.  (Unless it is to see how the book bounces off the far wall, and that has limited entertainment.  Also, I’m not flinging my kindle.)

6 – Unless absolutely necessary you will have a positive feeling to your story.  By this we don’t mean it will have a happy ending or that we expect pollyanish sentiments out of you.  Your novel and setting can be as dystopic as you want it.  In fact, your character can die at the end.  Just make sure he goes down fighting and dies for something, so the reader doesn’t feel cheated.

7 – You will write in language that can be understood.  You will have an idea of what your story is about, or at least of its beginning, middle and end.  And so will your reader, once he reads it.

8 – You are allowed to write scientific speculation that counters “currently established fact” – just give us a reason why that makes sense in your universe.  (For some universes it can be highly whimsical, for others you’ll need serious handwavium.)

9 – You will not be boring.  Or at least you’ll do your best not to be boring.

10 – You shall not spend your life explaining why your not-boring is better than your fellow writers not-boring.  Instead you will shut up and write.

Comments, suggestions, goats?  Stoats?  Oranges?  Peanuts?  Lightly thrown chickens?  (What? I find thrown chickens humorous.  No, I don’t know why.  Oh, please, I’m a writer.  Like I have the money for a psychiatrist.)

For Your Own Good — A Guest Post By Patrick Richardson