Names, I’ve Had A Few

*But then again, too few NOT to mention*

I’ve been aware for some time that I don’t have a fandom as such – I have multiple fandoms. Some number of fans read everything I write that they can locate, no matter under which name, no matter what the subject matter. They will as cheerfully tuck into Darkship Thieves as into Plain Jane. This is the type of fan I am for say… Heinlein or Pratchett. A variant on these fans are the ones who buy everything I write, because they’re fans of the sf, their kids read the fantasy, their sister reads the mystery and their spouse likes the historicals.

These fans are not a problem, of course, except perhaps for their scarcity. (Well, that and I live in fear of writing certain things, like erotica because some of you – you know who you are – would read it, enjoy it, and send me witty comments. And helpful pictures drawn on the back of napkins.)

But then I have fans – rabid, vocal fans – who read only my mystery, or my science fiction. I don’t know any who read only my fantasy, though there might be some. For all I know I might have fans who read ONLY my vampires, which would be sad, because I have only published short stories with vampires.

The publishing industry’s view of this is that this means I should write/market/brand only one thing – I should make sure I’m known only for science fiction. Or mystery. Or…

I’ve never subscribed to this. (Oh, I could be dramatically wrong, I guess.) First, because as a reader I read everything, down to and including, in a pinch, the classifieds or the instructions to assemble a machine I don’t even own. I enjoy almost all fiction and a vast array of non fiction. If you ask me which of those is my passion, I’d have to say “all of them!”

I mean, I’ll confess and openly too that I’m a LITTLE more prone to enjoying science fiction than the other genres, but you wouldn’t know it from my buying decisions. A riveting mystery beats a hum-drum science fiction every time.

So I fail to see why, as a writer, I shouldn’t write everything I have riveting ideas for.

Second because as a writer I find that writing something different is often as good as a holiday. In fact, if you try to make me write only one thing, I probably would stop writing after two books. (I had a heck of a time finishing my third Shakespearean fantasy because at the time it looked like I was locked into “literary fantasy” the rest of my life. And my mind doesn’t like a mono-diet.)

Third because I don’t understand how my writing several different things – at least in the business model quase ante, where most of what you bought came from bookstore shelves – can “dilute” my market. Sure, some people will know me for science fiction, some for fantasy and some for mystery, but absent some sort of prejudice among readers (which I, at least, don’t have) I fail to see what difference this makes. For one, books will be shelved in different areas. So, for instance, my mystery readers will never even see the science fiction.

That was the idea at least. now with the turmoil brought on by ebook publishing I’ve made slight revisions.

I still want to write everything, except maybe men’s adventure, erotica and children’s books. (No, not together. EW. You’re sick.)

However if the market is going to be even fifty percent electronic and split among several distribution centers, one has to take in account that some of the sellers are spectacularly bad at giving descriptions and/or samples of the book.

I would hate for someone who loved Darkship Thieves to download No Will But His expecting science fiction. (Okay, this is a very naive reader. And for the gentleman in the back leering at me, NWBH is the fictionalized biography of Kathryn Howard, fifth wife of Henry VIII. That was her chosen motto.)

So, this late in the game, I’m thinking I REALLY need to brand, so people addicted to one form of my fiction don’t accidentally stumble into another. At the same time, I’ll have to remain absolutely open about my misdeeds under various pen names – I already have them on my first page, but maybe I’ll add them here – so those rare, eclectic readers will find all of them. (Sarah’s names! Collect all four![Sarah A. Hoyt; Sarah D’Almeida; Elise Hyatt AND a one-off under the house name Laurien Gardner, though I’m right now negotiating to sell books under Sarah Marques – you decide which one is the fourth.)

(Of course, I’ll always keep in mind you people need your fix of already-started series, natch. In fact, I don’t think I’d have more than four series going at once because of how long I’d have to make the fans wait. And I swear I’ll try to continue the musketeers mysteries despite publishers – I’m negotiating to sell Death Of A Musketeer to Naked Reader Press and if it sells well there will be more. PLEASE stop threatening to come over and make me write it.)

What do you think? Should I brand more specifically? Limit my wild flights of fancy that make me want to write stuff I never wrote before? Or – now that we’re less likely to be limited by what the gatekeepers will buy – just continue writing as much as I can and in what is pressing at the time? What is your opinion on this whole branding issue? Can a writer write too much for you? (I’d buy a Pratchett daily, if he could write them, but I might be weird.)

*Crossposted at Mad Genius Club*

 

Hoyt On Heinlein – A Forest Of Jungian* Knives

As some of you know I got to read Learning Curve by William Patterson in Advanced Reading Copy format, and I was dissatisfied – through my own fault – with my blogging about it at Tor.com. (I was NOT dissatisfied with the book, which I think every Heinlein fan should read.) Not blaming anyone save myself, because I tend to get emotional when it comes to Heinlein. Frankly more so than I would expect. And one of the ways I fit the stereotype of the Latin female is that I am… excitable. At least that’s what my husband says.

I will start the serious Heinlein blogging next week, and hopefully do one post a week.

This one is sort of a general Heinlein blogging thing.

If you’re in Colorado Springs, and even if you’re not, you probably know that Cosine, the local con, has a panel on Heinlein every year. This is actually not unusual. I always get put on these panels – no, I’m not complaining – because sometimes I think I should be shown at fairs, sideshows and museums as “the woman who loves Heinlein.” (More ranting on this coming later, you don’t want to get me started this early on. no, truly, you don’t. Winding up the Sarah might be funny, but it’s also dangerous.)

This year’s panel started badly for me. Despite appearances (Grin) I hate and despise being late for panels, but first my computer acted up while I was trying to do a post (which is why Sunday ended up without a post.) Second, as I was running late, my cats knocked over the clean-clothes baskets I hadn’t had time to sort, and I ended up trying to find my pants in a big mess.

The end result was our getting to the panel 15 minutes late which in retrospect was probably a good thing.

You see, I missed the annual declaration of virtue for “people who dare admit they are Heinlein fans in the current climate.” These people must exonerate themselves by making sure we – and everyone – know that they are only funs of the juveniles, but not of the later ones, with all their politics and sex.

This is where I’m a double freak. At least if they’re telling the truth and not stealthing it. (Who knows? We’ve become a masked ball, where everyone hides behind the face they find safe. You need to be a little mad and a lot reckless to tell the truth most of the time. Yeah, I’m both.)

You see, the only juveniles I read – in Portugal, as a kid – were Have Spacesuit and The Door Into Summer. (And the second is not a juvenile, IMHO.) I didn’t encounter his earlier work until I was married and living in the US. Actually I didn’t encounter his earlier work until we were living in Manitou, fourteen years ago, so I was thirty four. And may I say, though the most mediocre of Heinlein’s work can beat the best work of all of today’s writers (save perhaps Terry Pratchett) all hollow, that the juveniles failed to impress this raving fan of his later works?

They’re not bad books, mind. And of course, by the time I read them I was so far off their target audience as to be almost from another planet. But the important thing is that they are relatively simple and relatively… defanged when compared to his later work. And two of them I could never get into on language “cadence” alone (yeah, that’s a weirdness of mine. Some ways of assembling words make it impossible for me to read the book. It’s like nails on the chalkboard): The Star Beast and The Rolling Stones. (Curiously, the later I listened to in audio and that was easier than reading it. Still not one of my favorites.)

But I loved his later works. Granted my favorite is The Moon Is A Harsh Mistress, but I LOVED The Number Of The Beast and while just now Time Enough For Love gets on my nerves, I remember liking it when it first came out, and I probably will like it again. (Right now it feels too “unstructured” for my mind.)

Yes, his later books have sex and politics. Well, my dears, as you get older you tend to have sharper political opinions. Part of it is that you see what doesn’t work. This sometimes causes you to change your political opinions drastically – something we’ll go into later. Also, as you get older, you become more and more yourself – we’ll also go into this later. As for the sex… Well, look… I’m not saying he handled all of it perfectly. Even Heinlein – I have it on good authority – was human. At least his wife said he was, and I’ll take her opinion on this.

And the way he was handling sex and what he was doing with it was monumentally difficult. Oh, part of it might have been the old feeling that people his generation (and younger!) had that every taboo had to be broken down before the future could be built. Except sometimes the taboos are there to protect people who can’t think their way out of drowning in the rain… but that is a common failing. However, more importantly, what he was trying to do with sex was what he tried to do with everything else – i.e., extrapolate how technology will change people.

Though I’m not saying we’re not completely capable of mucking it up – oh, we are, trust me – we are on the threshold of two huge steps he foresaw: life extension and divorcing sex from reproduction. Part of this work is already underway – we’re living longer lives, and yeah, the pill started the process of separating those two processes. But right now the life extension is mostly extension of our aged years; and the pill is a negative separation of reproduction and sex. i.e. we can now have sex without risking babies. However, if this goes on (grin) we could be looking at 200 years healthy “middle age” and sexless reproduction (the later arguably sort of happens now fairly easily, but not in the array that will doubtless soon be possible.) These changes, more than even space travel and/or computers have the potential for striking at the heart of what it means to be human.

In this as in everything else, Heinlein had made it his mission to “prepare the future” – i.e. to make it easier for us to deal rationally with the changes. Hence all the sex and weird relationships in his later books. He was trying to extrapolate a “new morality” for new ways of being human. (Which is part of the reason my futures tend to involve biology and engineered humans.)

Do I agree with everything he extrapolated? Oh, heavens, no. He raised me better than that. He raised me to think for myself and to use my own life-experience and knowledge. BUT I do think he’s one of few, very few authors who even tried to deal with the subject. On the courage alone one has to admire him. And if he failed to be perfectly predictive, he still created books that can be enjoyed if you realize you’re reading spec-fic and not hymnals and stop getting offended every two pages.

(BTW, may I say I find it rich that most of the people who complain about sex in later Heinlein are boomers – aka the generation that ushered in New Wave, which brought in, among other things, a lot of sex (and a more inward looking plot) to SF? Yeah, I have a lot of boomer friends, but at least they’re not HYPOCRITES. You know the “it’s not the crime, it’s the coverup?” In this case, what gets on my nerves “is not the criticism, it’s the hypocrisy.”)

I gave a condensed version of my musings above at the Heinlein panel, (but stopped short of remarking that I grew up in the seventies and read most people who came into the field in the sixties and seventies – and whom people ten to twenty years older than I still adore – and I read more bad sex in Science Fiction than you could get in a year of attending clinics for sexual dysfunctions. The generation that wrote all that – and note I’m not complaining. I read it. No one forced me to – has no room to complain about excessive sex in Heinlein.) And I was going to add what comes next. I didn’t because as I was speaking I heard this weird “vibrato” in my voice. It came out of nowhere, without my realizing I was particularly upset. Unfortunately, I’ve learned to recognize that vibrato…

It is a sign I’m becoming too emotional. Mind you, I didn’t feel emotional, but often I hear it before I know I’m becoming such.

However, if I COULD have trusted myself, this is what I’d like all the Heinlein critics – particularly those who haven’t actually read him but ‘know’ he was guilty of all sorts of thought crimes – to think about:

Robert A. Heinlein has been dead for about 22 years. We’re still arguing about him and discussing him everywhere.  (Someone noted this, but not the following:)

WHO of the current writers has that sort of influence? Take the most popular of current writers, particularly in science fiction – do you see any of them influencing an entire generation, let alone the two or three Heinlein managed? Do you see anyone in the future – children from OTHER countries and cultures, mind – calling themselves “so and so”’s children?

Look, I adore Pratchett. I think he’s the greatest living writer in any genre. But as much as I love him, and as much as some of his insight has helped shape me (and the kids) I don’t think his influence will be half that of Heinlein’s.

As a writer, as a futurist, as a thinker, Heinlein still looms on the horizon of our thoughts, dwarfing all the younger generations.

And thereby, I think, hangs the problem. I’ve never felt a great urge to topple giants. I prefer to stand on their shoulders. But it is a known impulse of mankind to sacrifice the king and to murder the hero.

I think most of my colleagues who seethe in revolt against Heinlein are prey to that most ancient of urges. Heinlein raised them. And Heinlein is a mythical father, so large, so powerful, that they can only become themselves and feel good about themselves by virtually murdering him/his memory.

Of course it doesn’t work. Even if they succeeded (and so far they are less than successful) they would regret it immediately after. And then they’d find some way of deifying him – which would probably upset him even more, if he knew.

So, ladies and gentlemen, let’s admit that on a good day, to a benevolent reader, we might be able to reach sort of to Heinlein’s ankles. Let’s discuss him without rancor. And let’s consider him as the human he was, not the god we both rage against him for being and still wish he were.

Let’s put away the Jungian* knives, shall we?

*Technically this should be called A Forest of Freudian knives, since Totem and Taboo was Freud’s book, not Jung’s. However calling this “A Forest of Freudian Knives” would give entirely the wrong idea. And besides, I (and a lot of other people) associate mythical situations with Jung, not Freud, and when it comes to Heinlein, you have to agree it has all gone “myffic.”

(And, oh, yeah, let the Heinlein flame wars begin! For those of you who don’t know what I’m talking about, coff, the best scientists, coff, having analyzed the internet have determined that the non-porn part is fifty percent cute cat pictures and fifty percent Heinlein flame wars.)

Con-sarn it

As some of you know — but probably not all — I am doing Cosine this weekend.  It is five/ten minutes from our house, via the highway so it’s a very odd con as we come home at night and sometimes between panels. 

I think this is the first time in several years I’m not deathly ill at the START of Cosine, but I have a sore throat after the first day of Cosine so you figure it out.  No, I don’t think it was excessive talking.

I meant to take a camera and take pictures to post, but we forgot it.  I might record my reading today, if I can find the dang tape recorder.  And I’ll be the woman trying to write in the hallways between panels.

Right now, I’m going to shower and get ready and hope my throat feels better later.

Maybe I’ll remember the camera today…

An Allotment of Words

When I was at Fencon in Texas I met a young (well, compared to me) writer who said that she was given an allotment of words everyday. If she used too many of them, then she wouldn’t be able to write. So she wouldn’t even answer the phone, if she hadn’t written her quota of words.

While I don’t think I suffer from this problem – I think she was excessively visual and/or mathematical, and verbal must be an effort, hence the “allotment of words.” I tend to think in words, and often I end up having to talk through something to reason – as must be obvious from some of my posts.

That said, I’ve been noticing a weird effect, since I’ve tried everyday blogging, and it’s weird because it’s the same I had during the famous, never ending blog tour. If I write a blog post, it seems to sap my ability to write fiction for a day or two.

Now, in terms of allotment of words, this makes no sense.

Even my most wordy blog posts take… 2k words, tops. My top production in fiction, revised, was 40k words over a weekend. So…

I think it uses different parts of my brain and that, having engaged one, I have trouble switching over.

No, this is not an announcement I’m abandoning the blog. For one, I really think it’s important, at the present time, for people to try to think of what’s ahead in publishing. For another, (see under bad influences <G>) my agent and several editors have told me I need to have a web presence. Mind you, my agent (who is a smart woman) also told me “Not at the expense of your writing.” Which makes me wonder if she’s found this before.

However, another thing that bugs me about writing these posts is that I usually come at them an hour before bed, when I’m exhausted. (Believe it or not, sitting in front of the computer unable to write is more exhausting than writing.) This is obvious in the rambling nature of my posts. I’m one of those people who writes long when she doesn’t have the time to make it short.

So, here’s what I’m going to try to do – I’m going to try to do my blog posts on one day a week and schedule them. At the same time, I might try to con my kids/husband into doing a post a week, to relieve some of the stress.

What else can I do? As readers of this blog, what would you like to see? Reviews? (Keep in mind because there are tangled relationships between myself and other writers in this field, most of the time my reviews will probably be outside the field. Most likely non fiction and books-for-writers, but possibly, occasionally, romance.) Interviews? Slice-of-life as in “What I did today”? Pictures of stuff from my walks? Little things about my favorite places? (Mind you, those might silence the fiction, too, but they seem to pull less than the thought-out opinion pieces.) Recipes? More cats? (I got cats. I got cats like you won’t believe!) Stuff on Portuguese (and other) history? Funny quizzes? Guest posts (other than my family)? Occasionally snippets of the day’s output (with a note of what it is or what I think it is)?

Do any of these sound even remotely interesting?

A melodrama in three cats — plus one.

First there were Euclid and D’Artagnan. And Euclid and D’Artagnan were inseparable. I mean, really inseparable. Couldn’t separate them with a water hose inseparable:

Miranda cat, the girl in the house, was not impressed. Good thing she didn’t want to be friends with those PLEBIANS anyway!

Then, one day we went minigolfing. While there we found this tiny, incredibly dirty kitten, with a broken tail. We thought, surely he’s lost — we’ll take him home, wash him and care for him till we find his family.

Of course, we couldn’t find a family.  So we had the vet bathe him.  Then we bathed him again.  Then we washed him with Dawn (it’s safe, and he was covered in grease, like a victim of an oil-spill).  Twice.  Then we rubbed cornstartch into his (dried) fur and brushed it out.  Then we did it again.  When he was clean we fed him.  and we fed him.  And we… fed him.

For a brief while, all three boys cuddled together.

But soon it became clear Euclid liked Havelock better.

This made D’Artagnan very, very sad (and also a little homicidal)

Miranda’s opinion of the plebians remains unchanged, only now she has one more to terrorize.

A wilderness Of Mirrors

First and before I go into this post, I want to make it clear that I don’t believe in writing-with-a-message. I am in full agreement with whoever said “if you want to send a message, use western union.” Since everything became infused with “message” which somehow always comes down to politics and since everything local became political, (it never was the other way around. Or at least they never believed it.) they’ve done their best to politicize that most localized of personal events – the thoughts in your head. Which are supposed to be worthwhile and useful and… socially relevant.

The obvious problem with “message literature” is that it requires the message to be open and obvious. It also requires it to be in full accord with the visions of the gatekeepers. In fact, message-literature only invaded the field when the publishers and editors themselves started believing literature should send messages. Since, of course, most of the artists doing message-art nowadays view themselves as counter cultural, there’s a delicious irony there. It’s just that it hurts when I laugh.

However, I also want to point out that of course every piece of REAL art HAS a message (or several). The message might be as simple as “I’ve got a serious Jones for Greco-Roman tradition” (which in itself was fraught with all sorts of subtexts for the culture of the Renaissance, including the implicit assumption that the human body was beautiful) or as complex as “this is how humans grow up, with a foot in reality and one in myth.” (I’m thinking of The Amazing Maurice And His Educated Rodents – though many other books fit this “message.”)

Art creation, at least in my experience, happens somewhere halfway between the conscious and the subconscious, in a war between who we think we are and who we really are, what we think reality is and what reality really is. It is from that tension that real art is born. (I did not consciously put any “message” in Darkship Thieves, but all sorts of people are finding message in it, anyway. And even I can see all sorts of messages in it, in retrospect. Things that shape the artist try to leak through.)

While this does not invalidate self-consciously-aimed messages against whatever the current regime/society is, or stories that echo recent events and TWIST to make you see the artist’s point of view, to my mind art only happens when the subconscious adds yet something else, so the whole book has a deep resonance and doesn’t have that quality of learned-and-regurgitated accepted truth. (For instance, Ursula LeGuinn’s The Left Hand Of Darkness was aimed – I’m fairly sure – as a blunt argument on the nature of sex and gender, but what actually emerged echoes with deeper resonances of the subconscious which I’m sure she (or anyone) could neither have planned nor put in.)

But even when “messages” become art despite themselves few consciously aimed messages remain art after being vetted for ideological purity by gatekeepers. At least, I don’t think so.

Which is why an establishment that requires “message” or an establishment that requires any type of conformity – an establishment that has become concentrated and holds all the power of the purse, in fact – tends to produce very bad art… or good art ONLY despite itself. It also tends to produce a “reaction” art that is vibrant and full of energy… and held at bay as long as possible.

This is perhaps easiest to see in the French nineteenth century where art was encouraged and promoted by the State.

I recently took a course that echoed the methods they used to learn at the time – notably drawing from the cast (a plaster cast of a classical statue). I found it useful, but of course I wasn’t forced to spend year after year doing just this. I wasn’t forced to believe that only classical or biblical themes were acceptable and that color was a dangerous tempting demon. And I didn’t draw the cast over and over again for years, till I learned to see people like that, in the “correct” proportions and NOT as they really were.

Most of all, though, it became a competition of virtuosity. Using the permitted methods, themes and forms, artists vied with each other to make each painting more complex and “difficult.” One expression of this was the paintings with multitudes of people and animals, which given the fact they had to draw from life (or stuffed. Er… animals. Not people. I think.) because they couldn’t otherwise record images, became very difficult indeed. (It was usually done in stages, of course.)

It occurred to me, recently, that a lot of science fiction and fantasy and even mystery have become like that. “And now, for my next feat, I will attempt a completely alien world where the aliens communicate only through their salivary glands!” Okay, that’s exaggerating, but I’ve seen stuff that “reaches” almost as much. There certainly is fantasy set in almost every time period, striving to remain both believable/true to history AND magical. And there are mysteries using every profession under the sun as detectives.

While this might seem like a logical post-modernistic affliction, the result of everything having been said, I don’t believe that’s the case. After all, every creature, by nature, has something new to say – as new and individual as his journey. The thing is that OVERTLY all these books HAVE to say exactly the same thing. That’s why, to keep the artist motivated, they are set in such varying places and have such varying stratagems. They have to distinguish themselves, somehow, but the industry that banned a still-vigorously-selling John Norman AND still brags about it, will not let heretical messages flourish (not that I personally could ever understand WHY Gor should flourish, but then I don’t understand the popularity of its polar opposite type of series, one of which, at least, started a whole subgenre of fantastic literature.)

So in this multiplying wilderness of form and virtuosity, symbolism flourishes too – to get less approved-of messages through the gatekeepers – and as in the nineteenth century painting field, in France, it is sometimes so obscure that only the author “gets” it fully.

The problem with this, as the problem with most French art of the time when the monetary rewards went to those who followed the “correct” form and fashion, is that it’s become a dialogue amid the artists. We might find it fascinating, but the public has largely tuned out. Because art that echoes the establishment is never very exciting. (Gag – Soviet art. Gag.)

So, where do we go from here?

Well, fortunately technology is likely to lend a hand by removing control from a handful of gatekeepers residing in a square mile of terrain or so. But even without technology it would probably have happened – albeit not so fast – since it is part of the cycles of how art “dies” and is reborn.

Note, in favor of my thesis that Baen – which is not in that square mile – publishes a lot of old science fiction and fantasy memes (that’s a topic for another post. In SF/F there is a certain need to ‘reincarnate’ certain types of stories, for new generations) there isn’t a proliferation of the “and now, still more difficult” type of books. Writers write largely for their public, not other writers or the gatekeepers – a lesson I think more and more midlisters are learning in the stuff they put out on their own.

This is very exciting, of course – a fun and terrible time to be alive and writing, the very definition of “interesting times.” And they’ll only get more interesting.

I look forward to writing without trying to aim messages or disguise messages or in general self-consciously head off my subconscious from forbidden subjects and opinions.

I look forward to freedom and an engaged reading public again.

Am I wrong? Is there no great hunger for stuff where the message doesn’t clobber you over the head? Should I just start thinking of a science fiction about aliens who communicate with their salivary glands?

*Crossposted at Mad Genius Club and Classical Values*

Here, Behind My Eyes

*Heinlein flamewars will have to wait, as I’m still trying to finish the book. For now, content yourself with this*
Are any of you walking stereotypes? If you know anyone very well, do you know anyone who is a walking stereotype?

Let me see… I’m not particularly attuned to American stereotypes about someone like me, but I suppose I could fit several niches.

I could be the Portuguese-born, married-an-American woman. Right. A week after my wedding, my mother in law informed me I shouldn’t be submissive because men don’t like submissive women. I presume that is part of the stereotype because NO ONE in their right mind has ever spent more than ten minutes talking to me and called me submissive. (Also, for the record, it’s not true of Portuguese women in general. Yeah, I suppose some Portuguese women are submissive to males – how the heck would I know? I never had that many female friends back then and women in my family are known for being holy terrors.) And I presume I’m supposed to be dark, small, pretty and, as the stereotype bleeds into Spanish or perhaps Brazilian, which is what most Americans resort to when failing to find a niche for “Portuguese” I’m supposed to dress in colorful clothes, love to dance and… I’m running out of ideas here. I’m relatively dark, I think – but not if I haven’t been out in the sun for a while. Small… eh… I hope to see small again in my lifetime. I wear black, mostly because it makes me look smaller. Dancing – I used to be okay with it, like most young people. But these days I’d rather sit down with a good book.

I also know – from the things kids’ teachers have let drop that I’m supposed to miss the more “communal” life in Portugal and that I’m supposed to speak Portuguese at home.

I’m so sorry, life is full of these little disappointments. You must cope with them as best you can. I was raised in a village, so life was, of necessity, more… “connected” – and I hated it with a burning passion. I can’t imagine anything worse for a born odd duck than having someone follow your every move and come up with – outrageous – explanations for them. I’m fond of saying “It takes a village to make you completely insane.”

If I were a sitcom character, I would be forever talking about how things were in Portugal and acting surprised at things in the States. My dears, I was never an ADULT in Portugal. Legal adult, sure. But I was a college student until I married and came here, where I learned all the … “rituals” of adulthood. If I were required to say, rent a house, get a phone connected or even have dry cleaning done in Portugal I’d go into the fetal position on the floor and suck my thumb. And if after twenty five years here I were still surprised at how things work, I would take myself quickly to the nearest hospital and try to figure out the source of my memory issues.

I am, so Dan says – and he should know – “excitable” which is part of the stereotype for any Latin. But actually I think I’m only excitable compared to him, since he was born and partly raised in New England and “excitable” is reacting to a home break-in with more than a “oh, my. How inconvenient.” I’m often the voice of calm and reason when dealing with my friends, who are, none of them – now I think about it – Portuguese and only one of whom (hi Alicia!) has Latin blood (even if born and raised in the US!) And the exception isn’t excitable. She’s cutting, snarky and occasionally sarcastic (in the best way) but NOT excitable.

Okay, you’ll say. But you’re an (over) EDUCATED woman. You’ll be different. Right. So… let me see. Birkenstocks. I don’t shave my legs. I don’t pluck my moustache. I hang out in cafes that have poetry readings. I talk about herstory. I can’t discuss anything without bringing Foucault or perhaps Derrida. I dress mother-Earth style. I drive a prius. I…

Yeah, those of you who know me personally can get up off the floor before you die of laughing. I hear it can happen (indulgently.)

I shave my legs. My footware of choice is slippers, because I work at home. Tennis shoes for running about. But if I get a chance, I like high heels and I have a terrifying THING for stilettos. I wax my face. Look, I am a Mediterranean woman of middle years. If I didn’t wax my face regularly, most supermarket cashiers wouldn’t know whether to call me sir or ma’am. Their lives are hard enough. Let it go.

I’ll confess to a fondness for Shakespeare quotes, and waiting to see who catches them. And I love reading the sort of history books that are published in batches of eighty and sold to me and seventy nine university professors. I also like Jane Austen. But you’re as likely to find me with cheap romance, an old, pulp sf novel or… Disney comics. Sigh, I hate to confess it, but it’s true. I have no intellectual consistency. And I’m not ashamed of it.

Oh, and I drive an Expedition, which is handy, because it’s often filled up with furniture to be refinished or boards for my latest, odd, home improvement project. The current dream is a workshop in the basement for my projects. I do fit the SF author stereotype in that I have way too many cats, but then so did my grandmother, and she didn’t write any science fiction. (Or anything.) If I lived in the country, I’d have rabbits, pigeons, goats, turtles and dogs, as well.

Let me see what else – I love cheap amusement parks, diners (particularly Greek diners), zoos, and museums and lectures by scientists and historians.

Okay. Go and get the sponge. Clean the bits of brain off the wall. Then sit down and listen.

None of us are stereotypes. Or few of us are. (I can’t claim to know everyone in the world!) So why are so many characters stereotypical? It’s not just in sitcoms. How many times have we read versions of the blood-thirsty warrior, the large, dumb oaf, the – oh, please, even if her first few books in the series were enjoyable, I will NEVER forgive Misty for this one – too-sensitive-for-words gay magician, the spunky woman, the rebellious regency woman (all of them kindred to Scarlet O’Hara), the … Need I go on?

And the answer to that is, we create stereotypes because they are easy to signal and easy to allow the reader to fill in the rest of the mental map. We create stereotypes because we, to some extent, file people under stereotypes. When you don’t know people very well, you tend to fill in the vast empty areas with things that seem to be true of the group. This is how the human brain works. It’s how language works. We organize things in categories. (I say “table” and you don’t think of every table you’ve ever seen – you think of a generic (in my case line drawing) of a table, details to be filled in as they emerge.)

If you’re at a party, and you meet ten new people, you’re going to organize them by stereotypes – “the skinny girl who probably has never been kissed”, “the jolly matron”, the… But if you get to know them, then they stop being stereotypes.

My problem, I guess, and the reason for this post, is that in books, they rarely do. In books, in tv, in movies, particularly when talking about the villain parts, you tend to cast them in general molds. So, what is wrong with that, you say? Why, everything. Because books and stories are how we learn about life, and I’m getting sick and tired of being put in categories I couldn’t remotely belong to.

But stories are how the human brain works – Pratchett is correct on that. Stories are what helps our brain organize reality in ways that make sense. (No, “real” reality doesn’t. Too many variables, most of the time to draw significant conclusions. Only with the aid of stories, we can sort of see the relevant bits to form a picture, to learn from our experiences.)

The problem is getting fed on a continuous diet of stereotypes does NOT help us learn from our experience. Instead, it convinces us, subconsciously, that, outside the space behind the eyes everything goes by groups and that knowing one characteristic of the group you know everything. In the wake of this come the true evils – treating people as things; treating people as ciphers, members of a group; all alike within the group. After that come collective guilt, collective reward and, ultimately, collective punishment – a chain that has led to some of the very worst atrocities in the twentieth century.

So? So, if you’re a writer, try not to write stereotypes*. For one, because they’re boring and will get your book classed as “another one of x”. It’s more difficult to signal who the good and bad guys are without stereotypes. And you have to walk a fine line, because your characters have to be predictable enough to please the reader, but not so predictable they bore the reader.

I once, not very long ago, got in serious trouble in a romance writers’ group (what can I say. I’m a trouble maker) by suggesting that this character they were talking about as ideal, who is a social reformer and trying to stop the manufactures from exploiting children probably owned Victorian slums. Oh, the boos and hisses, but look… How many times is that true? Hypocrisy is not confined to religious people. Often “enlightened” people have their hands in all sorts of dirt. Why not show that, if nothing else to surprise the reader.

In the same way, I got in trouble in the same group for suggesting this – yeah, I know, what can I say. I said I was a troublemaker – wouldn’t you love to have a character you set up as the “bad guy” because (let’s say this is a regency, it’s easier) he’s a Lord and very full of himself, but then you find out secretly he finances homes for orphans? He will present as everything you hate, then turn out to be wonderfully complex? (If you think about it, Jane Austen did it with Darcy. Not the homes for the orphans, but secretly sensitive and caring.)

And wouldn’t it be okay, just once, to have a bad boy who really is a bad boy? An unredeemable undeserving rogue? You see where I’m going, right? It’s doable. It’s more of a challenge. And it’s something that might – just might – take your character from okay to truly alive, vibrant, memorable.

Look at Heyer for examples of how it can make you have staying power with the readers. (Really? She has a romance heroine who stutters AND has disfiguring heavy eyebrows. Heck, in fact none of her characters are standard-issue.)

And if you’re a reader? Next time you come across one more standard-issue villain or achingly simplistic goody-two-shoes hero*, do try to remember this is nothing but an expression of the writer’s failure.

Reality is not like that. In reality everyone is as complex as you are – there, behind your eyes.

*stereotypes for walk on or very secondary characters are perfectly all right. They are the writers equivalent of the painter leaving the background unfocused. Yeah, you can mix it up a little, but if you bring every little walk-on part to absolute sharp individuality you’ll do nothing but muddle background and foreground and confuse your reader. Hinting that your general collects porcelain tea cups is okay, but if we must also know about his passion for baroque painting and his interest in raising bulldogs, we start wondering which one is his most important trait. And if he ONLY appears for three lines, you’ll find it hard to cram all of those things on the page. (Though the image of a general charging into battle with a bulldog across his saddle, an antique porcelain cup in his left hand and a baroque painting behind him IS going to keep me awake at night.)

Days of Future Past

Sometimes I get nostalgic for the future – a future in which people have flying cars and flying houses; where diners were run by sentient bots embedded in the walls; where there are colonies in other planets.

You see, I read Clifford Simak when I was very young, and that was the future I’d thought we have. I understand there are many reasons – many of them having to do with regulation more than with anything else – why we don’t. (For instance, I suspect that the main reason we don’t have space colonies is the treaty that says no one can own a piece of space. It’s unnatural, unrealistic, and it stops exploration – but not a subject for this post.) I also understand in some instances that future might have been impractical. Flying cars seem a particularly quixotic idea. But that world had a dreamy, rosy glow about it, being invested with the dreams of childhood.

I’m not displeased with the world we do have, mind you. For one, our computers are better than theirs. But I am forever enthralled of the idea that there is some other universe where this future of gadgets and regular moon flights is true.

This story below, Wait Until The War Is Over is based on the idea that the real world is that future, and that some people can perceive it/cross over. It was published in Gateways (a DAW anthology.)

Needless to say, this is in its unproofed state. The one published was properly copyedited, but not this one.

Wait Until The War Is Over

Sarah A. Hoyt

“And then the aliens came,” My father said. He stood in his blue-and-white pajamas by the potted plant in the living room, watering can in hand, and he looked at me with his earnest, intent dark blue eyes.

I rushed forward and grabbed the watering can and sniffed it. As I’d thought, he’d filled it from the coffee maker in the kitchen. The plastic felt hot to the touch.

As I pulled it from his unresisting hands, he whispered softly, “Our lives were never the same again.”

I set the watering can down. Coffee wouldn’t probably have been any worse for the rubber tree than the chocolate milk in the cat’s dish had been for the cat’s digestion last week – leading to a couple of messes to clean up but perfectly survivable – but I wasn’t about to find out.

I took dad by the arm and led him up the stairs.

“The battle for Marstown,” he said. “You should have been there. You were in the Academy still, of course. All those low flying warblers coming in at low-altitude, flaring their deep bombs and scaring the greenies…”

It sounded like gibberish. It probably was gibberish. The doctors to whom I’d started taking dad about six months ago said that he had some form of dementia. I wasn’t so sure. It was more like he’d sulked permanently away from reality and into a more exciting world of his own creation – an amalgam of all the pulp science fiction tales he’d read in youth.

I led dad slowly up the stairs to the second floor of his house, his feet shuffling on the steps with hesitant, slow, small movements, as if the control of his legs were completely divorced from his brain and carried on with no more intent than an automatic process. I’d take a step up the stairs and wait, until he sort of shuffled up, then take another.

And all the while, his voice went on, with all the liveliness missing from his brown-suede-slippered feet. “I thought it was going to be a total massacre. Particularly if they hit the underground habitat and it–”

I coaxed him up the final step and he followed, onto the long narrow hallway of the Victorian he and Mother had bought half a century ago. It had been old then. Now it was organic, a house that was part of people, and whose meandering rooms filled with the nicknacks and remnants of their life together resembled a living organism more than anything else.

Then down the hallway, shuffling step by shuffling step, while he shouted and commanded and instructed about greenies, warblers, glimmerers, zoomers and who knew what else. He was describing some sort of battle set, as far as I could tell, on Mars, and he seemed to be under the impression that he was some great hero, some commander, someone that future generations would care about.

“Historians will say that my decision to mine the deep-under habitat caused the loss of invaluable hydroponic cultures that could have prevented the near-famine of ninety nine,” he said, in a reasonable tone. “But you’ll find that without it, we’d have lost humans and humans must always be the measure of the universe.”

While his voice carried on in this way, his body shuffled along in the hesitant steps a toddler might take along the hallway to the door to his room – next to my own childhood room. Which was good because that meant I could hear him when he decided to get up and do chores in the middle of the night, or – even worse – to go walking through the darkened streets while his unmoored mind flitted around some other universe.

He’d been like this since Mother died six months ago. Though, to be honest, it might have happened before and Mother might simply never have said anything about it. In fact, she might not have noticed. She’d always considered Dad as somewhat of a child and a danger to himself, so taking sharp objects away from him and making sure he didn’t leave the house alone might have crept into their routine so gradually that she’d never noticed.

But when I’d come for my mother’s funeral, I’d found Dad like this. And I hadn’t been able to leave since.

I led him to his bed, turned back the roiled covers and coaxed him into lying down, then covered him up. I closed the curtain he had opened. Outside, the snow fell, ever faster and thicker over the neighborhood of tall, narrow gingerbreads in which I’d grown up.

Looking out, I almost understood my dad, too. Where were our flying cars, our rolling sidewalks, our spaceships, our moon colonies? Here we were in the twenty first century and it looked dismally like the nineteenth.

“Euridyce?” Dad said, from the bed.

He sounded so much like his old self, like the man who held my hand and explained it all to me while the moon rockets flew in our black-and-white tv, that I turned around. “Yes?”

“Shouldn’t you be going back to Colorado?” He said. “Don’t you have a job to return to? You know you can’t take this long off just to nurse me.”

Surprised by his sanity, I blinked. My job in Colorado, the accounting job that my boss said he’d hold for me, might very well vanish in another month. I thought of how much I loved the mountains, the sense of self-sufficiency and freedom of the west. And I thought of Glen and my heart seized.

Glen was a redheaded giant computer programmer, the companion of my hikes through the wild country. We’d been going out together for a year, slowly ambling towards feelings that surpassed friendship.

I’d thought we were coming to an understanding, but he hadn’t called for the last month and could I blame him? I had disappeared into Rocktown in the wilds of Connecticut and never returned. I answered his calls but never called first.

He couldn’t know that days spent chasing after Dad and keeping him away from sharp objects and from watering plants with rubbing alcohol or giving his life savings to the UPS delivery man left me too exhausted to think of anything else.

But now, for the first time in six months, my dad was speaking softly and it wasn’t about some space war. “I know you’re worried about me, honey,” he said. “But you have a … duty, you know?”

I got near the bed, and put my hand on his hand which rested on the covers. His hand was still as large and bluntly square-fingered as it had been in my childhood, but it felt papery and brittle like parchment against my own skin. The suggestion of strength had been replaced with something else – a dryness, as if he were fading from the inside out and becoming a shadow of himself.

“It’s okay,” I said. Perhaps he’d only gone distracted over Mom’s death. They’d never been what you’d call a classically happy couple, but you could never judge these things from the outside. Perhaps he’d gone a little crazy and would be all right now. “Now that you’re getting better I’ll just stay a little longer. It won’t hurt anything.”

But he shook his head, a flurry of anxiety against the pillow, white hair flying this way and that. “It can hurt a lot Euridyce. Think about it. If you’re not there and I’m not there and they attack the moon colonies, they could have a complete victory. And find the Earth defenseless. The troops won’t know what to do without a Mayhem in command. ”

“What–”

He pulled his hand out from under mine and patted my hand reassuringly. “Get you to Colorado and take the jumper to Tycho as soon as possible. Don’t you worry about me. I’ve been laser-burned in battle before, and it will all come out all right. The Space Command will take good care of me.”

I pulled my hand away, turned off his light and closed the door softly.

“Goodnight dad,” I said, just as the phone started ringing down in the living room.
#

The only phone in the house was in the living room and sturdily wired to the wall. For reasons known only to her, mother disapproved of wireless phones, cable tv and microwaves. And I’d thought I’d only stay on a little while after her death. I hadn’t bothered bringing the conveniences of life with me. Nor had I had much time for shopping.

However, running and slipping along the wooden living room floor, trying to reach the phone before the person on the other side gave up, I promised myself I was going to buy a wireless phone if it was the last thing I did. Or remember to charge my cell phone, no matter how many times my dad watered the cat or fed kibble to the rubber plant tomorrow.

I grabbed the phone mid plaintive ring, and panted “Hello,” into the receiver.

For a moment there was no answer and I thought I’d got it too late, then Glen’s voice said, “Dicey?”

“Yes.” It was probably a revolting nickname, but it was okay because he called me that. “Yes.”

He hesitated and cleared his throat and my heart thumped so loud and fast I thought I wouldn’t be able to hear anything, anyway. He was going to tell me he was seeing someone else. He was going to tell me I’d stayed away too long–

“Er,” he said. “Dicey…”

“Yes,” I said again. I thought I heard a door close upstairs, but though I strained to hear anything else, nothing came. I was just imagining my dad was leaving his room. I was hoping my dad would stage one of his aimless escapes so that I didn’t have to stand here and hear the bad news.

“I’ve been thinking,” he said.

“Yes?” Was that a step on the stairs?

“Will you… I mean… I know you’re looking after your father and, but maybe if we can put him in a home near us. I mean, there’s some good–”

Near us? What did he mean?

“Dicey, what I want to ask is, would you consider coming back and marrying me?”

“I…” I said and thought that I couldn’t. I couldn’t leave dad alone for long enough to even arrange a wedding. And a home… what if we put dad in a home and it turned out to be one of those nightmare places where they abused old people? I could never live with myself.

The truth was I’d be worrying about dad all the time. My marriage would wilt before it even began.

Still…. being married to Glen. Just the thought of being with him all the time, of being loved and cherished, of not being alone with my fears for my dad and an insane load of work was tempting.

I wanted to accept. But it was impossible. We should wait until father was a little more stable. We should…

The metal on metal noise of the back-door latch being opened, then the sound of the screen door slamming echoed in the silent house. A rush of cold, cold air streamed from the door between the kitchen and the living room.

“Oh, Lord,” I said.

“Dicey?”

“Dad has gone out,” I said. “I have to go.” Slamming the phone down, I ran through the kitchen, past the dinner dishes stacked on the counter. I opened the screen door and ran out, hearing it swing closed behind me.

Outside, the snow was coming down fast and blinding and the cold stung through my flannel shirt and my jeans. The indoor moccasins on my feet were, fortunately, fur lined.

I listened for the sound of Dad’s shuffling steps, but all I could hear was the dead silence of a snow storm – the snow absorbing all sounds and giving back only the loudest.

“Dad?” I called, half hoping he would answer me. Not sure why, because he never had before. When he was on one of his walks around the neighborhood he was more lost than ever in the world of the mind. “Dad?”

Nothing. From a few streets away came the muffled sound of a car horn.

I looked down and thought I saw, on the glimmering fresh snow, the faint track of shuffling feet fast being erased by the piling on of new flakes. I started following it, hesitantly.

The cold stung on my ears. I folded my arms on my chest and tucked my vulnerable hands under my arms. My nose dripped with cold. “Dad?”

Nothing. The traces on the snow were very faint indeed and they could easily be the track of some animal that had passed through here hours ago.

I strained to hear, but there was nothing. The snow clung to my long chestnut-brown hair, soaking through it to wet my scalp.

The door. I’d left the door open and only the screen door on. The neighborhood was safe, but still… The cold would stress the heating system. I might end up with frozen pipes.

I should go back. I should go back and call nine one one and let someone else find Dad in this white, blinding maze.

But if I did, the traces of his shuffling – if they were that – would surely be gone. And then what? Dad could freeze to death out here, alone, in the cold, and no one would know.

He hadn’t been the best of fathers. Too restless to hold any real job after he’d left the Air Force, too much of a dreamer for any of his investment schemes to pay off. And I often thought he and Mother had been too involved with each other to even notice I existed.

But Dad had been the one who read books to me, and talked to me about the bright future of flying cars and moving sidewalks and interstellar colonies that waited my generation.

He’d taught me to believe in a better future and even if his dreams hadn’t come to pass, I couldn’t quite forget them.

“Dad?” A shuffling sound, just ahead. “Dad?” I stretched my hand.

There was a flare ahead, a multicolored flare – bright red and green light fading away to tones of violet and glaring yellow. A hand grabbed my hand. Not Dad’s hand. A strong, young hand with supple skin.

It enveloped mine, and another hand reached for my arm, and then it pulled me, and I fell to the soft snow with a heavy, warm male body on top of me.

“Keep down, keep down, keep down,” he shouted and, all the while, his body covered mine. “They’re warbling Rocktown. The command shields are flaring, but zoomers still might get through.”

The voice was familiar – Glen’s voice? – and the hands were strong, and around us lights were changing color and there was a soft, never ending pop pop pop pop, and things – like little pebbles – zoomed by my face, leaving a trail of incandescent heat.

Then it all stopped, and it was just white snow falling, and silence all around, and I was being hauled to my feet like an ill-stuffed potato sack, and Glen’s voice was saying, “Lady, don’t you know a hush-down alert when you hear one? What did you think the white-out was for? What are you doing out of the shelter?”

And then he looked at me – in the insufficient light at the heart of the snow storm – and his green eyes widened further, and his mouth opened a little and he said, “Dicey! I thought you were in Tycho.”

My heart was beating near my mouth, the proximity of him, the scent of him – sweat and soap and cologne – felt like coming home after the six months apart. I’d never thought we’d meet again and I’d thought–

I reached for him and touched his sleeve, which felt odd and oddly warm, as if his bright blue cling-on shirt were made of living tissue. And then I realized he was wearing very odd clothes indeed – a bright blue shirt and bright blue pants, all of it clinging to his body and molding every muscle from his broad shoulders to his narrow hips, and the long legs beneath. A sort of collar around his neck held what could only be described as a military insignia – if military insignias were little rockets topped with a row of stars.

Still, he looked exactly like himself with that ruddy tan that pale people acquire when they’re outdoors a lot, and the square chin and the too-open-to-be-handsome bright green eyes.

He looked like the Colorado boy he’d been in his childhood; like the mountain town man he’d grown up into.

All of it at odds with the science fiction-movie getup.

I opened my mouth to ask about the costume and why he hadn’t told me, on the phone, that he was in the neighborhood, but he grabbed me and enveloped me, totally, in his muscular arms. “Dicey, damn it Dicey, I thought you were in Tycho. I thought you were dead.”

“Tycho?” I asked, blinking puzzledly at him, and thinking that Dad had said something about Tycho.

“Tycho under. It was warbled by the greenies. An hour ago? Don’t you know? Weren’t you plugged in?”

He looked at me and ran his hands over my head, as if expecting to feel something. “Where’s your halo?” he asked. “And why are you out of uniform? Were you on injured leave? Why didn’t you tell me?”

I shook my head. Something was wrong with me. I had started sharing Dad’s illusions. “I…” I said. “I was looking after Dad. I was–”

Glen nodded. “Commander Absalom Mayhem. None of this would have happened if he’d been at Tycho.” He nodded. “If we’d had a Mayhem in command…”

His voice trailed. He shook his head. “No matter. You couldn’t have known. At least you came out at the hush-down call.” He grinned, his mischievous grin. “Even if without your uniform or halo. Still, I’m glad you’re ready to resume duty. Let’s galoomph.”

I looked blankly up at him. He stared down at me and nodded, as if understanding my expression. “No galoomph boots? No prob. I’ve got the belt.”

And before I knew what he was doing, he put the belt around my waist and attached it to his and then started … jumping. Only jumping seemed like a strange word to describe taking block-long leaps and falling gently onto the snow. But now, it couldn’t be snow, could it?

I had stopped feeling cold after Glen showed up. And the stuff falling around us had a dry, papery texture, like shredded Styrofoam. It crunched underfoot like crushed walnuts each time we landed. And during the jump itself, there was a Gaaaaa-loooooom-phhhhh sound.

“I hate galoomphing in white-out,” Glen said. Fortunately I have the halo guide on.”

I had absolutely no idea what he was talking about and wished he’d go back to greenies. At least I could understand that.

As it was, I could do no more than allow myself to go along, limply, as he – ah – galoomphed for what seemed like half a mile.

It was a dream. It had to be a dream. But my dreams had never been this vivid. I could smell Glen and feel his muscles against mine, as the belt pulled us together.

He was here. Or I was here. I’d swear to it.

Real.

And then we emerged from the white out. The fake snow receded. And there was…

My mouth dropped open and I swallowed, convulsively. That was it. Dad’s hallucinations were definitely catching and I’d caught them.

Ahead of me was the future. At least the future as it was going to be circa nineteen thirty – brightly colored, domes and towers erected cheek to jowl and seemingly with no pattern. Around them wound even brighter colored… they looked like plastic car tracks, of the sort that bent into improbable configurations. Along the tracks, people slid. Or rather people stood on the tracks and seemed to slide along. The people closer to us, those I could see well enough, wore clothing that looked much like Glen’s but which ran to stranger colors, like bright purple and glaring pink. And there was a shine around their heads and, as I looked at Glen, I saw the same shine around his. Was that the halo he’d talked about? And what did it do?

“We’ll get you into Command,” he said. “And get you haloed in. That white-out there was the first attack on earth in fifty years. I think the shields held. At least the halo says so. But you know the next hit will be harder. I’m just glad both you and your father are here.”

He undid the belt around my middle. We were standing at a door – round door – to a building. It irised open as we walked forward. There were a lot of people dressed like Glen, though some wore red uniforms and some had silver emblems on their collars.

Inside the building, it looked like the walls had been poured of glass — all gleaming fluid curves in colors as vivid as the clothes — pink, purple, yellow, lime green and electric blue.

They saluted each other according to some protocol I couldn’t fathom. And they all saluted me. We floated up a central open space that Glen called an anti-grav well, up to a third floor railing, where he reached and hauled himself into a platform. I followed.

We were in some sort of command center, and Dad stood there – in a red uniform with a collar bearing a spaceship and ten stars – on a little platform, talking to people. Haranguing them.

I understood very little of what he was saying. Something about Tycho Under being gone and no defenses remaining between the greenies and earth. How it was up to us to keep the home of humanity safe. How it was time to show the greenies they couldn’t wipe humanity out. We weren’t ready to go. We’d never be ready to go.

It had the sound of a brave speech and a desperate speech. But the thing is, Dad sounded as he would have at his most persuasive. He was the commander and with him in command, things just might be all right.

Father had found the vocation that had eluded him in the life I remembered. He was respected and obeyed.

He paused in his speech and looked at me, “Ah, Euridyce. Glad you joined us. And Captain Glen Braxladen, of course. The greenies will return. They’ll be better armed, ready to penetrate our shields. This time people must defend the world. I’m glad we have our best fighters here. We need all of them.”

I wanted to say I had no idea what they were talking about, but somehow I couldn’t. The room was packed with uniformed men and women and they were all looking at Dad and then at me, as if they believed him some sort of Messiah and had almost equal faith in my abilities.

Glen led me to a room where the door irised open and he said, “Get suited up and haloed in. I don’t think we have much time and I’d like to… Remember what I asked last time I haloed you in Tycho? I’d like to do it now, if you don’t mind. I’ll mention it to your father. Just get suited up and let’s see if we have time before we take off.”

I wanted to ask enough time for what, but his eyes had gone all serious. He leaned in and kissed me. “Just in case, you know…” he said.

His lips were warm against mine, his mouth hungry, his tongue probing.

I nodded, dazed by his kiss and not sure what he meant. Inside the room which was small and oval, the white walls gave the impression of having been poured out of some glassy material, there was a red suit hanging.

I put it on. It fit perfectly. On the hook, where the suit had been, there was what looked like a very fine, metallic circle. Something that might have been made of piano wire. The halo. Obviously.

I set it on my head, wondering if there was something else I should be doing.

There was warmth. I could tell it was glowing.

And then… Oh, it wasn’t that I remembered. I mean, this world still didn’t make any sense to me. I still didn’t know how I’d got here and thought it all too likely that Dad had some sort of contagious madness.

But with the halo on, I found facts being fed to my puzzlement, my questions being answered before they were asked.

It was all still madness. I was sure I was still hallucinating. But this hallucination had footnotes.

Greenies were insect-like aliens. They’d come just after we’d got to the moon. At first, they’d almost exterminated us. But we’d got their technology and reverse-engineered it.

We had moon colonies, and rolling sidewalks and ships and…

And dad’s heart murmur, which had precluded his ever joining the space program in the world I remembered all too clearly had been fixed here. The aliens had brought in bio-technology which helped the regeneration of defective organs.

The price of all that advancement had been a war of extermination waged on us.

Dad had been one of the first astronauts. He’d become the chief commander of the troops when the aliens had attacked Marstown, our first Martian colony. He had achieved a resounding victory against superior numbers and become a legend in his own time.

I walked out of the dressing room, in a daze. A beautiful redheaded woman smiled at me, didn’t salute. She too wore a red uniform.

The halo told me she was commander Hazel Stein. She’d been my roommate in the Space Academy where I’d learned to pilot flitters and command flitter detachments.

Her husband was… Robert? I could not remember. I remembered they had twin sons, though, and I smiled at her, in as friendly a way as I could manage, considering I had no real memory of our friendship.

“Don’t worry,” she said. “My wedding was a five month nightmare of preparation followed by a hellish three day whirlwind. This will be quick and easy. You’ll survive.” Her face clouded momentarily. “At least, I hope you will. The greenies are returning in force, they say. We don’t have much time for personal business before they get here.”

The halo informed me that the greeny battle squadrons had encircled Earth, that they’d destroyed the other solar system colonies, that the grimmest phase of the war was about to begin.

Meanwhile, Hazel escorted me into a small room which had… Dad, standing at the front and on either side, forming an isle down the center, a group of people – men and women – in uniforms that my halo identified as friends, acquaintances and my subordinates.

Glen was up front, looking nervous. He turned as I came in, with Hazel by my side and gave me a wan smile.

This looked like a wedding. Were we–?

As I got up front, Glen took my hands. “Thank you for agreeing to do this. I know we’d agreed to wait until the war was over, but what if it never is?”

The ceremony was brief and utilitarian. Halfway through it, my halo started screaming “Greeny ships flying towards Peace City. White Out called in New York. White Out Denver Outbound Spaceport. White Out Cape Canaveral. White-out in Rio. White-out Milano. White-out Pris. White-out Venice. White out–”

Through it, I heard Dad’s words, “Take this man to be your lawfully wedded husband, to love and honor and–”

When he stopped talking I said “I do.”

Glen took me in his arms. The halo was going crazy its voice-thought overrunning my own thoughts.

And over it all Dad said, “To those who say it is foolhardy of them to marry just before the great battles, I say we all get married before great battles. If humanity waited until the war was over there would be no humanity. Go forth and multiply and–” his voice subsided for a moment under the halo’s mind screams that New York was being warbled and came back again, full force, “Wipe the bastards from the galaxy.”

And then we were running, Glen and I side by side, and the halo let me know which ship to take, and I jumped in.

Suddenly there were memories. Or at least, not memories, but the ship felt familiar. The vaguely ozony smell inside it, the fit of the seat, like a living thing wrapping around me. The ship felt like something I’d known and loved a long time.

It was a one-person ship, shaped roughly like a kidney bean and bright yellow.

It closed around me. The seat… hugged me in a tight, cushiony embrace.

Before I could even look for a button or lever, it took off. Very fast. Other ships zoomed around me. My stomach flew to my mouth.

I swallowed.

My eyes closed in an involuntary flinch.

When they opened again, I was in space or at least somewhere dark and deep like rich black velvet pin-pointed with flickering fireflies.

Around me, here and there, like colored marbles scattered on a black pavement, other ships ranged. I wished I knew which one was Father’s, which was Glen’s.

The halo started to transmit something about Glen’s ship, but suddenly the enemy showed up.

Their ships were grey, circular and flat, like coins or saw blades.

They didn’t so much look evil as inhuman. Something about them proclaimed that no ape-hands had fashioned it, no humanoid-brain had designed it.

This was why the greenies wanted us gone. We were just as alien to them — as filled with murderous otherness. As evil.

One of the ships made straight for me and flared. I saw a ray of light fly towards me.

I couldn’t find any controls and the halo started saying it was all mentally controlled, through the halo which was connected to a series of computers which controlled all of–

I wished myself sideways. The ship flipped.

Light flew by.

Another enemy ship approached, flaring at me.

And another.

I thought up, down, sideways, tilt and jump.

My ship danced and skipped like a skittish gymnast.

Around me, vaguely glimpsed other ships flared and fired laser beams. Our ships or theirs. I couldn’t tell.

I hoped Glen was all right and heard his voice in my head, “Fire at them, Dicey. You can’t just wait till they’re all around you. Fire now. Don’t try to be a hero.”

I wasn’t trying to be a hero. I didn’t know how to fire.

But if I didn’t they’d mass around me. And if they massed around me, they’d go past to bomb Rocktown.

If they bombed Rocktown, they’d get the Space Command.

Earth’s defenses would be headless.

Saw-blade ships surrounded me on all sides, and I skipped and jumped and–

I had to kill. Now, now, now.

I heard a hiss, and then a brightly-burning laser shot out from the front of my ship. It exploded in all directions, sliding the grey disks in two.

And then they exploded, in a dazzle of blue.

And I felt cold.
#

“Losing her–” a stranger’s voice.

“Quick graft, quick–”

“The bio regen–”

“Why didn’t she shield?” Glen’s voice, with a hint of desperation. His hand in mine. “So many ships. She had to know that the radiation–”

“She didn’t have time to think,” Dad’s voice said. “In the excitement of battle it is possible–”

The sounds were fading, fading, going away.

And I was cold.
#

I was in the middle of the snow, and there was a shuffling of feet ahead, and Dad’s voice saying, “We stopped the greenies. They didn’t even warble New York. Euridyce is a hero. She’ll survive. She’ll be all right.”

My dream? His dream? Or some reality beyond dreams?

“Dad,” I yelled and ran to him and put my arms around him, tightly. He was cold, but warmer than the snow.

I grabbed his arm and started leading him back, while he told me about the successful battle and in my mind there was a feeling of being elsewhere, of being at the same time in the other world, with the warblers and the zoomers, the sliding sidewalks and the attacking greenies.

If the price for the future was a vicious enemy trying to exterminate mankind, perhaps it was best we’d stopped going to the moon. Perhaps it was best living in this twenty first century that looked like the nineteenth.

But part of me didn’t really believe it. Part of me thought it was more likely this world was an illusion and the world out there, with the greenies, was the real one. Perhaps the greenies were spinning these lies into our brain.

Or perhaps both worlds were real and father’s mind had become unmoored and perceived the wrong one at the wrong time.

I got Dad into the house, anyway. I took him up to his room, covered him up.

In both worlds, father and I were fighting a war. Even the bright, glimmering future that had been the past’s dream had its price and the price might be the end of mankind.

In this world…

I needed to go back to the living room and I needed to call Glen back and accept his proposal before he thought better of it. Yes, Dad still needed my care. We’d need to put Dad in a home. Money would be tight. I’d worry.

But if humanity waited till the war was over, there would be no humanity.

On the bed, Dad was speaking to himself. He was issuing orders for a counter attack.

I paused at the door to his room. “Give them hell, Dad,” I said.

For a brief moment, he looked at me, and his face was the face of the man in my – dream? Hallucination?

He smiled. “Oh, I will.”

I turned off the light.

*crossposted at Classical Values*

Pushing Humpty Dumpty

Back when I was eight I read Alvin Toffler’s Future Shock. I’ve since heard it has a globalist sub-text, or whatever. I don’t know. I haven’t re-read it since I was eight.

At eight, what I took away from it was the mechanics of change in society and how people react to change. Also, that things would change REALLY fast. And so far what I took away from it has served me very well.

Change came at me at a higher speed and in scarier aspects than it did at most of you. Portugal in the sixties and early seventies – due to stupid government tricks, like a mercantilist philosophy (among other issues) – in the place where I lived (it varied greatly by region) was stuck somewhere in the early twentieth century.

When I grew up – seems like a vanished country – there were two private-home televisions in the entire village. Most nights, people got all dressed up and went to the coffee shop to watch TV, which had two channels, showed in black and white, and would run to soap operas and recycled American shows as well as to recordings of the symphony and/or lectures on various subjects. Other people stayed home and listened to programs on the radio – my mom was very fond of what can only be called cultural programming: lectures on mythology or history; disquisitions on various philosophies and readings of great novels. Since she worked from home and often worked late, I used to sit next to her, playing with construction toys and listening to the radio. It probably formed the basis of my views of the greater world out there. I remember being scared out of my wits by a program on World War I.

Mind you, mom also listened to radio soap operas. They played at noon, to hit the shop girls and factory workers during their lunch breaks. Walking down the village at a certain hour, you could hear the entire soap opera, from the radios in each house as you passed.

Of course, with this sort of entertainment – prepare yourself for this. No, I’m serious – the big activity on weekends was… sitting on your door stoop to watch your neighbors walk past. My mom came from another village and on weekends we walked to the bus stop to go to the next village and see her parents. And dating couples would walk up the street. This and the attendant gossip was enough entertainment for most people. For us kids, there were vendors who walked down the village street, (down several village streets. They took the bus, too) carrying their wares in insulated backpacks that looked somewhat like converted (small) water heaters. Of note was a sort of waffle cylinder called “Mother in Law’s tongue” (because it was so long, see?) And … Good Humor ice cream bars. (Under a different name.)

Our fish and oil and olives were still sold out of ox carts. I learned to write with a quill pen because those newfangled ball point pens ruined your penmanship. We made a lot of our own games, and we had a lot of time to think. It wasn’t a bad life. Unless you counted the state of interior plumbing, food supply, water supply (cholera was a big problem every year in summer) or health care.

I saw my first tape recorder at three, my first dishwasher at eight, my first in-theater movie at fourteen and my first microwave in a Columbo episode, at seventeen.

In the middle of all this, I read science fiction. It was natural. Some of it came very naturally. When I first heard of a dishwasher for instance, I thought of a Clifford Simak type machine, with robot arms poking out of the wall.

And things accelerated. Portugal couldn’t remain forever impervious to the outside world, and it didn’t. By the late seventies they were a little behind the US but not to the point that things were almost alien. When I came over (the first time, as an exchange student) at seventeen, the only thing I remember being really new was the hot-air hand dryers in the bathrooms.

Having seen this play out in my lifetime, I understand both the attraction of the “romantic” longing for the “simpler” past and the forward-thinking person, waiting in excitement for the birth of the future. It says something about me, I suppose, that during the fastest time of change (when I was between the ages of eleven and seventeen) I was reading the most science fiction. And watching any science fiction that came my way, even, yes, I cringe to admit it, Space 1999.

You see, there were things I had realized, though I didn’t think about them for a very long time. I might miss some of the aspects of the past and try to recreate them – for instance, we didn’t have a TV in the house till my kids knew how to read and had developed reading habits. I confess they got computers at three years of age, though – but in general, as time went on, things got better.

Oh, not immediately. And not for all types of change, JUST for tech change — I’m not talking here of political or social change, which of course can go in many directions. North Korea and a lot of other nations with dictatorial regimes have gone backward in technology availability and use and in lifestyle. But tech change– at least in my life time – makes things better. Sometimes it makes things better after a period of disruption when things seem much, much worse, but in the end, on the whole, things get better. Yes, pity the poor olive oil seller who did the round of the villages with his donkey-pulled-cart. (I was very fond of the donkey. He wore a hat and you could give him carrots. I hope he ended up in honorable retirement or a petting zoo or something.) But now people in those same villages don’t have to wait for the “oil man” to buy oil. They can get it from the store any time they feel like. That’s a win.

Oh, sure, when suddenly, ancient ways of doing things were toppling things got scary. Sometimes it was hard to convince people this was a good thing – for instance, it was hard to convince people to stop making their own soap or using bar soap and use – instead – laundry detergent. It was so hard, in fact, that when I was about five, detergent salesmen came door to door (I kid you not!) and, because children are often pivotal in pushing their mothers to buy something, the detergents gave away the sort of prizes here associated with cereals. “Collect all…” Yeah. People complained and grumbled, but the pattern changed. New ways of doing things emerged.

Shopping at the supermarket up the street might feel disloyal to the village shops, but they had different things and had them cheaper and people changed their habits. Not always completely. Of the three village shops – gossip centers, place to sell your bumper crop of whatever vegetable you were growing, and (after nine pm) tavern – one survives. It functions right now as a combination convenience store and farmers’ market and it serves a purpose. And my parents might wax nostalgic for the “closeness” of doing all your shopping in the village, but they love the convenience of the supermarket and its shelves.

It probably is a coincidence that the shop that survives was the first to get a refrigerator (just a normal home-style refrigerator, with a freezer) and, heaven knows from where, get hold of those popscicle-shaped ice making forms which they filled with colored, sweetened ice, or lemonade, or juice, and sold to the hordes of school children, as we came out of the elementary school two blocks away.

Now, this business was good for maybe two or three years, before commercial ice cream started being available in the village, but for those two/three years, it was a license to coin money.

So, what’s with the trip down my – rather long, tortuous and winding – memory road?

It’s my way of presenting my credentials on having seen enough technological change to know how things play. And, because I saw so much of it, I have also learned about the typical reactions to change.

People, in general, seem to fear change. This is logical. I think for a long time, not liking change and doing things the way your parents/grandparents/great grandparents did them, avoided getting in real trouble by experimenting with new, dangerous things. It might not get you ahead, but it kept you from getting killed. After all, there might be more than one way to skin a mammoth, but surely grandad knew all of those ways.

So, almost everyone’s first reaction to tech change is negative. We feel, at best, put out, and at worst, scared. We want our own comfortable way of doing things. (For years, I had a program that made my keyboard make a typewriter sound. Typing in silence seemed bizarre.)

When a state of equilibrium is disrupted, fear comes first, and then several other reactions. Some people truly hate change and go on hating it more and more. They become more and more attached to the old way, the more they see the new. This is a fairly rare reaction, except in very old people or people who have something to lose by the change and who might actively try to fight it.

Some people embrace change, want to take advantage of all the new things – sit awake at night dreaming up new ways to use, improve or make money off whatever new thing just came into their sphere.

And then the middle muddle once the detergent salesman pushes his detergent at you, (and your kid really wants the little plastic horse they’re giving away this month) you start seeing good sides. Oh, hey, your clothes smell better. And if you immerse them in detergent before washing, you don’t need to pound the fabric halfway to pieces against stones to get it clean.

This is how it works for individual people, and it’s part of the reason – ah, you knew I was going to get there, right? – my experience tells me ebooks and ebook readers are the things of the future. And most individuals will adapt, get used to it and in ten years or so wonder how they ever got along without it. Oh, sure, the rates of acceptance will be different and some people will never be comfortable with an ebook reader over paper, but most of them will find an ebook reader they love.

Groups of people are not individuals and companies have mechanics all their own. I will confess right now that as much as I love ebooks, I didn’t expect the change to be this fast. Now, if you look back through my posts on ebooks, here , here , here, here and here, you’ll see that the system is changing this fast because there were problems in distribution, problems in feedback on the selections, problems on decisions on publishing which are influenced by distribution and … round and round it goes. The system is falling because it was ripe.

But the companies involved in all this employ people at each of these steps, and each of these people have, to the limits of their abilities and the system’s, been trying to make sure that everything worked for the best. And, in the absence of a more efficient model, have convinced themselves what they had was the best, in the best of all possible worlds.

Yeah, circulation was falling down, down, down, down, and the number of people who read fiction for pleasure either dwindling, or including an ever larger contingent that re-read things for pleasure – but they had reasons. Tons of reasons: movies, TV, computers. The reasons were imperfect and didn’t mesh with the numbers time-wise, but never mind, they must be it, because all these people were doing the best they could in good faith.

Given that assumption, it’s easy to see how terrifying this change to ebooks is. Particularly because some people have built their careers to this point and are too old to change. Heck, it’s even a little scary for myself and my colleagues. Oh, sure, we can get a bigger piece of the pie with self-publishing/ epublishing and various other forms. But … until we start getting that, we are stuck in a world of almost no advance. And most of us have learned to count on those advances. And what if our books get lost in the noise? And what if they don’t sell at all?

But such as our fears are, they must be much worse within publishing companies. Because, hey, guys, look, this writing gig was never a matter of great security. I mean, tomorrow they might not buy me anymore. (And it might be through no fault of my own, but just… my book was left out of a catalog; a bookstore chain decided not to stock me again; my cover was so terrifying no one – not even my best friend – wanted to be seen with it, and it led to bad numbers and no publisher could afford to buy me, even if they liked the work.) Besides, I worked for fifteen years to sell my first novel and there was no guarantee I’d ever sell ANYTHING. It’s the nature of the job.

It’s different in a corporation. No matter how much publishing might be a labor of love for you, you have a degree and credentials to do your job; you started at entry level; there’s a ladder to climb, you have pensions and benefits and a salary… Or you did. And then the world rocks under your feet, and the pavement opens up and swallows all your security.

It’s no wonder there are a lot of very scared people in all phases of publishing right now. The problem with this is that when people are scared they run in the first direction anyone indicates. They stampede, willy-nilly in the direction shouted by the person with the strongest voice.

Now, while I’m starting to be excited about this change, and sitting up at night trying to figure out new ideas and ways to use the change in my favor – and to make my readers’ lives easier, too – I don’t yet know everything that will work. Each change brings with it new strategies that will make things better for the greater number. However, I also know there are guaranteed ways to fail.

One of them is to try to hold on to the old. No matter how much people running those village grocery stores tried to hold on to their way of doing things, the fact they couldn’t afford commercial refrigeration was going to doom them.

Mind you, one of the ways that could have worked was to become more themselves: to develop the best gossip center, the best local produce, the nicest after-hours tavern. In fact I think that the store that survived used the first two of these strategies. Not sure how that would translate to publishing: more hard covers? Better paper? More promo to the authors you DO publish? All of those might work, for all I know, but of course, they involve heavier outlay up front.

The other method that does not work is to try to eliminate the new way of doing things. Some publishers are trying to make it harder to buy ebooks; pricing them above hard covers; trying to make them as unapetizing as possible. It won’t work. All the kings horses and all the kings men can’t put publishing together again. Once people realize detergent means not pounding their clothes to death, you’re not going to lure them down to the river and the pounding stones again, even if you point out how much more expensive the detergent is than the stones.

Perhaps, just perhaps, pricing the ebooks more attractively, selling those in quantity and using the profit from that – oh, come on, look, if you don’t have a greater profit from that, you need to examine your ledgers – to implement the strategy above for paper books might work better? No, I don’t know if it will, but it might. Trying to put things back the way they were before technology changed them will not.

Yet another method that will not work is to guilt your readers into coming back. Telling them how nasty/evil/mean they are because they won’t pay for paper they don’t want will not bring them back. It might make the young and naive feel guilty… for a while. After that, it’s pretty much just going to make them mad at you. And speed your demise.

Yeah, I know no one up there is listening to me. And even if they were, I know there are deadlines to meet, product to put out, and stock that’s plunging scarily. I know that large institutions change slowly. I know – and understand – that people are scared.

But I also know I’m me. I’m scared too. And I’m frustrated at seeing strategies implemented that are bound to fail.

Still, in the end, I’m sure – with a certainty borne out by all the changes I’ve seen over time – that the future is better than the past.

We can’t put Humpty Dumpty together again, but there will be omelets and nice crafts from his gigantic shell. And perhaps we can figure out how he grew so big and tasty and grow more of him only smaller and more portable? It might be better to get moving on that and stop trying to get horses to pull the shell together. (Horses? Who thought that was a good idea? Was this run by committee?)

So, let’s think of ways to brand books, and ways to promote books, and ways to make reading ebooks even better and more fun. Let’s find better, more efficient, more profitable ways of bringing together stories and the people who love them. And perhaps in this we can find better niches than the ones we’re losing.

On the count of three – Give Humpty Dumpty a shove!

*Crossposted at Classical Values*