Roll Around Heaven

One of the recurring themes of my blog is how to reconcile our image of what a writing job is with what it really is.  It is recurring because it’s something that keeps changing and also something I keep working on.

Working on?  Well, yes.  Because you see, how to keep writing and what writing is, and what it means and how to motivate yourself changes with your career and how you face things.  For instance, when you’re first breaking in and your income is effectively zero, it’s almost impossible to fend off home distractions.  Why?  Well, because even if you intend to make it a full time, paying job someday, for now it is essentially a hobby.  So, if your husband needs you to find the car insurance forms in one of the many boxes never unpacked after you moved, or even if your husband – or kid – has an hankering for banana bread, you feel like a right b*tch if you close the office door and go on writing instead of doing what they’d like.  (Mind you, I did this a lot.  You have to, or you’ll NEVER have a paying job.  OTOH I only did it about once every three times.  So, habits formed.  Bad habits all around, when the next change set in.)

And the next change is when I started getting paid, but we didn’t need the money for our living expenses.  I mean, it was nice, but my making or not making two hundred a year was not going to make a difference.  It was maybe two dinners out and a movie.  But I was getting paid, which encouraged me, and I tried to stay with writing.

Then came pro writing which pays not much, but pays enough to make the difference in our lifestyle between ‘close to the bone’ and ‘we can occasionally repair the car.’

It also requires a lot more concentration and a lot more decision on my part.  Because habits have been formed with the kids and even my husband (though of course, he’s a grown up and much better about this) about what is my responsibility and also how I’ll herd them and keep them on track when they let things go, I’m still expected to do a certain number of things around the house that often interfere with or get on top of my writing schedule.  Like… make sure college applications go out in time.  (Yeah, dropped that this time.  So…  Well, at least he got in one.)

Beyond that, for me to make enough to be significant, I’ve had to do more than one book a year.  The average is usually four, but sometimes six.  I also, not unusually, was researching and writing the next set of proposals, otherwise when I finished the books, I had NOTHING to do.  If you count proposals as half-books (they are.  I have to get in the voice, which is half of a book’s work) I actually wrote more like between six and eight books a year…  For the last ten years.

I know you people tend to think I get sick a lot.  I actually don’t, not compared to other people my age.  It’s just that I don’t have time to stop when I do.  Which means being sick for two weeks drags overdue work up to six months, as the deadlines ALL pile up.

Still, I’ve managed to do this for ten years, and I’ve formed this self image as the little engine that could.

And then this year, I hit a snag.  Actually it started at the end of last year (properly speaking, it probably started right after I had pneumonia fifteen years ago.  The meds that saved my life have peculiar side effects, and that’s when my weight went out of control and I started having night sweats so bad that I sometimes had to get up and change my nightshirt twice.)

However, doctors didn’t think there was anything wrong with me, and well…  Your body changes with time, right?  Until a little over a year ago when my hair started falling out by the handful – not enough to leave me bald, but enough to thin my (fortunately quite abundant) hair to about half the thickness.  With this came an inability to concentrate and other issues.

I’m a woman.  I’m almost fifty.  I thought “menopause” and so did the three doctors I saw about the issues.  Only they kept getting WORSE, particularly the inability to sleep at night and the issues with concentration.  It felt like going insane, and here’s the thing, if I can’t concentrate I can’t WORK.  And if I can’t sleep, I can’t think straight.

So in desperation, and after getting three months late on delivering the second book in the vampire musketeers’ series, I went to the doctor.  And discovered I was not menopausal.  What might be happening, on the other hand, is still open.  I should know by the middle of next month, hopefully.  Some paliative measures have made it possible for me to sleep at night and think, about as well as I normally do.

At the same time, starting in January, we started getting nibbled by ducks.  “Nibbled to death by ducks” is my expression for the little things that get in the way of writing.  You do one thing here, one thing there, you look back and the day is gone and nothing accomplished.  I finally lost it and got an office in March because otherwise no writing happened.  I was averaging two hours at the desk for writing, while TRYING to do it pretty much every waking moment.

The yearly nibbling has been stuff like deaths in the family but also a bunch of piddly stuff, like appliances failing, cats getting sick and home maintenance stuff – just a lot of it.

The office was cheaper per month than what I usually do to deal with this situation, which is take a week off at a hotel and I figured it would give me the same thing – a space where I’m isolated and allow my mind to enter the dream-writing state again.

It worked.  Sort of.  The office is a modified closet, which is no big deal.  How much room do a chick and her computer need?  BUT it linked to two other offices via hollow doors (permanently closed.)  The problem with these is that you hear EVERYTHING.  And one of my neighbors seems to do most of his business via phone.  So, this weekend with the help of a mattress pad cut in two (Hey, I’m only renting, and it’s temporary.  I don’t want to spend a lot of time) and two giant cork boards, I insulated the place.  Good, right?

Yeah, only last week I couldn’t use the office at all.  I didn’t tell y’all this, because it was a bad thing to announce over the net while it was happening, but my husband and my younger son were both out of town on separate business trips.  This required me to be within reach of a computer, if they needed me to find out something for them, (like, fix my son’s cell phone account.)  So I was home pretty much every day.  No problem, I said.  “I’ll go to the office every day next week.”

So, yesterday, I take a nice Sunday walk with older son and halfway through it… Yep.  I have a bad case of stomach flu.  This makes the idea of going to the office semi-daunting.  At the same time I feel I should go.

There have been consequences to my scatter brainedness.  For instance, the publishers of the vampire musketeers cancelled books two and three two weeks after book one came out.  Now, while I was late with book two – by five months – I was literally about to finish it and send it in (a week, maybe.)  I understand they’re a small company and perhaps they couldn’t handle the delay.  I don’t know.

The money wasn’t much per book, and the series itself requires a certain mind set I was having trouble getting into.  I worked on it for six months and until I got the office, what I had was… disjointed and possibly stream of alien consciousness.  (Well, it wasn’t MY consciousness.)  It doesn’t affect me much monetarily and in many ways it’s a relief, allowing me to concentrate on the space operas my mind wants to write.  It upsets me because of readers, but Sword and Blood is a complete book plus a teaser, so if you don’t read the teaser for the next book at the end, you still get a full novel.  Besides, the other two will get published when rights to the first revert.  (I promise.)

BUT… but…

BUT it goes against my image that I do not break contracts; I never fail to deliver (even when health and other things make me horribly late); I’m the little engine that could.

I didn’t realize how much I was beating myself up over this until I read Kris Rusch’s column this week.  (Read the whole thing, you owe it to yourself.) I owe Kris this type of sanity check more times than I can mention.

When I took their professional workshop, I was in the first group and didn’t have the game they introduced later, a game that attempted to simulate the effect of luck and chance in a writing career.  You got life rolls – your health went out of kilter; your relatives died; your house burned down and you had to continue working around them, which meant sometimes stopping working and dealing with them.

Kris’ column is just about that, and it made me realize I did what I could, there was no more I could do, and writing is not a suicide pact.  I can’t write with a mind not affected by health issues and distractions.  My mind is in my body, and both are the only ones I have.

Did that make me stop beating myself up?  Ah!  Don’t I wish.  So, does that mean that since I have the stomach flu today I won’t be going to the office?  I don’t know, I haven’t decided because I don’t know how bad it is today yet.  To figure that out I need to be on my feet and doing stuff.

But I’m trying to follow Kris’ rule and – given I can’t infect anyone at my office – if I’m doing okay I might go down and work half day – in other words, do what I would do if I had a real job.  If I’m not doing okay, I’m going back to bed.

I’m trying to understand life rolls and not complicate them by keeping trying to push through them.  It’s not easy.  I don’t know if I’ll manage it.  But I’ll try.  I’ll try to treat myself as a person and be kind to myself.  I’m my own boss, but I’m only the only employee I have.  Abusing myself will just end the business.

You know what?  As guilty as I feel over paying for the office, then not going in for over a week – I think I’ll go back to bed.  Tomorrow is time enough to work, and I’m more likely to be able to if I don’t make myself sicker.

Good night, y’all.

But I don’t WANNA Be Cured

“The truth is, I’ve got a monkey on my back, a habit worse than marijuana though not as expensive as heroin.  I can stiff it out and get to sleep anyway……..  The fact is I am a compulsive reader.  Thirty-five cents’ worth of Gold Medal Original will put me right to sleep.  Or Perry Mason.  But I’ll read the ads in an old Paris-Match that has been used to wrap herring, before I’ll do without.”  Robert A. Heinlein, Glory Road.

My name is Sarah A. Hoyt, and I’m a reader.  Unlike my struggle with writing, which more closely resembles an unhappy love affair, where I’ve walked away several times, only to be pulled back by the stories that form spontaneously in my head, I can’t say I’ve tried very hard to give up reading.

This is weird, because any way you look at it, reading is expensive.  And like with any drug, once you’re good and hooked on a series, you’ll do anything to get the next fix.  Anything, including but not limited to spending the grocery money for the week because, well, you can live without eating for a week, but you can’t live without reading for a day.

You know you’re an addict when you face this dilemma and the little voice at the back of your head goes all helpful.  “Buy it,” it says.  “Think about it.  Food you can only eat once, but books you can re-read for years.  You are holding cumulative days of enjoyment in your fingers.  Buy it, I say.”  (If this were the little cartoon demon sitting on my left shoulder, he’d be wearing glasses and carrying his own little book.)

Part of it, as in any addiction, is habit.  I won’t say that I don’t remember a time I couldn’t read, because it’s not precisely true.  But it’s only not precisely true because I also remember learning to walk.  So I remember lying on my stomach on a sun-warmed patio with a stack of comic books and trying to remember what the words were that my brother had read to me when I last had that book in hand.  I know I was reading – and attempting to write – by four.  For this my brother – nine years older and with no resistence to nagging – is largely to blame, since he read me those same comic books over and over again.  It also helped that Portuguese is largely phonetic.  But most of the blame must go to my parents who had absolutely no concept of “age appropriate reading.”

When I entered fifth grade, I was shocked to find most of my classmates were still reading lavishly illustrated books with more pictures than words, and on subjects as exciting as “Anita” (the girl who did everything in Portuguese children’s books) “Takes an airplane trip.”  I’m not saying I didn’t read those too.  Of course I did.  Some of my less than clued relatives gave them to me for my birthday or Christmas.  I didn’t mind, except that of course, they didn’t last very long at all.  And by that time I was fully into Clifford Simak and Robert A. Heinlein and Asimov and Anderson and Rex Stout and Earle Stanley Gardner and Agatha Christie.

Actually birthdays and Christmas were a great source of annoyance.  You see, my parents didn’t allow me to tell the sweet old relatives that I just wanted money.  That was unmannerly.  But as short on money for books as I always was, the best I could do out of those festive occasions, should the relatives be informed that I liked to read and read Science Fiction, was Jules Verne or H. G. Wells.  Until I was old enough to go to school in the big city nearby and discovered I could exchange books at the bookstores, I read all of Verne and H. G. Well, of course.  The problem was that they weren’t “real” science fiction.  Not about the future as I’d like it to be.  Also, the translations were often awful.  But I read EVERYTHING.

I read Dumas (yes, all of them, even the ones that appear to have been paid by the word) and Sir Walter Scott and Twain.  My parents eventually told my relatives that it would be easier to give me Portuguese Historical novels or history books.  And even later, they sort of gave up and started giving me money to buy books.

By that time my brother and I were on an equal footing as addicts.  Often the only money we could spare would buy us half of that month’s science fiction release (one book per month, yes.)  To this day he chortles that my marrying an American saved us the epic fight we’d otherwise have had over who got to keep those part-ownership books.

Portugal doesn’t have – or didn’t in my day – public lending libraries.  Not even subscription libraries as those found in Regency England.  It has a public library but it is more like our library of congress.  And every new school I entered had what they called a “library”, usually stocked by some well meaning lady in the previous century.  So, did I read the manuals of young ladies’ deportment and lives of saints that those mostly consisted of?  Duh.  They were print.  And any print is better than going without.  BUT being me and unable to leave well enough alone, I thought of all those kids who wouldn’t be so lucky as to come from a family of bibliophiles with hundreds of books laid by and hidden everywhere from the attic to the potato cellar.  Every school I ever attended I started a library club which held fundraisers to buy books, and which requested of the parents one book for the library, in commemoration of their kid’s graduation.  Even in college, I vastly improved the American Library.  Okay, at least I filled it with Science Fiction.  I think it was an improvement.  (I’ve wondered, if I can get the address, if we could convince Baen to donate to it.)

When I became an exchange student, in 12th grade, for the first time I entered a house with no books.  No, this is no disparagement of my host family.  My host mother, particularly, was very kind to me and responsible for who I am today.  But they weren’t readers.  Not really.  My host brother and sister read magazines, but that was about it.

So… my first day in the US, in Stow Ohio, I made them take me to a bookstore.  I bought Assignment In Eternity.  Then I found the public library.  You lucky sons and daughters, you don’t know how good you have it.  I volunteered at the library because then I could check out unlimited books.  And I did.

When I found myself newly wed and broke, we set aside 3 quarters of our entertainment money for books.  And like all junkies, we quickly discovered where we could get the most book for the money.

Now, when I’m hard pressed and under the gun, I might just reread the familiar, so that I can put it down and go back to work.  A riveting book can cost me five hours work time, you know?  I start it and then have to finish it.  Heck, I can only exercise to audio books, which is costing me a small fortune.

And yet, I don’t want to be cured.  Let them say we read this much because we can’t handle reality.  I say reality is for wusses who can’t handle fiction.

The Enemy

Yesterday I echoed the following on my facebook page.

Of course, long time readers of my blog are giggling and going “How Sarah” though I assure you I don’t make these mistakes on purpose.  I make them through a combination of two things: incipient dyslexia and the fact that these posts are normally made either late night or early morning.

Needless to say no more had this comic gone up than someone chimed in with that hoary old chestnut of “Anything worth doing is worth doing well” and someone else came in to defend her vigorously on the grounds that “not proofreading or spell checking your blog shows a lack of respect for yourself and your readers, and whether its paid or not, I should be offered the best the blogger can produce.”

Um…  ’Mkay.  So, let’s examine the economics of my life, particularly now that indie publishing has come into “how I make my money” even if, so far, in a very minor fashion.  And that Indie publishing takes time.  And then we’ll explore that lovely Puritan aphorism about what is worth doing.

To begin with – and by way of confession – I haven’t done any indie publishing in a couple of months.  The conjunction of my trying to finish overdue books with the end of year stuff that affects even parents of young men (as in, graduation ceremonies, award ceremonies, making sure they have their stuff for finals, making sure they don’t forget their own heads while very busy with other stuff) has joined with a spate of breaking stuff in the house, and odd health stuff to rob me of the five hours or so a week that I need for my labor of putting up my short story (and novella) back list.

I’ve also been, I’m sure you noticed, more laid back with the blog, having got more guests in and such to fill in my inability to blog every day.

This is just as an illustration of how close to the bone my time management is.  Throw in a wobble in one area and other things have to give.  They have to, because I still need to eat, go to the bathroom and — occasionally — sleep.

However, most of the year – when not in crunch time – I do blog every day.  I blog for three reasons.

First because I suspect a lot of you would never have heard of me except through this blog.  In that sense this blog is like an extended meet-the-author chat session which will, hopefully, lead to better sales for my paid work.  Eventually.

Second I blog because I’m a kinetic thinker.  I know that sounds weird, but I’m the sort of person who can’t figure out how to assemble a piece furniture, except by doing it.  I learned my letters through copying them, memorized stuff by copying it, and think best by typing.  Sometimes the sort of moral/philosophical stuff I blog about here is me trying to unknot a dilemma in my current book.

Third, I blog as a sort of free-writing exercise.  Lots of disciplines advise this as a cure against the block.  Five pages in the morning, or whatever.  This blog serves that principle for me.

Having found over my years of keeping a blog at livejournal and writing in it only when the spirit moved me that the only way to develop a following is to make it into an habit for the reader – and for that it needs to be daily – I strive to post something every day.  Having given up on the idea of just echoing things, because what I have to offer is more analytic than breezy, I tend to make rather long posts.

So, every morning I roll out of bed and write 2 to 3k words at a sitting.  (Unless I have time to do them on Sunday afternoon, and then I burn the entire afternoon writing five posts.)

I try to make sure of several things as I’m posting them: that they’re interesting or quirky – which is judged by whether they interest ME – that they make internal sense, that I check any obvious references (though sometimes one escapes me mostly through my knowing something that just ain’t so), and that my spelling and grammar are understandable.

This last involves my running a spell checker, then reading over twice – once before and once after it’s posted.  (Don’t ask me why, but some mistakes only become glaring when it’s posted.)

Contrast this with the process I go through before I send a short story to an editor (let alone publish it.)  There I not only do the spell checker, but I print it out, go over it carefully not just for typos but for flow of language, then enter the changes, then print it out and do it again, then have a friend or ten read over it and see if he/she/they can catch any other typos or places where my logic went awry.  Even for a very short short, this will take something like three hours not counting friend/s time (which I pay back by doing same service for them.)

Now imagine me doing this, every morning, with my posts.  They take about an hour to write, even short ones, and maybe half an hour to check.  This means I’m working on them 10 hours a week.  Add in even just two prints/checks and the friend pay-back time per blog, and I’d be working 30 hours a week.  For free.

For free, you say?  But I thought you did it for publicity.  And besides there’s that button up there for donations.  Uh.  yeah.  The button nets maybe $25 a month, on a good month, most of it, incidentally, for the fiction.  As for the publicity, I THINK it’s working, (if I ever think it’s not, the blogging stops, of course) but it’s an indirect and slow process.   What do I mean by that?  Well, most people – understandably.  Would I be complaining? – will first buy my books used, to try out.  On those I get nothing.  Then, because I still don’t have any indie novels, they will buy the traditionally published ones.  Again, not complaining.  But I get at most a few cents per book.

My goal is to grow the audience so that eventually when I bring novels out indie, the money comes to me and is significant.  It’s worth a gamble.  BUT right now (two kids in/entering college, four cats, and in a precarious job market for both writers and mathematicians – I’m not seeing a huge influx of pocket money from this endeavor.  As is it is costing me money because when I’m blogging everyday I’m not writing my non-fiction articles, which do  pay (even if not crazy amounts.)

Ten hours unpaid a week and a small financial loss is doable, given what else it serves.  I consider it a loss leader.  Thirty hours means my output of the stuff I DO get paid for is cut in half, or I give up sleeping – I’m sorry to disappoint perfectionists, but I don’t feel a need to kill myself to please them.

So what about “Whatever is worth doing is worth doing well”? – note the well, not PERFECTLY.  A friend of mine who is a professional editor, and one of the best editors I know (I hire him when I can afford to.  It isn’t often) once told me that even if you have a team of copyeditors working for you (which he did at one point, since he worked in scholastic publications where the scientific writing had to be checked and rechecked a number of times) and have each copyeditor initial each line, to ensure they didn’t just glaze for half a page, a careful reader will still find typos.

Having had over twenty novels published, which go through WEEKS of my checking them, then paying someone to check them, then sending them to my (sometimes excellent) editors/publishers, who then pay someone to copyedit and have someone else in the office check the copyeditor’s work, AND finding any number of typos in the printed book, I’m here to tell you it’s true.

If you definition of “doing well” is “Perfect” you’re going to do one of two things.  I’ve seen both among writers, and they’re both deadly. One is to forever rewrite the same novel (or, heaven help us, the same short story) over and over and over again for years.  The other is to do nothing because you can’t “do it well.”

Either of these in fact are illustrations of “The perfect is the enemy of the good.”

Does this mean I don’t have respect for my work or my readers?  Oh, please.  If I didn’t, I wouldn’t even spell check what I put up.  (Okay, sometimes I typo the titles because I type those directly into the browser.  I usually catch it, though.)  I certainly wouldn’t try to make sure it makes internal sense.  And my readers would be my four cats and maybe my husband when he has time.

Look, it takes a certain amount of work to get something 90% done.  And then another equal amount of work to get it the other 5% to 95% of perfection.  (You’re never going to get to 100%.  It’s part of the human condition.  Deal.)  For the books I do the other 50% of the work.  (It takes me as long to check/edit/polish as to write a book.  And I’m a relatively clean first drafter as my first readers can attest.  But the final pass is detail work and FUSSY.  I’m willing to do it for books – and stories – because those are hopefully going to be around a long time.  Blogs?  It’s a daily page, and even though the old ones are there, they’re pretty much only read when someone hits it through a word search.  They’re also usually read by people in the same spirit newspapers or opinion columns were read.  90% is usually enough.

I’m not saying this as an excuse for sloppy writing.  Of course I do my best in whatever time I have to devote to the endeavor.  And so should you.

I’m saying it to remind everyone that the “perfect” is the enemy of the good – it is the ENEMY of HUMAN, period – and unattainable anyway.  If you feel disrespected because there’s a word missing from one of my blog posts (or three words missing.  Or two typos) you probably have other issues.  It is the equivalent of going off into a froth because your mom made you an omelet for breakfast and didn’t plate it perfectly, with a little bit of orange and a sprig of mint, just like your favorite chef at your favorite brunch place does…  Instead of being happy your mom rolled out of bed and made you an omelet at all, before she had coffee.

Most of the people who devote themselves to obsessive typo hunting in other people’s blogs are people who feel inadequate – perhaps because they don’t think they can blog, since they can’t be perfect – and the typo-hunt is a way of attempting to bring others down and elevate themselves.  “Well, I might not blog, but if I did, I’d catch that typo.”  To them I say, “Give it a try.  Find out how hard it is.  Get your self-esteem by doing it, not by pointing out flaws in the product.  Mote, meet Speck.”

Then there are the ones who simply feel entitled.  Nothing but the best will do for them, and how dare you put an inferior concoction in front of my exalted self? It reminds me of the Far Side Cartoon where the dog has mowed the yard all in a scramble of lines and the owner is saying “bad dog” instead of being amazed and grateful the dog mows at all.  To those people I say – like people with a fine palate who must eat only at the best restaurants, you sir or madam are too refined to read mere unpaid blogs.  You should confine yourself to writing that’s not published till after it’s checked by layers of proofreaders and fact checkers.  (SNORT.)

If we get to the point you think a lot of my posts are well nigh incomprehensible or typo riddled to the point of inanity, then I will have fallen below my definition of doing it well and find it not worth doing.

On the other hand, until/unless such a time arrives, or until/unless I decide that my compensation is simply not enough for the labor involved, I’ll go on doing it “as well as I can in the time I have.”  Hopefully that is enough for most of you.

Pushing Books

I’m echoing Amanda Green’s post at Mad Genius Club here.  I’ll also post in two hours or so, but for now I’ll let you sample stuff.  Hey, it’s Saturday, the family is home, and I want some family time.

It’s time for your friendly neighborhood pusher of books to come out to tempt you with snippets of the recently published or soon to be published. Enjoy!

#     #     #     #

Darkship Renegades
Sarah A. Hoyt
Baen – December 2012

Out of the Frying Pan

I was a princess from Earth and he was a rogue spaceman from a mythical world. He saved my life three times. I rescued him from a fate worse than death. We fell madly in love.

We married and lived happily ever after.

Ever after comes with an expiration date these days. We’d been married less than year when Kit got shot in the head.

It started with our return from Earth. No. Wait, what it really started with was my meeting Kit, in the powertrees which are biological solar collectors in Earth orbit. They were put up way back when bio-engineered rulers governed the Earth. And ever since the turmoils sent the bio-engineered rulers – you probably know them as Mules so called because, of course, they couldn’t reproduce – fleeing the Earth in a ship called Je Reviens, the powertrees have been haunted by legends of darkship thieves.

Which is all anyone ever thought the darkship thieves were. After all, even if the mules really had left in an interstellar ship, and of course, there are doubts that the ship ever existed, why would they come back to harvest powerpods from the powertrees – the biological solar energy collectors in Earth orbit?  And why would no one else see them but powerpod collectors?

I found out the legend was less legendary than advertised when a mutiny aboard Daddy Dearest’s space cruiser sent me fleeing in a lifeboat into the powertrees. Where I met Kit who rescued me and took me to his homeworld, Eden.

Eden is where all the bioed servants of the mules stayed behind, instead of going to the stars with their masters. They had perhaps had enough of being ruled by Mules, which considering what the mules did to the Earth I couldn’t really blame them for, but they also couldn’t live on Earth, since this was the time of the turmoils and anyone with even a hint of bio-improvement would get killed in a horrible way.

So, they’d stayed behind in Eden, which is an asteroid they hollowed inside. Its naturally erratic orbit hides it from Earth detection. But it still needs power. And for its power it depends on darkships, which are ships built to be non reflective and pretty much undetectable, provided they harvest while the powertrees are in Earth shadow.

Each of the darkships is piloted by a Cat – no, they are wholly human, but they are bioengineered so their eyes resemble those of cats, and also so that they had very fast reflexes – and a Navigator whose memory, mechanical skill and sense of direction were bio-enhanced to make him or her ideal to help steer darkships which cannot have any of its data in a form Earth might capture if it captures a darkship.

Which until recently was very much an unfounded fear. No darkship had ever been captured… Until the Good Men of Earth realized that I must have been taken up by a darkship and started an all out search for me.

By then I was Kit’s Navigator, and married to him, a combination that’s not mandatory but has grown to be expected. His cat-like eyes, his reflexes, had ceased to seem alien. And when I was radiation burned in an attempt to capture me, he chose to surrender to Earth to save me, instead of following procedure and killing both of us, and destroying the ship, leaving Earth nothing but a burned out hull.

It had paid off for us, we’d come back out of Earth alive and I’d been healed of the radiation burn.

The problem was the return to Eden. I had no idea how Eden would react to news that not only had we failed to self-destruct, but we’d chosen to land on Earth and seek treatment. It was probably useless to try to get forgiveness for this by explaining we’d left a good portion of the Earth in flames behind us, and probably a revolution brewing.

Eden had been colonized by refugees of a persecuted people, by people who never, ever ever again would trust any authority. I’m not saying that Eden was paranoid, because worlds can’t be paranoid. But if Eden had been an individual, he’d live in a compound with motion-sensor-triggered burners at every entrance and would fingerprint his own children twice a day to make sure no one had slipped ringers in on him.

So, three months after we left Earth, we hailed Eden on approach.

Kit has said you could land on the surface of the asteroid that contained Eden and never guess that there was a thriving civilization inside. I don’t know if that’s true. Never tried it. I don’t like to take his word for it. He could be wrong. But I did know we could not land IN Eden unless they let us. Well, not intact. Kit had once threatened to ram his ship into the asteroid, and from the reaction, this was possible even if it would kill us. It was impossible to get into the landing tunnels – whose covers didn’t even show to radar – without someone inside letting us in. Whoever said knock and it shall be opened had Eden in mind.

We called on the link. Kit reached for my hand and squeezed it, hard, while his other hand pressed the com link button. “Cat Christopher Bartolomeu Sinistra and Nav Athena Hera Sinistra, piloting the  Cathouse on behalf of the Energy Board. I request permission to land.”

My heart beat somewhere between my esophagus and my mouth. And don’t tell me that’s a physiological impossibility. I know what I felt. Given just a little more nervousness, my heart would have jumped out of my mouth and flopped around the instrument panel like a landed fish.

There was a silence from the other side, long enough for my heart to almost stop. I took a deep breath, two and told myself that if Eden didn’t want us, we’d go back to Earth, or perhaps to Ultima or Proxima Thule, Eden’s two water-mining colonies.

Not only was I bluffing, I knew I was bluffing. To make it elsewhere we’d need food and fuel and a world that rejected us wouldn’t be likely to hand over rations and powerpods. All that kept me from shaking was the impression of Kit’s mind, warm and amused.

We could mind-talk, an ability bio engineered into pilot and navigator couples in his world and engineered into me for a completely different purpose. Most often it was much like talking in voice, only we could do it privately or over a great distance. In extreme circumstances, we could connect at a deep deep level, but that wasn’t sustainable. It didn’t help preserve sanity not knowing which body went with your mind. But sometimes, like now, there was just the impression of feelings. And the feelings Kit was giving off were reassurance and amusement. Which meant he was lying.

But it would be a pity to waste his effort, so I managed a half smile in his general direction, as the voice of Eden’s Dock Control crackled over the link: “The  Cathouse is more than six weeks late. It has been entered in the roll of losses. Cat Christopher Sinistra and Nav Athena Sinistra are dead.”

I registered the little shock I always felt at hearing Kit called by my surname. It was Eden’s custom, though not mandatory, to have the husband take the wife’s name.

“Not really,” I cut in. I felt almost boneless with relief. I hate bureaucracy as much as anyone else, but not nearly as much as I hate exploding. That they were talking instead of burning us out of the sky was a very good sign. “Only late.”

“You cannot be late. You only had fuel for a four month trip. Three weeks later you’d be out of reserves and dead. You–”

“We were down on Earth,” I said .

The silence didn’t last long, but it gave the impression of being a very large silence. The type of silence that could envelop and swallow a whole fleet of darkships. Then the answer came, sounding like a clap of thunder announcing the beginning of a storm. “What?” the Controller asked. “You were where?”

Kit cleared his throat. I could see him reflected in the almost completely dark screens in front of him: his eyes bioengineered for piloting in total darkness looked like cat eyes, glimmering green and very wide open, in worry. His calico-colored hair seemed vivid and garish against his suddenly colorless skin. It was an accidental mutation caused by the same virus that had given him the cat-like eyes, super-human coordination and speed of movement. Without the modifications to his eyes and hair, Kit would have been a redhead, so his skin was normally that shade of pale that can turn unhealthy-looking at the slightest disturbance. Now he looked white and grey, like spoiled milk. Even if he continued to lie at me with an amused and calm mind-projection and his voice sounded firm and clear, his face gave him away, “Nav Sinistra had radiation poisoning and we stopped on Earth for regen treatment.”

“You stopped on Earth for treatment?”

I swallowed hard, to prevent having to grope for my heart somewhere on the control board.

“Well, it wasn’t that simple, but yes,” Kit said. “I’ll be glad to tell you the whole story after we land.”

“You’d better, Cat.” He pronounced Kit’s professional title as an insult. The term “pilot” had long since become “cat” in Eden. “ And you’d better make it convincing. This is most irregular.”

“Controller,” I said, thinking it was time to add another consideration to his decision. “We must land. Kit’s family is expecting us.” Kit’s birth family, the DeNovos, were socially powerful in Eden. His sister Kath would have been a force to be reckoned with in any size society. It was a good thing she’d been born in Eden. If she had been on Earth, she’d probably now be sole supreme ruler of the whole world, a feat slightly more difficult to achieve on Eden which had no rulers of any sort, much less supreme ones.

Another silence and the Dock Controller’s voice sounded dour as it came back,  “Navigator Sinistra, if you delayed your collection run for personal reasons, you have to know that the Energy Board will fine you for the delay in supply, and all the boards will want to interview you for potential breaches of security. Also–”

“I know, Controller. Now, could you give us a dock number, please?  Before I go crazy and just give my Cat instructions to dash at Eden in the area of the landing control station. We earthworms are so temperamental”

Kit chuckled aloud, then stopped with an intake of breath. His mental impression wavered a little allowing me to see some fear beneath the amusement.

“Dock fifty five, but I want you to know that I shall have armed hushers ready and that you will be examined for any evidence of undue influence and that–”

I flicked the comlink off. A sleeve-like structure extruded from Eden and Kit piloted us into it, then leaned back as dock remote controls took over the navigation. His foot skimmed along the floor next to him, flicking up the lever that turned off our artificial gravity now that we were covered by Eden’s. Not that keeping it on would give us double the gs, but one could interfere with the other and cause some really interesting localized gravity effects.

It wasn’t until our ship settled into one of the landing bays, that Kit released the seatbelt that crisscrossed his chest, and, without letting go of my hand, got up and said, “You know, you really shouldn’t have taunted the controller.”

I got up in turn. I knew. One of the first rules I’d been taught was never to pick on people. The second was probably to always be gracious.

I’d been born the only daughter Good Man Milton Alexander Sinistra, one of fifty men who controlled the near-endless land and resources of Earth. My parents, my nannies, the heads of various boarding schools, the commanders of various military academies, and the psychological medtechs that ran several rest homes, sanatoriums and mental institutions upon which Daddy Dearest had wished me, had all told me I had an aggression problem and must control my impulses.

If I had followed their instructions I wouldn’t be alive now. And neither would Kit. Something Kit knew very well, which was why he put his arm around me and smiled as he shook his head.

We walked like that through two air locks, then waited while the last door cycled open, letting us see that we were in one of the cavernous, circular bays that admitted ships to Eden. An out of use bay, because there were no power pod unloading machines nearby. Instead, a large group of young men, all armed, stood in front of our ship’s door all aiming their burners directly at us.

To the left side and a little behind the young men stood two older men, a dark haired one and a blond one.

The dark haired one was the dock controller. He wore the grey uniform of the position, and he had that harassed, frustrated look of someone who was sure he’d been born to better things, but who found himself confined to an inglorious desk job.

The blond was something else altogether different. To begin with he didn’t wear any uniform, but a well cut black suit consisting of something much like an Elizabethan doublet and leg-outlining pants, tailored to make the wearer look good, whether he did so when naked or not. The fabric shimmered with the dull shine of real silk and conveyed an unavoidable sense of wealth and sensuousness. The face, above the suit, was sharp and vaguely threatening. He looked like a young Julius Caesar or at least a Julius Caesar from a world where people didn’t lose their hair unless they chose to.

It was the blond man who spoke. His words had far more force than if they’d been spoken by a mere bureaucrat. “Cat Christopher Bartolomeu Sinistra,” he said, each syllable dropped in place like an essential part of exacting machinery. “You are under arrest for treason against Eden.”

#     #     #     #

Book 1 of The Vampire Con Series
ConVent – Book 1 The Vampire Con Series

ConSensual
Kate Paul
Naked Reader Press – June 2012

1. Consensual Encounters

Nothing says you’ve left normal reality like walking into a hotel lobby and seeing a Clone Trooper chatting with a Sith Lord. The sign on the back of the Clone Trooper’s armor, ‘Come to the Dark Side. We have cookies. Tonight. Room 1226’, was really just corroborating evidence.

The lure of Dark Side cookies notwithstanding, I took myself to the reception desk and got myself signed in. I’ll give them this: the staff didn’t seem at all upset by the strangeness manifesting in their hotel. Maybe it’s a southern USA thing, but none of the southern con hotels I’ve been in have ever been anything less than welcoming.

Well, unless the convention was sharing space with one of the more fundamentalist religious conventions.

ConSensual being one of the bigger southern conventions, I doubted that would be an issue. It was held in one of those sprawling southern cities that takes about five times the land area of a northern city to hold the same population, and usually has so many hotels it’s not hard for any one event to make an exclusive booking.

Whatever they do with them outside the convention season isn’t my business.

I can never keep the hotels straight. This one was one of those modernist faux-elegant jobs with lots of shiny metal and glass, a multi-level gallery area where all the ballrooms and convention areas were, the inevitable bar and house of bad coffee, and the tower containing the actual rooms off to one side.

Since it sat in the middle of one of the less salubrious parts of the city — or at least it looked that way coming in on the airport shuttle — I expected there would be some interesting late night encounters.

I dropped my backpack off in my room: as always, several levels away from the party floor. I’d been able to book the northern side of the hotel this time. After the last con, where a murderous lunatic had crushed garlic into the air vent and opened the curtains while I slept, I was a little paranoid about sunlight and other things.

Yeah, I’m a vampire. I drink blood. Most of the rest is myth, but I am violently allergic to garlic, and while I’m old enough to go walking in the sun that doesn’t mean I like it.

I’d also taken the precaution of registering and signing for my room with one of my alternate identities. I keep a few for backup, in case something happens. Last con, it had, with a vengeance. You don’t get more ‘something’ than a nutcase performing ritual sacrifices so they can summon Himself Below.

Anyone looking for my hotel room using the name I was registered in with the con would find precisely nothing.

My room was decorated in modernist Hotel Awful, complete with the kind of paintings on the walls that made you wonder who was having who on. This set looked like someone had splattered paint around, ridden a bike through it, then cut up the canvas and sold the results. A similar pattern adorned the bedspread and the upholstery on the chairs. At least everything else was basic beige.

One thing I’d learned from years going to cons, it was always possible to get more mind-bogglingly tasteless.

Back in the lobby area, I braved the con registration queue to collect my badge and the little plastic bag with the program and half a dozen flyers, then scanned the area to see if any of the immortal regulars had arrived yet.

The usual mix of convention exotica mingled and chatted, some costumed, some not. The inevitable Klingons clustered with Clone Troops and Imperial Stormtroopers — possibly giving tips on how to hit the side of a barn at point blank range. A woman in what could only be described as Regency in Space chatted with a White Witch whose pointy hat was at least as tall as she was. The construction had to be reinforced with wire because there was no other way it could have stayed upright. The thing probably made a functional antenna, and with the way the wide brim drooped to cover her ears I gave it maybe half an hour before people were speculating it was an alien mind control device. I knew she was a white witch because her hat and dress were white. She even had a white wand, although thankfully it didn’t have a star on the end. That would have been too much.

This being the south, there were any number of corseted women, although all of them seemed to have forgotten that the usual location of a corset is under the clothing. The inevitable uplift certainly distracted the fanboys. Precisely why the corsets should be paired with tied on wings that could be either butterfly or fairy wings depending on your viewpoint wasn’t something I intended to investigate. Some things are best left to the imagination. Or preferably, forgotten altogether.

At least there were no chain mail bikinis yet. Hopefully with the hotel air conditioning set to the typically southern preference of ‘glacial’, there wouldn’t be any. Not that I was holding my breath or anything.

Well, not until I saw who was sitting out front, eying the con-goers with the kind of disapproval that should have had them dropping dead of sheer fright.

He wasn’t here for the con. I’d bet my life on that. I might never have met him, but everything I’d heard about him suggested that he’d find fen irritating at best, and most of the authors offensive. What he’d think about the publishers — particularly the demonic ones — didn’t bear scrutiny.

I hoped I was wrong, and he was just some random businessman who happened to have a rather strong resemblance to one Vlad Tepes, also known as Dracula. The closer I got to him, the less likely that seemed.

For starters, he was definitely a vampire. I can pick most immortals by scent: it takes a vampire older and stronger than me to mask the faint cold smell of my kind, and then… well, nothing smells of nothing at all. No scent meant old, powerful, and probably not with good intentions.

He was also the right age — five hundred years, give or take a few. Him being awake in the middle of the day meant only that he’d grown strong enough to tolerate daylight and lose the sense of time that protects younger, weaker vampires. For a vampire his age to tolerate daylight, he had to be stronger than most, which fitted with the bits and pieces known about the man. If this truly was Dracula, the likelihood of him limiting himself was somewhere close to the chances of the sun rising in the west.

I could reasonably assume that he had given up his favorite means of execution: this wasn’t an era when putting people on sticks and letting them die slowly was something that could be done discreetly. That didn’t mean he hadn’t found other ways of torturing people who got in his way.

All of which meant that since I was the only immortal regular around, I had to warn him off. Joyous.

At least this didn’t count as saving the world. Once was enough for that.

He watched me through eyes that slowly grew wider and more intent as I approached. Not that I bothered to hide what I am, since there wasn’t any point deceiving anything weaker than me and anything stronger would see straight through that kind of deception. It’s one of those woo-woo tricks that always struck me as kind of silly.

He wasn’t hiding anything either, and he was stronger than his age would suggest. From what I knew about the man, he was probably about as pissy and stubborn as I am, which tends to make a vampire get stronger faster than normal. Something about not giving up when you’re beaten.

It wasn’t really that obvious who he was: his hair was unremarkably short, and he was clean shaven, which did a lot to change his appearance. It’s just that when someone gets as much infamy as Dracula does, just for being a vampire, it’s worth my while to make sure I know who he is and what he looks like, in case I run into him.

Stoker might have been way off on a lot of things, but it’s worth making sure. Sometimes there’s a seed of truth in all the nonsense, you know?

The upholstery here looked like white leather. I’d be willing to bet it was a good looking fake. Like they were in every hotel I’d been in, the chairs were that awkward not quite comfortable enough to stay in but damned hard to get out of shape which I swear is custom designed just for hotels.

I nodded in his direction. “Staying long?”

His control was damn good, I’ll give him that. He didn’t so much as twitch. “I was not aware this region was claimed.” His accent was one of those not-quite-British accents you sometimes hear from people who started with a British accent and travel a lot. Not bad for someone from the ass end of Eastern Europe.

Of course, with five hundred years to play in, you can learn a language really well.

“As far as I know, there aren’t any claims.” I’m the first to admit I’m kind of an oddity even for vampires, but the last I’d heard staking out territories — yes, I’ve heard the puns, more times than I want to think about — never really took hold in the Americas. It’s only been the last hundred years or so that there’s been enough people reliably in the one place to support a vampire outside of a handful of cities.

Most of the vampires I’d come across were more or less vagabonds, moving from place to place in a kind of circuit to avoid being too obvious. Once you get into the habit of being on the move, the things you need to settle start looking like too much trouble.

He studied me without comment. Slight pressure against my mind, a bit like an incipient headache that never quite materializes, told me he was probing me. I let him. It wasn’t like I had anything to gain or lose in forcing a confrontation.

Eventually I inclined my head in the direction of the Sith Lord and the Clone Trooper. “I’m here for the convention. There’s a fair few immortals who attend, and we have an informal agreement. Nothing that attracts attention, nothing that harms the guests.”

I don’t know if what I got was a smile or not. His mouth made the right shape, but nothing else changed. “A sensible precaution, under the circumstances.”

I shrugged and spread my hands. “It works. There’s a few of us who keep an eye out, one way or another.”

“Our kind?”

Score one for me. He was a controlled bastard — getting surprise out of him was a definite win. “Nah. You name it, there’s one or more of it here, or will be.” I grinned. “Trust me, I’m probably the best of us you could have run into.”

One eyebrow rose just enough to make a noticeable change of expression. “I would have said being warned off by an elder was impressive enough.”

That was one for him, although I’d be damned if I was going to let him see it. One of the reasons I put up with what was at the time a long and uncomfortable ocean journey to come to the Americas was the way the Europeans were so hung up on class. Being an elder vampire just meant that I was good at not dying. It didn’t make me something you paid tribute to. “I’m not warning you off, just letting you know the convention rules.” I smiled, not showing my fangs. “Call me Jim.”

That’s not my real name, of course. I’m not sure that you could say I’ve got a real name, since I’ve used a whole lot of names over the years, and I don’t remember the one my parents gave me.

He gave me the kind of look that said better than words he wasn’t impressed. Not that I looked all that impressive: I don’t dress fancy unless I’m in costume, and I hadn’t replaced the Olde Worlde Vampire getup after the last con. Right now I was wearing sneakers, jeans, and a gray tee with a logo showing two dragons playing ‘snap the wishbone’ with an armored knight. Oh, and sunglasses, of course. I looked like a paler version of the typical male fan.

After a while he said, “Victor Drake,” and offered his right hand.

I shook it. “It’s a pleasure.” He was still young enough — or held his name in high enough esteem — to use variants of his name. I generally aimed for generic when I built an identity, something not quite as obviously anonymous as ‘John Smith’ but nearly as invisible.

‘Drake’ gave me a thin smile. “I am here for several days on business.” He handed me a business card.

Call me warped, but I had a hard time not laughing. For Vlad Dracula — sorry, Victor Drake — to be the owner of a timber and hardware chain was the kind of darkly ironic twist that hit my sense of humor where it lived. Score another one to him.

His smile was actually more genuine this time. “It keeps me occupied,” he said mildly. “These days my old amusements would not be well received.”

I could think of a few places where making human popsicles would do a lot of good — and a few people who deserved to be human popsicles — but that was beside the point. “True. Times change.” I shrugged. “Personally, I’ll take the security hassles and the like just to have the modern plumbing.”

Drake actually laughed. “You have a point. Modern cities are much less malodorous than their historical counterparts.”

Modern cities typically didn’t turn the local rivers and streams into open sewers, or throw so much ash and soot into the air everything was covered with a thick layer of black filth. Progress and technology might have their disadvantage, but from my perspective the overall result was so much better it made the drawbacks seem pretty minor.

I grinned. “Precisely.” Levering myself out of the Hotel Awful chair took some doing. “I hope your business trip goes well.”

He inclined his head in a gesture that mixed amusement and acknowledgment. “As do I.”

#     #     #     #

The Calvanni – Book 1 Jakirian Series

SCYTHEMAN
(Book Two of the Jakirian Series)
Chris McMahon
Naked Reader Press – June 2012

Kalyth laid his hands on the cracked battlement of Blackthorne Tower. The wind was furious up here. It numbed his face, bearing all the chill of the waning Storm Season. He blinked against it, his eyes watering.

‘Damn you, traitor.’ His voice was harsh. Raw from disuse.

He kept his gaze on the wide valley below the tower, determined to look anywhere but the stairs that led to the Temple of the Iris. His callused hands curled into fists, squeezing against the pain. Every day it was the same. He would fight the magical Compulsion that drew him to the ruined temple, and the pain would grow until he could no longer resist it. His legs and back were on fire with it, the muscles in his neck twisted with the desire to turn toward the stairs. He fixed his eyes on the overgrown graves of his wife Mari and his children on the slope below, fighting pain with pain. It would take only a single step, a single twitch and the Compulsion would have him.

At first he had been unable to resist it. The spell would take hold and he would run to the Iris like a crazed fool. After twenty-five years he could fight it for almost an hour.

His legs began to tremble. His eyes drifted away from the view. He squeezed them shut.

Would Belin make an appearance today? The man who commanded him to leave his family to die to save the Emperor’s squalling babe? Damn them all. The Empire had fallen. The Eathal were stronger than ever, and his wife and children were still cold and in the ground. If the Emperor’s boy still lived, he would change nothing now.

‘The Scion.’ He tasted bitter bile at the back of his throat.

If he dared to move he would spit on the Scion. Spit on all the Suul nobility. Traitors. Self-serving bastards.

His head jerked to the side, and his eyes opened. Stairs. A tiny particle of relief flowered in the muscles of his neck. The pain in his legs became unbearable. His right leg spasmed forward and before he knew it he was in motion, tears flooding down his face in relief as the pain vanished. There was no stopping it now.

He hissed air through his teeth in fury as he rushed down the stairs, past the small guardroom in the ruined tower that he had made his home, down and down into a maze of narrow tunnels. He knew every cracked tile, every fallen block of masonry, every sharp curve and jutting piece of head-cracking stone. He pushed against a concealed panel and raced up the stairs behind it, taking the stone flags two at a time until he reached the Temple rooms above. It was bright here. The roof had given way five years ago.

The corridor beyond emptied into a domed chamber, shafts of light stabbing down through cracks in the roof onto the wide floor mosaic. The design comprised five identical panels of flame and smoke, linked together by the great Iris at the centre.

As soon as his feet touched the coloured tiles Kalyth staggered to a halt. He sucked in lungfuls of the dusty air, the skin beneath his ragged beard prickling with sweat. He glared at the Iris.

Kalyth carefully circled the floor. After an hour or so blue lights would flicker at the corners of his vision and he would be free to leave the tiles. Sometimes he would visit the Kaidell estate to teach the warriors, but his visits were becoming less frequent. The newer troops mocked him behind his back. The crazy hermit of Tower Blackthorne, they called him.

As if he had a choice.

Kalyth knelt at the small fireplace he had built at the edge of the tiles. He took a small lead glowmetal from his pocket and rubbed it briskly on the stone. It remained cool in his fist, but he kept a careful eye on the bands of greyish light in the glowmetal as they thinned. Just before the bands became fully metal he tossed it into the fire pit. Immediately it released the stored heat. The tinder curled with smoke then popped into flame. He flicked the little object out of the fire with a stick and carefully nursed the small blaze to life. Satisfied, he scooped up the glowmetal and slipped it into his pouch. It was already cool to the touch.

If only he had never returned to the Kaidell estates. After the defeat of the Eathal it had seemed natural to take work as weaponmaster to Belin’s nephew and heir, Linnas Kaidell. The man was no warrior, and a far cry from Belin – or at least the Belin he had known – but Kalyth had been young and eager to start again. Then the whispering began, night after night. By day he would find himself staring at the sight of the ruined tower on the horizon. He should have left then, instead he had searched through the ruins and found the Temple.

And the Iris had come alive.

Belin Kaidell – a man he had known as a simple warrior – had stepped from the Iris, his eyes alive with blue light, his face drawn into a mask he barely recognised, an archaic spear strapped to his back. He shivered at the memory. Two lines of glowing blue had lashed out from Belin like hungry snakes, holding him fast, biting deep; binding him with a magic that compelled him to return to the Iris each day. He had been forced to make his home amid the ruins of Blackthorne, as though standing vigil on the memory of his life. Forced to endure the taunts of his men, and the ridicule of that worm Linnas.

He sat at the edge of the mosaic and watched the Iris.

He would never forget Belin’s eyes. They had fixed on him as though considering a new mount. ‘I may have a use for you.’

A use for you.

Belin had ignored his pleading questions. **some explanation of who Belin and Kalyth are might be needed in here somewhere**

‘I trusted you, Belin. More than life,’ muttered Kalyth, stabbing the fire with the stick.

He had given up trying to understand the change in Belin, or his old general’s inexplicable command of magic. No. After a time it was not Belin that he feared. He quickly learned that Belin was not alone in the Iris.

The other mind within the Iris took the form of a horned beast in his dreams, bringing with it a madness of bloodlust and desire. Kalyth would wake in fear, heart hammering, his clothes damp with sour sweat.

Since that first time, the Iris had only come to life twice. Each time Belin had sent the snakes into his mind and left in silence. Inspecting him without a hint of acknowledgement.

Light flickered off the tile near his feet.

His head snapped up.

‘No.’

Sweat rolled off his forehead, chilling immediately in the cold air beneath the dome.

The Iris was stirring.

Kalyth dropped the burning brand back into the fire, his gaze fixed to the Iris as the glowing light rose and expanded. A distant song grew at the edge of his hearing. He covered his ears against it and became aware of his breath, coming now in ragged gasps. Soon the whole Temple was swathed in light, a turning whirlpool that scattered his tiny fire and flung the burning brands at the wall.

Belin stepped from the Iris. As before, he was no older than that day he had appeared with the babe.

‘What do you want?’ said Kalyth, edging to the very limit of the mosaic.

Belin raised his hand and blue lightning leapt at Kalyth. He grunted in fear as the twin streamers struck his head. His vision was lost in glowing blue, but it was over quickly. He trembled as he watched the glowing lines flow back into Belin like ghastly appendages.

Belin turned to go, then suddenly paused. The passive, drawn expression fled and a new tension overtook him.

‘Kalyth,’ said Belin.

His heart leapt. This was not the high, thin voice he had come to dread. It was a voice of command and deep solidity, more like the Belin of old. The lights had also vanished from his eyes. For the first time since this nightmare had begun he looked into the familiar grey eyes of his old commander.

Kalyth stepped toward him, drawn by instinct.

‘Kalyth. I have only a moment before the Ward takes me again. The boy is in danger. You must protect him. The Ward seeks him. It has breached the Athrian Iris …’

Belin jerked. The grey eyes filled once more with blue light, the face becoming slack and cold. As though nothing had happened, Belin turned back toward the Iris.

A heartbeat later the Temple was cold and empty.

Released, Kalyth fled the Iris. He paused on the slopes outside to look down at the tiny shapes of the Kaidell estate buildings in the distance. Belin had broken through some sort of forced control.

The hairs at the base of Kalyth’s neck stood on end. All these years … had Belin been as bound as he was? Overtaken by this Ward he had spoken of? Could it be that Belin had not betrayed him? Not abandoned him as he thought?

Kalyth’s eyes fell on the graves of Mari and his children.

He gritted his teeth and started the climb back to his small room in the tower above. What difference did it make? He was still trapped.

And they were still dead.

#     #     #     #

Dog and Dragon
Dave Freer
Now available from Baen

 

Back to the sunset bound of Lyonesse—
A land of old upheaven from the abyss
By fire, to sink into the abyss again;
Where fragments of forgotten peoples dwelt,
And the long mountains ended in a coast
Of ever‑shifting sand, and far away
The phantom circle of a moaning sea.
Idylls of the King, Tennyson

 “Who are you?” hissed the lithe, dark-eyed man with the drawn sword.

Meb blinked at him. Her transition from the green forests of Arcady to this dark, stone-flagged hall, had been instantaneous. The stone walls were hung with displays of arms and the horns of stags. Otherwise there was not much to separate it from a cave or prison, with not as much as an arrow slit in the walls—let alone a window—to be seen in the stone embrasures.

In Tasmarin from whence she had come, she had known just who she was: Scrap, apprentice to the black dragon that destroyed of the worlds. You could call her anything else, but that was who she had been. Now…

“Cat got your tongue, wench?” he said quietly. “Well, no matter, I’ll have to kill you anyway.”

He swung the sword at her in a vicious arc.

Moments ago, before she’d made the choice that swept her magically from Tasmarin, from the green forest of Arcady, she’d thought she might be better off dead rather than leaving them behind. Leaving him behind.

Now she discovered that her body didn’t want to die just yet. She threw herself backwards, not caring where she landed, as long as it was out of reach of the sword.

She screamed. And then swore as the blade shaved across her arm to thud into the kist she had fallen over. She kicked out, hard, catching her attacker in the midriff, knocking the breath out of him in an explosive gasp. Trying to find breath, he still pulled weakly at the sword now a good two-finger-widths deep into the polished timber of the kist. Meb wasn’t going to wait.

But it looked as if she wasn’t going to run very far either. Her scream, and possibly the swearing, had called others and they burst in, flinging the great iron studded doors open. Men-at-arms with bright swords and scale armor rushed in.

As she turned to run the other way, her passage there was blocked by a sleepy-looking man—also with a sword, emerging from the only other doorway.

There wasn’t a window to be seen.

She wanted one, badly.

And then she saw one, just in the embrasure to her left. She just plainly hadn’t spotted it before.

She ran to it, and realized it wasn’t going to help much. In the moonlight she could see that it opened onto a hundred feet of jagged cliff, to an angry sea, frothing around sharp rock teeth far below.

Some of the soldiers surrounded the man she’d kicked. They’d blocked her escape too, but you couldn’t really call it surrounding her. Not unless that included “getting as far from her as possible, while not leaving the other prisoner, or the room.”

The man who had looked so sleepy moments before didn’t anymore. His sword was up, ready, his eyes wide as they darted from the window to her, seemingly unsure which was more shocking.

“Who are you?” he asked.

There was something weaselly about him that made her very wary about answering, in case her words were twisted against her.

And why did they all want to know something she wasn’t too sure of herself?

***

There was a narrow bridge across the void. Along it walked a black and white sheepdog, followed by a black dragon. The dog never looked back at the dragon, just forward, his questing written into every line of his body, from the mobile pointed ears, to the feathered tail.

The bridge itself was narrow—made of vast, interlocking blocks of adamantine—or at least that is the way it looked. Reality might be somewhat different, at least to the eyes of a planomancer. Such eyes would see deeper than the ordinary spectra of light, and could see patterns energy. Fionn, the black dragon, saw it all as the weave of magics that made the bridge between the planes of existence. He knew the bridge was fragile and fraught with danger. That did not stop him walking along it, any more than it stopped Díleas the sheepdog.

The bridge was barely two cubits wide and had no rail. Far, far below seethed the tumult of primal chaos. The only way the dog could go was straight ahead. He kept looking left though.

That was where he wanted to go. Sometimes he would raise his nose and sniff.

Fionn knew there was nothing to smell out here. The air that surrounded the bridge was drawn and melded by the magics of it, from the raw chaos. It was new air, and Fionn knew that it did not exist a few paces behind them, or a few paces ahead.

He was still sure Díleas was following the faint trail of something. A something which even a very clever dog could best understand as scent…even if there was nothing to smell.

At least he hoped that was the case.

Hoped with ever fiber of his very ancient being.

Fionn had long since given up on caring too much. He was not immortal, as far as he knew. He could certainly be killed. But compared to others, even of his own kind, the black dragon was long-lived. Time passed, and so did friends. His work was never done, fixing the balance, keeping the planes stable. He moved on.

He’d been hated. He’d been worshiped, though it irritated him. He’d been laughed at and reviled. He’d been feared.

He’d even been loved.

He had never loved before, though.

The black and white sheepdog was more experienced at love than the dragon, and he was a young dog still, maybe eight months old. Barely more than a pup. But Díleas—whose name was “faithful” in an old tongue, long forgotten by most men—would go to the ends of the world for her, and beyond, as they were now. His mistress was his all and he would search for her until he died, or he found her.

Fionn knew that he’d do the same. His Scrap, his inept apprentice, had been plucked from them by magic. Her own magic and her own choice, made freely for them, and for Tasmarin, the place of dragons. Fionn knew, however, that it had cost her dearly. For him, left here without her, it was a worthless sacrifice.

So now, somewhere, back in some place that she’d been torn from as a babe, they had to find her again.

Fionn had no idea where that might be. A place of magics, where human magery ran strong in the blood, that much he could be sure of. But there were many such places in the interlinking chain of worlds, and they themselves were large and complex places.

It was a good thing that Díleas seemed to have some idea where to go, because Fionn didn’t know where to even start, except by trying everywhere. He would do that, if need be. He had time. He would never give up.

The only problem was that she was human and very mortal. And, if he had to be truthful with himself, she was able to attract disaster toward herself, just by being there.

Fionn had never known love. He’d never really known worry either. Pain, and the avoidance of it, yes, fear, yes, but now he was afraid for her. Worried.

The end of the bridge was now visible, if wreathed in smoke or mist.

Fionn wondered if it would be guarded, or if the bridge was too new. The transit points often had their watchers, or barriers.

As the other side of the void came closer, Fionn realized this place would not need such things.

Most travelers would turn around and go back just as quickly as they could.

Gylve was a place of fire and black glass.

Fionn had been there before, and wouldn’t have minded if he’d never had to go there again. A planomancer needed to visit such places and straighten things out. Last time, it had glowed in the dark, and he’d had to do some serious adjustment. He was pleased to see that the radiation levels at least had dropped. Still, you could see fire dancing across the sky as the methane jets caught.

On the silver collar on Díleas’s neck hung a bauble. A little part of the primal fire, enclosed in what merely appeared to be crystal. It should keep the dog safe from demons and from actually freezing. It wouldn’t keep his feet safe on the broken volcanic glass in the place they were coming to; only dragon hide would do for that.

Fortunately, he had some with him, available without the discomfort of slicing it off himself. He could have done that. Dragons were tough…even if they really didn’t like making holes in themselves any more than the next creature. But every now and again a dragon died or was killed. If a dragon was sharp about it, they could get a piece of hide before the humans did. Honestly, thought Fionn, for a species that was afraid of dragons, humans had a habit of sticking their necks out.

It was one of the things that he liked about them.

The bridge was beginning to widen…to open onto the jet-black clinkers of one of the fire-worlds. Fionn stopped.

Díleas didn’t.

“Díleas, come here!”

The dog did turn and look at him, with a “what do you think you’re wasting time at?” look. And then began to pace forward.

“This muck will cut your feet to ribbons. And then you won’t be able to walk to her.” Fionn had to smile wryly at himself. Talking to the dog. Just like his Scrap of humanity had.

The dog turned around and came back to him. Lifted a foot.

Fionn’s eye’s widened. He’d have to do some serious reevaluation. And yes, now he could see that the dog was substantially magically…enhanced. Curse the dvergar and their tricksy magics. He was supposed to be the practical joker, not them. His Scrap had wanted Díleas to understand her. And she wore a very powerful piece of enchanted jewelry, which bound the magics of earth, stone, wood, fire and worked metals to her will.

Not surprising really that her power worked on sheepdogs. They were clever and loyal anyway, or so he’d been told.

“It won’t be elegant,” he said, “but then there won’t be other dogs out here to see you. He took the section of dragon leather from his pouch and rent it into four pieces, and then made a neat row of talon punctures around the edge, before transforming his own shape. Human form was one of those he knew best, and it allowed him to wield a needle well. It was of course partly a matter of appearances, and a useful disguise. He was far too heavy and too strong for a human—but hands were easier to sew with than clawed talons. A piece of thong threaded through the holes and Díleas had four baggy boots.

Díleas looked critically at the things on his feet. Sniffed them.

“Dragon hide,” said Fionn. “I wouldn’t show them to any dragons you happen to meet, but otherwise they’ll do. And really, scarlet boots match the bauble on your collar.”

Díleas cocked an ear at him. Fionn wasn’t ready to bet the dog didn’t grasp sarcasm, so he merely said, “Well, let’s go. The only thing we’re likely to meet are demondim, and they like red anyway.”

They didn’t like dragons, but were suitably afraid of them, so that was the form Fionn assumed, as the two of them walked into the badlands. It reeked of sulphur and burning, and Fionn knew the ground could collapse under their feet, dropping them down hundreds of cubits to white-hot ashpits. Vast coal measures had been pierced by ferocious vulcanism, and deep down, somewhere, it burned still. Fionn blinked his eyes to allow himself to see other spectra, patterns of energy, that might allow him to spot such instability before it killed Díleas. But the dog seemed aware and moved with a slow caution that he hadn’t showed up on the bridge.

It was, as befitted a fire-creature world, hot and waterless. Fionn noticed that Díleas was panting. He’d have to learn to carry water for the dog, or to somehow carry the dog while he flew, because there were worse places than this, in the vast ring of planes that Fionn had once maintained the stability of. He was a planomancer, made by the First for this task, and there was plenty of work waiting for him.

Right now, it could wait. All he did was to make a few preliminary marks with his talon and tail.

And simply because he’d said to Díleas that they would see nothing here but demondim, right now he could hear noises that were very unlike those beloved of the creatures of fire. A jangle of bells, and, clearly, a bark. And human voices.

Díleas, panting, could hear them too. Dogs could hear more keenly than humans, but not dragons.

Fionn changed his form again, becoming human in appearance. A dragon would almost certainly be an unwelcome sight. He could, and possibly should, leave the demons to their nasty games. But he had some sympathy for humans these days. She’d taught him that. He would help, simply for her sake. They moved towards the voices and sounds.

The caravan of carts was moving, slowly, along a causeway of blue-black hexagonal blocks. Probably the safest place around here, reflected Fionn, although you had to consider just what had flattened the top of the columnar dolerite dyke into a narrow straight road across the ash fields and lava lands. Bells tinkled from every horse’s harness strap. Whoever they were, they were not ignorant of demondim and their dislikes, or quite the helpless lost travelers Fionn had expected. The fire creatures liked to mislead and torment those. But whoever had made those bells knew a thing or two about the demondim. They’d been made either to very precise mathematical formulae, or been shaved very carefully into making an octave.

“Go on, Díleas. We might as well see just who they are and what they’re up to and cadge you a drink, panting dog,” said Fionn, prodding him with a toe.

Díleas dropped his head and looked warily…not at the advancing carts but at the trail in front of them. He gave a soft growl. So Fionn looked closer. It was a well concealed little trap, the clinker plates hiding the thing’s lair. The Silago wasn’t a particularly intelligent predator, but it didn’t need to be. All it did was to make a bit of a trail and lie in wait. Eventually something—if there was anything—would choose the easiest trail and walk into its maw, just as he nearly had. Half-rock, half-animal, it didn’t need to eat more than once every few years anyway. Fionn found a piece of glassy rock and tossed it at the clinker plates. They collapsed inwards and a segmented creature with long snapping jaws reared out, lashing about, looking for prey.

Fionn stepped back, Díleas had already neatly moved up against his side. And then the tossing Silago head sprouted an arrow shaft. And a second. Fionn paused, wondering if he should take refuge behind a rock spike. Any bow that could push an arrow hard enough to penetrate a Silago might even get an arrow into him.

The dark-skinned, white-haired man on the lead cart—with his recurved composite bow in hand, arrow on the string, and perky-eared dog growling from the seat beside him—was smiling though. A suspicious smile, but better than fear or anger, while he held that bow. And there were plainly others, because of that second arrow. “You ain’t one of the Beng,” he said, “because they don’t like dogs and they don’t walk on the ground. And they don’t like our bells or garlic. The question is who or what are you, stranger?”

Finn touched his hat. “Finn. I’m a gleeman. A traveling singer and jester. I juggle a bit too.”

The man didn’t put the bow down. “Not many inns or villages around here. Where are you from, gleeman? Abalach? Annvn? Carmarthen? Vanaheim? The Blessed Isles or…Lyonesse?”

Fionn was an expert on tone. Lyonesse was probably not a good place to be from. He’d been there. He’d been everywhere, once upon a time.

In front of him the Silago still thrashed about. “None of those, recently,” he said cheerfully. “A place called Tasmarin. Back there.”

“Didn’t know there were any Ways over there,” said the traveler.

“It’s rather new, and I don’t think it’s going to see much traffic, judging by this charming countryside,” said Fionn waving at the ash lands. “And anyway, Tasmarin is quite full of dragons. They’re not overly friendly.” The Silago was threshing rather more weakly now. Fionn could simply have jumped over it, but not if he wished them to believe he was human. He slowly, calmly, reached into his pouch, took out three balls and began to juggle one handed. He’d found it very good for distraction and misleading before. And those little balls were made of osmium, both a lot harder and heavier than observers might guess. Fionn could throw them fast enough to knock an armored knight out of the saddle. “To tell the truth I am a little lost. And my dog could use a drink.”

The cartman smiled again. “I think we could probably sell you some water. And the road should see you to Annvn, if you stick to it. You’ll have to wait until the Beng-child is dead, though. They usually put themselves in the middle of the only safe path. It’s surprising you got this far.” His tone said that alone was reason for not putting aside his bow, just yet.

Fionn shrugged, not stopping his juggling. It was good for hypnosis too. “The dog is good at finding safe ways.”

“I like his footwear,” said the cartman.

“Worn by all the best dogs in the capitals of many great lands. It also keeps his feet from being cut up. Purely as a secondary thing, you understand,” said Fionn. He pointed to the Silago. “It’s dying, whatever it is.” There was no point in admitting to knowing too much.

“Give it a little more time, gleeman. Even half-dead, the Beng-child will have your arm off, and might scratch the dog’s boots. When it’s dead we’ll have the jaws off it. They’ll fetch a good price where we’re headed.”

Fionn nodded patiently, which was more than Díleas was showing signs of. “Where did you say you are bound for?”

“Annvn. Well, if it’s there. You never know these days.”

Fionn raised an eyebrow. “And where else might it be?” He was a planomancer. There was a logical consistency to where the various planes of existence interlocked. It was not variable. The multidimensionality and subplanes of it all meant it was more complex than a mere three-dimensional ring would be. It was possible that points of departure and arrival could be geographically close. But until Tasmarin had opened up a way to multiple planes, one link point did not lead you elsewhere. Had Tasmarin changed it all?

“Last time we took the giant’s road we found ourselves in Lyonesse. If that happens we’ll head back,” he said, putting the bow aside, and getting down from the cart. He pulled a long metal stake and a hammer from the cart. Looked for a crack, found one and hammered it in. “How far to this Tasmarin place?” he said casually, in an I-am-not-fishing-for-information tone.

Fionn was amused, and used to human ways. “Not far. I could tell you in some detail…in exchange for a drink for my dog.”

“Ah, you’re a sharp one,” said the cartman, grinning. “Worth a trading venture?”

“Probably,” said Fionn. “What are you selling?”

“Things which are exotic in one place and cheap in another. Peacock feathers and pepper, bottles of mermaids’ tears, amber, narwhal ivory, and carved walrus tusks this trip.”

“I’d say pepper would sell.” It was a game, and Fionn played it well.

“Ah. One of those places,” said the traveler. “Magic, and the creatures of it are more common than pepper. Hey, Nikos, Dravko. The Beng-child is ready for you to butcher the jaws out of. You might as well come across, stranger.”

Fionn could see things they could not. The Silago was not dead. He patted Díleas. “The dog thinks it is faking, mister. And he’s a sharp dog.” He caught all the juggling balls in one hand, and picked up another rock and flung it at the open jaws, which snapped closed viciously and sent splinters of rock flying.

The white-haired man looked very thoughtful indeed. “Sharp dog he is. And earned himself a drink, I’d say, gleeman. Maybe worth asking you about the way across to this place.”

“I made marks.” He had. With a talon. They were not intended as trail markers but they could work as that without undoing his purpose. Energies needed to flow, and the travelers could be vehicles for that. Travelers tended to be a cunning lot though. Over the years he’d known and journeyed with a fair number of these sort of folk, too many to believe them to be easily fooled or used without them knowing.

“Ah. It’s a sharp master too. A wonder you don’t cut yourself, gleeman. Nikos, come and give the Beng-creature a good poke with that black iron spear of yours.”

Someone knew—or had known—a great deal about demondim and the few creatures that survived just what they had made of their worlds, thought Fionn, looking at the spear in the next swarthy man’s grasp.

It wasn’t iron-edged and had a fair weight of magework about it. Antimony might not be the ideal metal for edging anything, but it was deadly toxic to the silicate sulphur of the Silago.

Soon Fionn and Díleas were able to pass the two traveler men cutting at the dead Silago. The dog on the seat of the lead cart growled and bristled. “Hear now, Mitzi. That’s no way to greet a dog with smart red boots,” said the lead cartman. Díleas was studiously ignoring her. The cart driver got down, and tapped some water out of a small keg into a bowl. Held it out to Fionn. “Here, gleeman. Best if your dog drinks a little way from Mitzi. It’s her bowl.”

Fionn gave a little bow. “Thank you, goodman. This place was hotter than we expected. Dustier too.”

“Ah well, you’ve a fair distance to travel in it. Best to be prepared. My name is Arvan, gleeman. I only look like a good man.”

“Call me Finn. Most do,” said Fionn, taking the water and setting it on the ground. He noticed the watchfulness of the lead cart driver. The watchfulness of the dogs on the seats of the other eleven carts. The fact that they had at least two other men hidden in them, and they weren’t watching him or Díleas. The water smelled all right, wasn’t bespelled…Díleas sniffed it too, and then drank with a great deal of tongue splashing. He had needed that. Well, he was wearing a good thick coat of black and white fur.

“And now, Finn, if you’d tell me a bit about this Tasmarin place, I could offer you a mug of beer,” said Arvan. Fionn knew the name was a small part of the traveler’s true name, which suggested that the travelers knew of the importance of those too. Well, they did accumulate knowledge or fail to survive.

“It’s an hour’s walk from here. See the double smoking peak? Bear just left of that. You’ll find this symbol scratched on the rock here and there.” Fionn scratched it with his toe in the dust. “There is a narrow white bridge that you will have to cross. Not much room for a cart on it. And the dragons on the other side are fond of gold, so I’d take care to appear poor.”

“Oh, we are,” said Arvan, tapping Fionn a small flagon of beer. It was good beer.

“They can smell gold at twenty paces,” said Fionn, who could smell theirs, above the beer. It was under the front end of the cart. Probably a hidden panel or something.

“Ah. There haven’t been many around for a while. People wondered where they’d got to. Some of us wanted to know.”

“There, that’s where,” said Fionn.

The jaw cutters had finished their work by now, and they carried them back to the causeway and roped them onto the back of the cart, still dripping black ichor. The little caravan set off again, Fionn and Díleas walking alongside the lead cart. It was, it appeared by Díleas’s behavior, the direction they needed to go.

A mile or so later the causeway was interrupted by what might have been called a river, if rivers boiled, and did not run with anything anyone could have called water, although scalding water diluted it. It ran through a fresh fracture in the dolerite, and the steam reeked of brimstone and the almond smell of cyanides. Arvan scratched his head. “That’s a new one.”

Fionn tried to work out the least obtrusive way of changing the situation. Energy and fire magic abounded here. There was even an ancient water pattern. The place had been verdant once. A tweak here and there…But it would all take time, and by the way that fool-of-a-very-clever sheepdog was pacing back and forth and bunching his muscles, he would try jumping soon.

***

The beautiful crone-enchantress, the queen of Shadow Hall, stared vengefully at her seeing-basin. Dun Tagoll—dark stone towers silhouetted against the moonlit sea—seemed to stare back at her. He’d protected it as well as he was able, and she could see no further into the castle on the cliff top. She had stared at it, the same way, for over fifty years now. Eventually, she would win. A few hours earlier she’d felt a surge of magical energy, and wondered if he’d finally died. But no, the tower still resisted her vision—it would not if he was dead, she was sure. So, the fight must continue. She was busy mustering her forces, yet again. She worked with her unwitting allies’ fears, and she had the Cauldron of Gwalar. It brewed and bubbled now. Soon she would cast pieces of yet another dead hero in the seethe of it. They had to be boiled apart, or at least finely diced, before she could reassemble them and reanimate them. And then dispatch them…to whichever of the nineteen worlds Lyonesse would try to leech off this time.

She stared at the image in the seeing-basin. The tallest tower and its highest window. There was a light there. He would be working away, creating falsehoods and illusions. Working on his simulacra and devices. Bah. Machinery. She had been fascinated by it once, the cogs and springs and the mechanisms for harnessing the tides themselves. The smell of oil, and magic…

He was not a summonser, but one who worked inanimate things and the laws of contagion and sympathy. She used that, but drew on higher powers too. The powers of life…and death. She learned as much of his craft as she could, of course. In those days Dun Tagoll had been the place to learn and to practice magecraft. He’d stopped that. He didn’t like competition.

To think she’d loved him once. Trusted him with their secret. Sworn eternal faith to each other and their secret. Dreamed that some day…She spat into seeing-basin, shattering the image.

Death would take him one day.

And it could not be a day too soon for her.

In the meanwhile she had to finish the warrior in her cauldron. And then get onto making more muryans. Shadow Hall would have to walk again, to follow Lyonesse, to raise war and chaos and foes against it. She followed Lyonesse’s progression across myriad leagues and subplanes in her palace of shadows.

Her hall moved. It did so on tiny ant feet. Many, many ant feet.

#     #     #     #

Rye Crisp
Sarah A. Hoyt & Amanda S. Green
Naked Reader Press – Winter 2012

 Coming Down On The Night Shift

The elevator gave a lurch. Angie Woolsey’s stomach jumped into her throat. Then the doors slid painstakingly open, while she tapped to the rhythm of music only she could hear, grasped the handle of her cleaning cart, and thought, come on, come on. This was the night her husband, Beto, had off and she wanted to hurry home.

Without breaking her rhythm, she pushed her cleaning cart into the corridor beyond the elevator car and stopped. A slight frown creased her broad brow. Something wasn’t right. She could feel it.

You’re just imagining things, she chided silently. The security light mid-way down the corridor cast off a pale pool of light, even if it left eerie shadows in its wake. Everything was fine. Besides, she reminded herself, no one else was there. They never were. That was one of the reasons she liked working the night shift. No one was around to bother her.

More importantly, this was a good job, one of the better ones when you have to clean up after other people. Maybe the accountants who worked here kept things cleaner than most others because they always had clients coming in. Maybe they were those all too rare men who actually cleaned up after themselves without being told. She didn’t care. Whatever the reason, it made her job easier and that was all that really mattered.

As she pushed the cart down the corridor, its wheels squeaking faintly in protest as they rolled over the deep pile carpet, she couldn’t shake the feeling that something was wrong. She paused again, her head cocked slightly to one side as she reached up and pulled the earbuds from her ears. No sound reached her except the muted beat of the music she’d been listening to.

And yet, her heart beat just a bit faster and her breathing seemed more labored. Breathing…that was it!  The corridor didn’t smell right. Hanging in the air, teasing her as she tried to locate the source, was the unmistakable smell of burnt meat.

What had those fool men been up to?  Had one of them brought leftovers from home and left them in the microwave too long?

Shit. Now she had to find a way to get rid of the smell before she could leave, which would make her late getting home. She once more slipped the earbuds back into place and pushed the cleaning cart toward the small kitchen that served as the accounting firm’s break room.

Her right hand reached out and found the light switch just inside the small but well-equipped kitchen. Light from the overhead fixture flooded the room. Instantly, she knew whatever the source of the smell, she wouldn’t find it there. That almost sickening aroma was present, but no stronger inside the kitchen than it had been in the corridor.

Nothing there.

Well, hell.   “Isn’t this just wonderful?  The one night Beto’s home and these fools have to leave a mess for me to hunt down and deal with.”

She returned to the corridor, wondering in which office to begin her search. After flipping a mental coin, she started off towards the far end of the corridor, away from the elevator. A trickle of fear wrapped itself around her spine. This wasn’t right and she didn’t want to be here. Not now. But she couldn’t leave, not without good reason. Not when she needed the job.

Besides, she was just imagining it. That’s all.

Telling herself to quit being so foolish, she pushed on. All she had to do was find the offending box of carryout – or whatever it might be – and get it outside. Then she could turn her attention to finishing up the job and getting home to Beto.

Following her nose, she did her best to ignore the persistent urge to turn and run as far and fast as she could. Instead, she reached down to open the third door from the end of the corridor. The knob turned easily beneath her hand. Nothing unusual there. He might be head of the firm, but Mr. Champion rarely locked his office.

The door swung open silently. As it did, the smell – no, the stench – struck her with an almost physical force. It made the hair at the back of her neck stand on end and her gag reflex went full-force.

Sweat prickled out on her forehead as she forced herself to take that first step inside the office. Never before had she done anything quite so difficult. Her fingers shook as they searched for and then found the light switch. There was a soft click and light filled the room.

Followed immediately by a scream that cut through the night and  it took her a while to realize it had come from her own throat.

Her throat working, the charred burnt smell making her gag, Angie ran for the elevator, praying she didn’t have to wait long for its doors to open.

O’ Blessed Holy Caffeine Tree

Red and white lights beat rhythmically against the night sky, calling to every media vulture and voyeur in town. No matter what the time of day – or night – or how bad the weather might be, they came. They were like Pavlov’s dogs, reacting to the flashing lights of emergency vehicles in much the same way the hounds had reacted to the ringing of a bell. For them, the lights represented the opportunity to feed on information – or misinformation – that they could then pass on to the unsuspecting public.

Wonderful.

Those lights called to me as well, but in a different way. They were reason I’d dragged out of my warm bed. At least it wasn’t raining. Tired as I was, frustrated as I was, it would be a recipe for disaster for me to try to navigate the narrow lanes of the east side of town in bad weather.

Not that the lack of rain made me any happier just then. It was just barely two in the morning. I hadn’t had nearly enough coffee – hell, I hadn’t had any coffee and a can of warm Diet Coke just isn’t enough to wake the brain cells, especially not after the “exertions” of the previous afternoon. Exertions I’d planned on repeating come morning. Instead, my first day off in more than two weeks had been canceled and I was heading to a crime scene I knew absolutely nothing about.

Someone had better have coffee for me when I got there or heads would roll.

My repeated attempts to tell the disinterested dispatcher that I wasn’t on duty had been met with the simple explanation that Lt. Sam Smith had said to have me respond to the scene. Great. So, leaving my nice warm bed, I’d thrown on jeans and tee shirt, running shoes and holster and gun before leaving the house none the wiser as to why Smith wanted me to respond to the call.

After all, there were two other forensic investigators with the department. Surely Distraction, Texas hadn’t suddenly been thrust into the middle of a crime spree that required all of us to be called out at the same time. So why me?

I still didn’t know, as I made the final turn into a parking lot ringed by trees. My headlights  caught the sign by the parking lot entrance. Champion and Associates Financial Services.

All traces of frustration and exhaustion fled. I recognized the name and the building. As I frigging well should. No wonder the address had seemed familiar to my sleep-fogged brain. It should have. I’d been here more often than I cared to remember and all because of Jack Andrew Sawyer-Simpson, or as I like to call him Jack Ass, my ex-husband. He’s one of the dozen financial planners – just a fancy way of saying accountants as far as I could tell – who work in the two story building.

Or is it worked?

A shiver went up my spine but I shook my head. Nah. If something had happened to Jack, I’d be the last one called to the scene. To begin with, we most definitely hadn’t parted on good terms. That’s sort of hard to do when you come home early one day, hoping for a little afternoon play-time with your husband only to find him playing “slap and tickle” with someone else on the living room sofa. Making matters worse, he was playing with his boss. His male boss.             How I’d managed not to pull my gun out and put them both out of my misery is beyond me.

Especially since I knew I’d have to burn the leather sofa they were on and I’d really, really liked that sofa.

So, instead of shooting them, I’d stood in the doorway, the fingers of my right hand drumming steadily on the butt of the gun at my hip and cleared my throat. They’d jumped as if I actually had shot at them. Then, as if fearing I might actually do just that, they’d scurried out of the house, their pants around their ankles, just like rats fleeing a sinking ship.

And I hadn’t wasted any time. One of the benefits of being a cop is you get to know a lot of good attorneys. I’d called one and he’d had my divorce petition and restraining order filed before the end of the day. Then I’d pulled that sofa outside to the curb for the trash collectors. It wasn’t as satisfying as actually setting it on fire but it did the trick. Pesky regulations against bonfires and all. Unfortunately, it hadn’t been quite as easy to rid myself of my husband as it had been to rid myself of the sofa. It had gotten messy and nasty, even with a good lawyer.

So I most definitely wouldn’t be called to the scene if something had happened to Jack. Instead, the homicide detectives would be paying me a visit to make sure I hadn’t decided it was finally time to dance on his grave. Which,  I’ll admit, was an interesting prospect. But it was one I’d save for my dreams. Even in Texas, the courts frown on cops offing their ex-spouses, no matter how much the ex might need killing.

I parked next to one of the unmarked Ford Crown Victorias the department assigned to its detectives and glance around the parking lot. The half dozen police cars, marked and unmarked, I’d expected. Even the MICU van and medical examiner’s van were no surprise. But the two fire trucks were a different matter. Standard procedure was for the arson inspectors to have first crack at a scene. So why had they sent for me?

Well, Alicia, there’s only one way to find out. Quit stalling and get your butt inside.

Yeah, yeah. The problem was, I didn’t want to go inside. I wanted to go back home, climb back into bed and sleep late. No chance in hell.

With one last gulp of warm Diet Coke and a wish for a very big, very strong cup of coffee, I switched off the engine and climbed out of the car. From the backseat I produced my evidence kit, carefully lifting it out and settling it on the trunk of the car. After pulling my ID from beneath my tee shirt and locking the car, I collected the kit and jogged across the parking lot toward the building’s main entrance.

The glass doors slid open with a whoosh as I neared. The lobby, a large area dotted with potted plants and cozy seating areas, was unusually crowded. Half a dozen detectives and uniformed officers mingled with several fire investigators and the assistant ME. The murmur of different conversations stopped as heads turned to me and something I swear looked like impatience suddenly showed in various faces.

“Glad you’re here, Rye,” a throaty woman’s voice said from behind me.

“Yeah, about damn time,” a man murmured from the back.

Ignoring the man, I turned in the direction of the woman’s voice, to find myself face to face with Detective Sharon Hornsby, Homicide. She came about to my shoulder, but then I’m a tall woman. Her short black hair and shockingly pale blue eyes seemed somehow right with her lightly tanned complexion. Dressed in dark slacks, red blouse and linen jacket, she looked like she’d be more at home in a bank lobby than at a crime scene. But I’d learned long ago not to be fooled. She was one of the best detectives on the force. Which didn’t reassure me since she’d made it obvious with that one simple statement that everyone was waiting on me.

The only question I had was why. Why were they waiting instead of beginning their investigation?

“What’s everyone doing down here?”

“Waiting on you.” When I cocked an eyebrow in question, she simply nodded and jerked her head in the direction of the elevator. “Look, Dorsett and I responded to a 911 DB call almost an hour ago. By the time we arrived, the LT had already arrived. He met us down here and told us to begin searching this floor and outside. He didn’t tell us anything except no one was to go upstairs until you’d gotten here. He hasn’t even let us talk to the wit who called in the 911. All I can tell you is he’s shook and it takes a lot to shake him.”

It took a hell of a lot to shake Sam Smith, personally or professionally. That something upstairs had and that he’d sent for me didn’t reassure me one bit. Why had I answered the damned phone?

Because if you hadn’t your mother would have and did you really want her coming in and finding you with the yummy Cas Roberts in your bed?  All two hundred and ten pounds of buffed and muscular fire fighter? 

Which brought my mind around to the fire trucks. “What’s with all the fire equipment?”

“Again, can’t tell you. Not for sure at least. All I know is there’s a definite burnt smell if you stay inside long enough.”

“Okay.” I chewed my lower lip, thinking hard. Obviously something was going on, something I knew I probably wouldn’t like. But, Jack Ass’s office or not, there was no way to avoid it, not if I wanted to keep my job. “I’d best get upstairs then.”

“See if the LT won’t let us up so we can at least interview the wit,” Hornsby said.

“Will do,” I promised before crossing the marble floor of the lobby to the elevators.

“Detective,” a uniformed officer said as he reached inside the elevator car and switched off the “Hold” button.

I nodded and reached out to press the button for the second floor. The doors slid shut and the elevator gave a slight lurch as it started its ascent. As it did, I breathed deeply, stilling my mind. I hate elevators. Always have. They are too small. Only a single cable holds them up. If that cable snaps….CRASH. It would be just my luck to be inside when that happened. I do not like chances I can’t control.

As soon as the elevator doors opened, I stepped out into the hallway. At once, the stench hit me and my stomach roiled. Swallowing hard, I saw two men down the corridor to the left. They looked out of place with the pastel walls and nondescript pinkish abstract pictures in discreet gray frames. The smaller of the two, if you could call him smaller since he was built like a fireplug and had the temperament of a bulldog, was George Goetz, the best arson investigator in town. With him, tall, built and looking more than a little impatient was Lt. Sam Smith. He beckoned me forward, his chocolate brown eyes troubled and, unless I missed my guess, uneasy about something beyond what he’d found in the office behind him.

My stomach rolled again and this time it had nothing to do with the smell of burnt meat filling the corridor. I knew that look in my lieutenant’s eyes, and I hated it. I prayed I’d leapt to the wrong conclusion. But it would take something extraordinary to get him to call me out when he had to justify every cent he paid in overtime.

Unfortunately, his idea of extraordinary meant something I didn’t like when he applied it to me. Well, truth to tell, he didn’t particularly like it anymore than I did but that didn’t keep him from taking advantage of it either.

But I had to be wrong this time. Once had been more than enough. God might have a sense of humor but surely even He wouldn’t do this to me twice.

Sure He would, sweet cheeks. After all, He led me to you, didn’t He?

Lips pressed tight, my free hand balling into a fist at my side, I did my best to ignore the voice. Not that it would do much good if he insisted on speaking up. That much I’d learned since my all too friendly ghost had showed up unwanted and unexpected three months ago. And, so far, I hadn’t found a way to get him to leave…or even to leave me alone.

“Rye,” Smith said.

I nodded, not trusting my voice. The strain in his voice and around his eyes warned me I’d been right. I wasn’t going to like this. The milky quality to his tan warned that whatever lay in the office beyond was bad. Very bad.

Maybe I could still figure out some way to bow out of this case before going inside.

But I knew better. There wasn’t a chance in Hell I’d be able to do it…even if I’d seriously considered it. This was my job. No matter how bad it was, I had a duty to collect all the evidence I could find and then use it to help put the perp away for as long as possible.

The lieutenant didn’t say anything else. Instead, he reached out and pushed open the office door. As he did, I realized we stood outside Howard Champion’s office. Oh my, had something actually happened to the man I’d caught my husband with?

Alarm bells ringing in my head, I took a hesitant step forward only to be knocked back by the stench of burned flesh coming from inside the office. My eyes watered and I fought back the urge to vomit. Not wanting to but knowing I had no choice, I forced myself to look inside.

Damn it all!  No wonder he sent for me.

Look at it this way, sweet cheeks. We get to work with the delish Lt. Sam. It’s worth it, isn’t it?

Shut up. Just shut the hell up.

#     #     #     #

You can pre-order Darkship Renegades by Sarah A. Hoyt through Amazon and other retailers.

Dog and Dragon by Dave Freer can be ordered through Amazon and other booksellers or the e-book can be ordered through Baen.

ConVent (book one in the Vampire Con series) and ConFur (a short story in the Vampire Con Series) by Kate Paulk are available for purchase through Amazon, Barnes & Noble and Naked Reader Press.

The Calvanni (book one in the Jakirian Series) and Flight of the Phoenix (a prequel) by Chris McMahon are available through Amazon, Barnes & Noble and Naked Reader Press.

Book 1 in the Nocturnal Lives Series

Nocturnal Origins,

Nocturnal Serenade

and Nocturnal Haunts by Amanda S. Green are available through Amazon, Barnes & Noble and Naked Reader Press.

Witchfinder Free Novel Chapter 34

*This is the Fantasy novel I’m posting here for free, one chapter every Friday.   If your conscience troubles you getting something for free, do hit the donate button on the right side.  Anyone donating more than $6 will get a non-drm electronic copy of Witchfinder in its final version, when it’s published.
There is a compilation of previous chapters here  all in one big lump, which makes it easier to read and I will compile each new chapter there, a week after I post.  When the novel is completed and about to be edited the compilation page will probably be deleted.

Oh, this is in pre-arc format, meaning you’ll find the occasional spelling mistake and sentence that makes no sense.  It’s not exactly first draft, but it’s not at the level I’d send to a publisher, yet. *

For previous chapters, look here:  https://accordingtohoyt.com/witchfinder/

Old Tales

“I came to rescue Michael,” the Duchess said.  “Nothing else could have enticed me to come back here, to come back into this place that…”

“No,” the ghost of Arden Ainsling, late Duke of Darkwater said.  Or at least it wasn’t his ghost.  Not exactly.  She’d found he had physical existence of a sort.  She could touch him and feel his hand, not quite as substantial as it should be, and softer and less warm than it should be, but there, nonetheless.

Somehow they’d ended holding each other’s hands as they walked along the foggy landscape.  “Was it like this, Barbara,” he asked.  “When you were a captive before?”

“I don’t know,” she said.  “Or at least I don’t think I know.  Not clearly.  It was like a bad dream, and I was very young.  I remember things happening that made no sense to me.  I remember…” She was quiet a moment.  “I remember not liking it.  For years, after my return, I dreamed of being lost in fairyland, never finding my way back.  And I’d wake up screaming.”

“Yes,” Arden said, and there was more in that syllable than he could pronounce.  She looked at him, and his eyes looked very intensely green and were shadowed, as though he’d spent several nights without sleeping.

It was a look she knew well for him.  In the past, she’d thought that it meant that he’d spent nights away climbing balconies, or whatever it was he did to get to his ladies of easy virtue.  But surely that wouldn’t apply in fairyland and besides, she thought, he couldn’t – he couldn’t possibly – have just spent his nights climbing balconies.  Not if his suicide had been staged by fairyland.  Not if Seraphim’s taking up of Arden’s work had thrown the entire house into turmoil and ruin.

She squeezed his not-quite-there hand and said, “What was your work?  You say that Seraphim has got your papers, and you say it as though it were a dangerous thing.  What does that mean?  I’d always thought that when you went out for days on end you were philandering, and when you came in wounded it meant that you’d fought a duel or… or that someone had accused you of cheating at cards.  But I’m starting to perceive that couldn’t be it.  So I’m going to ask you, Arden, what does it all mean?  What was your work?  If you had a work, beyond the pursuit of pleasure.”

He sighed, and it seemed to her strange that someone not qutie there could sigh.  It seemed to her he exhaled not just air but particles of light which danced around him for a moment.  “Fairyland is never a safe place,” he said.  “But I’ve learned some things, and while you are with me, it is safe to talk of this.  So I’ll tell you.  I was a witchfinder– ”

She frowned at him.  “A witch–?”  Memories of childhood rose in her, from studying the dark ages, when all magic had been forbidden and men who could detect witches moved around, identifying them that they could be killed.  She remembered her nursery, a small snug room up in the attics of the Hartwitt residence.  She remembered the fire, and the little table before the fire, and her pencils and paper and Miss Heron, the nanny, telling her all about witchfinders outwitted, and witches escaping to learn more about magic and eventually codify the rules of scientific magic that prevailed in the world today.

She remembered stories about how witchfinders still existed in other worlds, condemning young people with magic, and shifters as they came into their powers, to ignominous deaths.  She looked at Arden, sidelong.

Arden laughed.  She had forgotten that laughter.  Seraphim and Gabriel might have inherited echoes of his looks, but neither laughed like him.  When Arden laughed, no matter how bleak the situation, it was as though the sun had come through the clouds, warming her through.  Sometimes she thought it was his laughter – and the way he made her laugh, as well – that had made her fal in love with Arden Ainsling. “Oh, Barbara, what a goose you can be.  No, of course I was never a witchfinder in the old style, destroying magic users.  You could say I was the reverse of that, an honorable mission willed to me by my grandfather.  You see, in our family for as long as there’s memory – certainly as long as magic has been legal in Avalon, there’s been a particular pocket watch–”

“The one you left Seraphim.”

“The very same.  That pocket watch will chime in a particular way when some witch in another world needs rescuing.  And we … rescue them.”

She started so violently that she stopped on the path.  “But Arden, traveling to other worlds!  And interfering in them!”

“Has only been forbidden for the last fifty years, Barbara.  Our mission went on long before that.  When I inherited I had the choice of continuing with it, or letting it drop.”  His hand squeezed hers back.  “I couldn’t sleep at night thinking of people getting killed.  That they were in other worlds made no difference.  I had to save them if I could.”

“Oh,” she said.  “So… you’ve… brought magic users to our world?”

“Most of them children, yes.”

“While I understand… I mean, the king’s edict is to stop our much stronger magic from interfering with–” Arden’s chuckle stopped her.  “It… is not?” she asked.

“Well, it might be, or it might have been.  But the thing I’ve found, Barbara, is that not everyone from our world stopped interfering in other worlds’ magic.  It might occur to you to wonder how the house of Blaine, for instance–”

“Blaine?  Blaine’s Blessings?”

“Of course.  Has it ever occurred to you to wonder how they prospered so magnificently while we didn’t, even though we were always more inventive and better at the magic part?”

“I… no!”

“Well, my dear, what I found is that old Gerard Blaine and a conspiracy of like minds had their fingers deep into worlds where magic doesn’t even exist.  That was when– That was when I had to be out of the way.”

“But you… they said it was suicide.  And you say you’re not dead.”

“No.  I was brought to fairyland and something was done to simulate suicide in the eyes of the world.”

“Can you… can you be saved?”

A curt laugh.  “There might be an outside chance, my dear.  Remember the story of Tam Lin.  It would be easier, though, if I had the watch.”

“Seraphim has the watch,” she said.  “He never lets go of it.”

“Oh, then.  They’ll find a way to bring Seraphim to fairyland…”

So, You Want A Disease? Guest Post by Tedd Roberts

*Guys, I’m trying to finish something that’s been dragging for a while and Doctor Roberts offered to blog for me for the day.  His post surprised me. While, like every other fiction writer, I know about behindthename.com and have other resources for things such as “great houses of Great Britain” even I didn’t know there was a data base I could access where I could pick a disease for the characters.  The last time a doctor told me about something like this, it was paid and cost $300.  So, thank you Dr. Roberts for giving us this invaluable resource.  And now I’m going to shower and start writing marathon for the day.  SAH*

So you want a disease?

My friend Sarah Hoyt talks about “gateway” writers who have characters that seem to dictate their life story to her. This comes as a considerable advantage, because the character becomes more “human” in the telling. It may not be necessary to define all of the characteristics of this character, because they come out in the manner in which the character tells its own story. However, if you’re like the rest of us, in order to make the character more real, you need to describe more about the health, habits and life-style of your character.

In this case, you may wish to have your character suffering from some disease in order to give them something to do in between action and love scenes. Oh, certainly you may be writing a far off future in which there is no disease thanks to perfect medical care and miraculous nanomachines which can cure anything. On the other hand you may wish your character to have a disease that cannot be easily cured, and thus need to come up with a plausible description of an ailment or affliction. After all, the hero who suffers is more human, and therefore more sympathetic.

So, how do you go about selecting a disease and even more important, how do you find out enough about disease to be able to write realistically about it? For the Internet savvy, the first stop is often Wikipedia. While there are many who complain that Wikipedia is not an accurate source, let alone a primary source, it does have a role as a first stop for finding out information about a disease. Personally, I prefer PubMed Health. PubMed Health (http://www.ncbi.nlm.nih.gov/pubmedhealth/) is a service of the US National Library of Medicine. The National Library of Medicine is both a physical library and an online resource for scientific, clinical, and medical information. PubMed Health is a searchable database of both common and rare diseases. I refer to a quite frequently in writing my own blog about Neuroscience because it lists common symptoms, rare symptoms and has links to treatments, medicines, and specific websites devoted to that disease. It is a much more concise reference than Wikipedia, although it does not provide as much prose regarding the history of the disease or links to current context such as reference to the disease in books and media.

For fiction writing, what is needed is to understand how the disease makes the character feel. For that purpose PubMed Health is the better resource. The first important consideration is the list of symptoms. If your character has a kidney disorder, you want to know how that feels to your character. Does he or she have pain in a particular place in the body? Are there certain foods or activities which will cause the pain? How does having this disease change the life of your character?  From PubMed Health, we learn early symptoms of a kidney disease include loss of appetite, nausea, weight loss, headaches, itching and dry skin. Thus, your character may first show signs of the disease in loss of appetite; in contrast, another character may comment on apparent weight-loss. More advanced disease symptoms include changes in skin color, numbness, muscle twitching, bruising, swelling of the feet and hands. As your story progresses, you may wish for your character to begin to worry. An example would be: upon waking, your character notices swelling of the fingers, and muscle twitches that they can’t control. They might develop hiccups (since this is a form of muscle spasm) that not only cause embarrassment, but could be a cause for concern by someone else. Your character might be embarrassed by bad breath, or disturbed by insomnia and morning sickness. Each of these symptoms provides not only a glimpse into what your character experiences or feels, but their reaction to the symptoms is an opportunity for character development.

So now that we’ve explored how the character feels and what they experience, how did they get that way? At this point, whether you’re using Wikipedia, PubMed Health, consulting an expert resource, or using your own reading of the medical literature, you want to look into the known sources, causes, and risks that might produce the disease. In our example of kidney disease, several lifestyle risks are immediately apparent: high blood pressure, diabetes, or exposure to chemicals/medications which can damage the kidney. Trauma or injury is always possible, or your character might have a congenital disorder which leads to the disease. You can have your character know from the start that he has a family history, or provide the opportunity to discover something about his past as he tries to figure out how he could possibly have gotten this disease.

Then once you establish how your character experiences the symptoms and consequences of his disease, and discovered his history, it’s time to explore how he will treat or seek a cure for his condition. Cures for disease may involve surgery, medication, therapy or any combination of these. Likewise, treatments involving the same factors may provide relief of symptoms, while not exactly providing a cure. Moreover, therapy which requires frequent treatments can find your character to a particular place. He would not do to have a character who requires weekly dialysis set off on a four-month space voyage of retribution, without taking into account the medical facilities available on his vessel of choice. On the other hand, your character may receive a single treatment, or if you’d treatments spaced over a month, and then know that they must return to the hospital in six months to continue treatment. This provides a window of opportunity for events to take place while providing the additional suspense of wondering whether the character will be able to return in time to receive lifesaving treatment. You also have the opportunity to make your character aware of the dangers involved in certain activities: a person with kidney disease should be aware of the fact that a hit or fall or injury in the vicinity of the kidneys could cause permanent damage; an individual with any sort of head injury should avoid any further, lest it results in blindness, deafness, memory loss or even death; a person with heart disease would need to avoid exertion, stress, and would likely have dietary and other restrictions.

All of this research that contributes to what Sarah calls “stage business.” In the example she gave us a few weeks back, stage business consisted of one character brewing a cup of tea, while engaged in dialogue with another. The stage business provides a means of keeping track of which character is speaking, and at the same time giving the character some mannerisms that can be used later to identify them amongst others. Understanding the disease provides stage business in the form of treatments, symptoms, and the need to seek medical advice. A diabetic will likely need to inject themselves with insulin; a person with a neuromuscular disease may suffer from muscle spasms, tics, or involuntary motions; heart disease results in limits to specific activities. Each of these can be used to greater damage and character development, and specific elements of plot can be built around seeking and receiving treatment for the disease. Keep in mind that the disease affects not only a single character, but loved ones, family, guardians and coworkers.  It is important that the description of the disease is accurate, but more so to obtain enough information to be able to write that character’s viewpoint and life experience with the disease.

The resources are readily available online, if you only know where to look. This is one reason why I liked provide links whenever I describe the disease condition, and I discover websites which are devoted to that specific disease. Again, while you can start with Wikipedia, use it only as a starting point. Consult PubMed Health, and make liberal use of Google searches. If all else fails, ask an expert; it will be well worth your time, and make for much more believable characters.

It Won’t Go By Itself

Okay, this is a mistake I keep running across, and possibly the most egregious of the mistakes in the “newby self published” stuff on Amazon.  So…

Listen to me, I am the voice that cries in the wilderness (or at least from behind a desk covered almost totally in cats.)

You can have a great character (or many.) You can have great settings.  You can even write fascinating scenes.  But your story won’t go anywhere if it doesn’t have an engine.

This is one of those rare problems in writing: one that as far as I can tell, I never had.  Mind you, I was once accused of having it.

Back then I had just met other writers, and while I – sort of – knew how to write, I had clue zero how to talk to other writers (yes, this too is an acquired skill.)  I did not know, for instance, that not everyone wrote the same way, and following the same process.  So I made no account for differences.

Back then I was in phase not much different from the current one.  I got the beginning of the novel.  From that I deduced the general idea of what was happening and what people needed.  THEN I wrote the novel.  Then as now, the lag time between first-scene appearance in head and writing the novel could be anywhere between two days to three years.  Then as now, that first scene hit with the force of a hammer between the eyes, and I had to get it down.

The person I was talking to was an experienced novelist.  Well, the most experienced I’d met up to the time.  She’d had one novel published eight years before.  In my innocent young-writer mind this translated as successful.

So I told her about the opening scene that had hit me “This woman notices someone following her.  No one else seems to see him.  One day she’s had enough and goes to talk to him.  He’s some sort of supernatural creature, I don’t know what yet.”

She – who worked from plot out, and therefore thought I was insane – told me “Your story lacks an engine.  There’s nothing to make it advance.”  This was true, insofar as that was not a story, yet, only a scene.

Yes, she kilt that novel.  She kilt that novel daid.  I had no idea, see, what she was talking about, and all I could think was “I’m doing something horribly wrong, and I can’t SEE it.  I’m the world’s worst writer.”  Not only didn’t I write anymore on that novel.  I didn’t write anything for three months.

And THAT was a mistake I made.  If you get ideas the way I do, don’t go imagining you need to have everything RIGHT up front.  However, by the time you’re writing the book, you should have an idea what the story is.  And that will give you an idea what the engine is.

The best way I know to explain this is with examples.

And the examples are from what you’d find at the back of a book.  Mind you, often this is the level of “outlining” I do to get a story idea to hold till I have time to deal with it.

So.  Imagine you read the following outline:

John has moved to Greece to study the classics.  While there, he adapts to local customs and has many interesting run ins with natives.  Occasionally, people try to beat him up for talking funny.

Is that a novel?  Uh.  At best it’s a travelogue.  John might be a fascinating character.  Scene by scene his run ins with natives might be side-splitting.  BUT the story has no engine.  There’s nothing propelling it forward.  Unless it’s a highly literary piece of work – why should people keep reading?

Frankly, having judged contests and mentored, what I see is a never ending collection of John eating breakfast, John mangling Greek, John seeing funny local customs.  IF you’re lucky, there will be the occasional episodic John gets in a fight and takes weeks to recover.  Here’s the thing.  Take John at the beginning and at the end of the novel.  Did he change?  No?  Did anything around him change?  (And if you’re going to defend the picaresque novel, read on.)  Did his actions make ANY difference at all?  Could you take what happened and scramble it around with minor adjustments (so, he hasn’t learned to like souvlaki at that third dinner.  Have him eat something else.)?  Well, then it’s not a novel.  All the parts are there, but they’re not working in concert.

“Well, oh, great one,” you say (about time you said it, too!)  “How do you give it an engine?”

Stop smirking.  Of course I can.  I can give it several engines, depending on what genre this is.  Watch me:

Mystery:
John has gone to Greece to study classics.  Finding a body on the site of some interesting inscriptions was not in his plans.  When the corpse turns out to be that of a colleague he hasn’t seen in twenty years, and who shouldn’t be in Greece at all, faced with the local authorities’ suspicion of him as the only foreigner around, John is forced to investigate – easier said than done given his lack of knowledge of local customs.

Romance:
When John goes to Greece to study the classics, the least thing he expects is to fall head over heels for a dark haired local.  His courtship, fraught with cultural and linguistic missteps demonstrates that the course of true love never does run smooth.  Will he win the exotic beauty?

Fantasy:
When John goes to Greece to study the classics, the least thing he expects is to fall head over heels for a dark haired local. Or is she a local?  She tells him her name is Diana, and glimpses of her at night seem to show her in a familiar aspect, dressed in the ancient way and accompanied by dogs, carrying a bow in the moonlight.  Is John’s love eccentric?  Is she playing the world’s most elaborate joke on him?  Or has he fallen in love with the ancient goddess of the haunt?  And if he has, what does it mean to the world at large that the ancient gods walk again?

Science Fiction:
When John goes to Greece to study the classics, the last thing he expects is to find an artifact made in alien metal and written in what looks like proto Greek.  The story it tells is the Iliad – if it had taken place among the stars.  With mysterious strangers trying to destroy the fragment and a beautiful woman trying to discredit it, John finds himself in the adventure of a lifetime, one that at the end of it might very well have him lost among the galaxies.

The beauty of this, is that you can take the first book – with all the funny incidents and events, and John being a general twit about Greece and the Greeks, and make it into any of these, by adding a plot line that follows the … movement line of any of these ideas.  He can have all his social faux pas and linguist malapropisms while talking to everyone who was around at the time of the murder.  He can sample local cuisine while talking to his lady fair.  He can even investigate the legend of Diana while eating and talking and strolling about the country side.

The engine of the novel is the thing that keeps us reading through all those incidents, the thing that makes us turn the page to see “what happens next” and “how will it end.”

Of course, some minor points in addendum – the action should rise, and the stakes should get higher.  What do I mean by that?  Well, at first the authorities are suspicious John murdered the other guy, then they take him in to question him, then they start following him.  At the end of this he could/should be on the run, trying to get the real killer, before he experiences Greek prisons.  A similar dynamic should apply to the others.  Think of this as moving an engine up through the gears to climb a mountain.

You should avoid having too many of the same kind of scene – hurt-comfort, peril, redemption – or scenes that feel the same: scenes that take place in a boat for instance, are unusual enough that if you have too many will feel like the same scene.

Your character should be affected by each rising point of action.  I.e. try not to have them make the same mistake ad nauseum, unless there’s a reason they lost all memory.

And now, you say, what about picaresque novels?  They violate a lot of these rules, they have no rising action (or often don’t) and they often have similar type of scenes.

The best known picaresque novels are Leslie Charteris’ the Saint, though Barry Hughart’s Bridge of Birds, etc, have a similar feel.  And to an extent some mystery series feel like picaresque novels – like Rex Stout’s Nero Wolfe series.

The picaresque novel (I’ve linked to the wiki definition) as far as I’m concerned is a novel of man at odds with his world.  There is something about your hero that is so odd that it puts him at odds with the world/society.  The novels are often episodic in nature, consisting of a series of events/adventures that do not rise in action.  (In Rex Stout’s case it would be the series, not each novel.)

So, do these novels lack engine?  No.  The engine is the character.  You need to have an extraordinary and extraordinarily strange character.  These novels resemble nothing so much as the stories of gods and heros our ancestors must have told around the camp fire.  EACH individual segment still follows the rules – rising action, something accomplished, etc – and each segment illustrates the extraordinariness of the character.

In other words, John, no matter how nice, brave and courageous he is, won’t be enough.  John needs to have one characteristic: the saint’s cunning; Master Li’s intelligence; Goodwin’s doggedness and Wolfe’s amazing intelligence and erudition – and this characteristic needs to come into conflict with its world, over and over and over again.  Whether your character emerges triumphant, or he’s the perpetual underdog, yet he must be tested over and over, and each episode must be amusing enough to keep the reader going past the break.  A purely picaresque novel is a difficult thing to write and this is often combined with a more traditional format (as Hughart did.)  Do not think this is the way of addressing the lack of engine in your story.  It’s more the way of tuning your engine if you are a virtuoso.

Now go make sure you have an engine to keep your story running.

An Affair of Honor

Lately I’ve been thinking about honor.  Maybe because I spent the last couple of months mulling over the musketeers.  Maybe because I’ve gone back to a regency-reading jag as I work on things as far from regency as possible.

Honor has got a bad rep lately.  It’s been dragged through the mud, and its garments are draggled.  Association of its names with such egregious ideas as “honor killings” has done it no good.

It’s particularly unjust since honor killings are more shame-killings.  I grew up in a culture that still shows a lot of Arab influence, (well, they were there almost as long as the Romans, you know?) and I almost understand honor killings – if I squint and look sideways.  I was, after all, raised in a village (so like Miss Marple I’ve seen all there is to see of human wickedness.)  Of course Portuguese – at least civilized ones – don’t honor-kill their daughters.  But we had a case in the village where a father shaved his daughter’s head because she was talking to a strange boy.  And even with my family’s rather odd behavior, since we were all readers and a fair number of us engaged in creative work, I came across that “how could you talk to him when you were alone in the house?  What will people think?  You have shamed us all.”  I came across it more than once, because I have trouble wrapping my mind across the nonsensical.  And to me – particularly when this started, when I was about eight – seeing a little friend who happened to be a boy was no different from seeing a little friend who happened to be a girl.

But the overwrought minds of village spinsters and old women looked at this the way “enlightened” militant “feminists” do.  Like the one who accused my nine year old of sexual harassment for touching a girl’s behind while trying to get her attention.  (He didn’t fondle her.  He reached through a crowd and poked her, to ask if she wanted to play a space exploration game.)  If you’re a male you have lust and evil on your mind, and any woman allowing you near has lost her virtue.  (They must live MUCH more interesting lives than I do.)

Anyway, honor viewed that way is more what the public thinks of you and what you allow the public to know.  You can lose your honor through all sorts of stupid things that have nothing to do with what is in your heart and mind.  You can be “disgraced” the way a regency maiden was disgraced because she tripped in public and fell across a gentleman, and didn’t immediately faint or whatever.  (Well, at least in regency romances.  I believe true society had more leniency.  I mean, even in the village, even with my eccentric behavior and the fact I wore shorts outside the house – oh, the humanity! – only half the people considered me a slut.)

We find this in Shakespeare too.  “I will bite my thumb at them; which is a disgrace to them, if they bear it.”

This type of honor is fun, of course.  Well, fun to write about.  It allows you to get your characters in all sorts of nonsensical situations.  It is a good stand by for making your character marry someone she hates, for instance.  Or for making your male character fight a stupid duel.  Since we sometimes require non-brain-damaged characters to act like idiots, this type of honor can be a good tool.

BUT…

But the honor I want to talk about isn’t that.

It’s not the external, being paid homage, being rendered honor.  It’s the internal honor, in the secret of your heart, in the center of your being.

To explain it: we all live our lives by certain principles.  Yes, even those you think have no principles have stuff they live by, even if it’s just “look out for number one.”

This is very obvious in fiction, because, of course, the characters live only on the page, and their characteristics stand in obvious relief.  Characters live by some principles.  Athena’s in Darkship Thieves, for the longest time, is “survive” but she does have others, which come to the fore when tested.  Things like “I will not return kindness with evil.”  And of course “I will not abandon those who looked after me.”  (Kit.)  This is even more true of Kyrie in the shifter books, whose internal principle is “look after those who can’t look after themselves.  Not because they’re good, or deserve looking after, but because they can’t.”

(Writers live by some principles, too.  For instance, my refusing to write an autobiography, in which I’d have to tell a lot of lies to protect OTHER PEOPLE’s secrets might have cost me promo and a “dahling of literary establishment” career, but it was my internal principle NOT to step on family and friends on the way to success.  To do it would have broken me, and made it impossible for me to be me.  Break that barrier, and nothing stands between me and shooting people who annoy me.  Me as me stops existing.)

Here’s the thing – it’s not that you can’t have a character break one of their inner principles.  You can, but then all hell should break lose internally as well as externally.  And that type of principle, inner principle, can only be broken if it’s either only partially broken, or if it’s something the character can convince him/herself is an exception.  Say, Kyrie COULD leave someone to starve in the dark.  BUT that person had better be a danger to the other people she feels she must protect.  (And even then, frankly, she’d be more likely to kill them cleanly.)

The reason I’m bringing this up is victimhood.  In this case the treatment of victimhood in books.  What do I mean by that?

When you lose sense of an internal honor, a moral code, a guiding principle, you tend to misunderstand things like Kyrie’s animating period of “look after those who can’t,” which is one of the animating principles of western civilization.  Instead of its being “look after those who can’t, because you owe it to yourself as a human being” you see it as “look after those who can’t because… victims are special.”

I’m getting very tired of seeing this in books written in the last thirty years or so.  People who are downtrodden are some sort of saints – magical, not really human.  They don’t need anything else to make them magnificent – just that someone be mean to them.  The meaner someone is, the more “saintly” the character is treated as – even if the reader can tell he or she is in fact the twit of the universe.

Let me make it clear for those of you short on understanding: the reason Cinderella deserved the prince was NOT because her step sisters were mean to her, but because she was beautiful and sweet.  The sisters are on their own course and earn their own doom.  HER job was to keep her internal honor, and it is that which earns her the prince.  (And please let’s not argue about older versions, okay – I’m talking about it as it’s known.)

Harry Potter is not the main character because he was mistreated, but because he was the boy who lived.  The mistreatment which reaches almost comic proportions is an (effective) attention getting device, but it is not how Harry Potter earns his position in the world.

If your character is repulsive or totally amorphous, that will show through the victimhood, and make the reader – this reader at least – gag.  More than that, while you might make us root for the underdog – it’s almost a reflex – if the underdog doesn’t prove himself, and is always and perpetually the victim, the story becomes an exercise in sado masochism, and will give off a “sick” feeling.  You will also be contributing to moral confusion that is already too prevalent.

Now, I’m not saying you can’t torture your character (look, if you read the beginning of A Few Good Men) you’ll understand why that’s funny coming from me.

I’m saying you should still develop your character after that and make him/her grow.  Or of course, make him a terrible person, if he/she is the villain.  I mean, why can’t a victim be the villain?  Sometimes the poor bastard in the dungeons DID do enough to deserve it.  (Er… not in AFGM, by and large.  Oh, there’s stuff never talked about but visible between the lines that probably would have earned him a spanking, but not dungeons.  THAT was real politik at work, I think.)  Or perhaps he’s still a twit who needs to grow out of what took him there.  Even if punishment was excessive.

I’m tired of the idea that victim = virtue.  We’re starting to see it seep into politics with the idea that groups who have been excluded have some sort of extra special specialness.  You know that isn’t true.  They’re human.  We’re all human.  I do not approve of people being excluded or looked down on for color of skin or other irrelevant traits, (or even relevant.  There’s more to character than intelligence, for instance) but I also don’t approve of their being sanctified because they were excluded and/or victimized.  

“But I was put down” is not a claim to heroism.  “But I was put down and achieved something nonetheless” IS.  

So, in the end, it’s the internal honor that counts – at least for me, and by and large in life – and what the old biddies in the village think… not so much.  And if the biddies are the readers in the global village, enough of them will get disgusted with the idea that victim means virtuous.  Also, you’ll be contributing to insanity in society at large.

Make your characters (and as much as you can, yourself) persons (worthy of) honor.  We’ll all win by it.

Divine Madness

Years ago a very weird thing happened.  Because of it I wrote Sword And Blood.  (And have the two planned sequels outlined safely in notes, with key scenes in longhand.)

First of all let me say that when I started out writing, I didn’t outline anything.  I tried outlining a novel, because I’d read one should, but then I didn’t want to write the novel.  My subconscious thought it was done and simply wouldn’t budge.

So I learned not to outline.  Just write it.  However I was young and novels are complex things.  I’d start out with an idea of where it started and where it ended, but what happened in the middle often went “wrong.”  As in, I was incapable of imagining to the depth or realism or detail needed and took the easy way out – coped out, in other words.  And then it didn’t feel right, and I either ditched the novel or spent two months trying to back up to where it had gone wrong.  It made the whole writing process difficult and protracted.

And then I got ill while trying to write a book.  To make things easier, I outlined it at a very high level, then did ten chapters at a time at a detailed level.  This time it worked.  For about ten years, I became a plotter and outliner.  Heck, I used to outline short stories.

Then strangely my old complaint came back.  I couldn’t outline.  If I outlined, I betrayed the story.  I can’t fully explain it, but when I outlined, I wrote in the “easier” option.  Easier to see and easier to endure.  Carefully outlined novels became somehow shallower, not as deep.

Writing some scenes is like falling on your sword.  You see the metal there, you know it’s going to hurt like a bugger before it does its job.  And you do it… once.  Now imagine our Roman who fell onto his sword magically reanimated and healed and doing it again… on purpose.  I doubt anyone could.

So when I outlined I flinched from the painful scenes and instead of falling on my sword, I gave myself practice cuts on my skin.  And then – because with me an outline has that effect – when I wrote it, I stayed at that level.

And then I broke.  This was now almost five years ago, also known as the year when I homeschooled and wrote six books.  Oh, yeah, and attended a bunch of cons.  I remember at a con in March telling someone I’d just finished my second book of the year, and having her look at me like I was nuts.

Round about June (four books) I realized I couldn’t turn my mind off.  I know this sounds silly.  I know you’re going “Why would you want to turn your mind off?”  Because I’ve found “turning off” as in, spending a day or two reading and absorbing other people’s ideas, or going for a walk and enjoying the mere sensory experience, or any of a half dozen similar things are needed for me to keep writing without getting ill or entering a sort of total, deadly silence.  (Though I’m finding having an office and working on different stuff on the weekend is enough to provide a break.  But I’m not doing six books OR homeschooling either — okay, it might turn into six books, but they’re not six books under contract and to specs.  It’s different.)

Normally the surefire way to turn off my mind is to go to Denver overnight, go for a walk by the duck lake, or hit the museums or the zoo.  Being away from home/work is enough.

But five (almost) years ago I couldn’t do it.  Going away helped… for a week.  And then I wanted a vacation again.  Because the mind never fully went off track on the current novel.

That’s when I found my escape…  Which involved doing … more.  That is, it involved my starting art classes. While I was concentrating on that, I couldn’t think of writing.  More, it was a different mode of thinking: all tactile and visual, not words.

And it was while coming out of an art class that I got all three (to be honest six, as there’s three sequels with a character yet unborn in the first three.) books… the best explanation is “downloaded” into my mind, completed.  Even the wording was there for key scenes.  (Mind you, it’s been a while, so in writing the second and third, I’ve found I’ve lost stuff, and “getting it right” involves a tuning process, much like turning a radio dial.  I know when it’s “right.”)

That it was vampires didn’t surprise me.  I run to horror when I’m near snapping.  That it was that detailed, that complete, and… well… like it had come from someone else’s head, did shock me.

Around that time I was talking to Walt Boyes and he recommended the Origins of Consciousness in the Breakdown of the Bi-Cameral mind.

While I think the man has something there, I think his thesis is fundamentally wrong.  We always like to think we invented things over our ancestors, but thinking we invented consciousness is really one step beyond the pale.

I think what he’s forgetting is what any anthropologist or literature critic would take into account.  What he’s using to evaluate a whole culture is the output of a few people – shammans, playwrights (in Greece) or bards, all of which claimed divine inspiration.  The thing is, we have no way of knowing if they believed in what they claimed, or if this was their way of gaining credibility with their tribesmen.  Beyond that, we don’t know if they were typical, or if they were as different as authors are today.

Look, it’s a secret we don’t tell everyone, but the thing is that there are very few writers whose story doesn’t escape them in ways that baffle non- writers.  I’ve yet to meet a writer who doesn’t sometimes say something like “And then the story twisted” or “The character just wouldn’t die” (or live.  Even when you try to save her.)  Get a few writers who trust each other together, and there it comes.  Mode of speaking?  Maybe.  From my experience, though, it’s sometimes the only way to describe what we go through.

That these incidences of experiencing what seems like someone else/something else in your mind tend to happen when we’re tired/frazzled/on our last brain cell is probably significant.  Julian Haynes description might even have something to do with what happens in our minds.  (Though I doubt most of us think it’s gods or even characters dictating.  We just talk about our novels like they have minds of their own, like this “Damn thing wouldn’t be written third person!”)

In my more grandiose times, I imagine there’s something in fiction writers’ brains that is designed to communicate with/catch communication from parallel universes.  But that’s probably because I am a fiction writer.  In my everyday thinking, I assume those novels that show up fully formed are in fact hatched by our subconscious.  Or at least mine.

Whatever the truth, I’ve found that after Sword and Blood, the novels refuse to be outlined.  And are deeper and stronger without being outlined before – not even a vague outline, though I know in my mind how they’re going to end, all along.  It’s the way there that can feel like someone else drew the map.

It is very hard for me to give myself over to this sort of shamanistic trance, this divine madness.  I’m a rational woman.  I’m more than a little bit of a control freak.  And I’m fairly sure I have a consciousness.

If my job were anything else at all, I’d just claim that this never happened.  I’d scoff at people talking about it. And I would SERIOUSLY doubt the stuff written this way is better.

But I am a writer.  And the divine madness seems to work.  And so, I force the rational woman to close her eyes – or, as seems to work better, to be short on slep and beset with other work – and then… I jump in.  And I let the muses guide me.

I was going to write about this, but really there’s nothing I can add to Mike Cane’s thoughts. Yeah, the 8.99 paperback is the refutation of all the “but we can’t sell for that price.” Beyond which, ebooks aren’t shipped (or for that matter printed), so they’re cheaper, and for most of the large companies, ebooks are DRMed and one-copy-only, so you end up buying them for everyone in the family — thereby paying 4x what you’d otherwise have paid. (Okay, I only do that for Terry Pratchett and F. Paul Wilson, but…) So the disconnect in David Carr’s “reasoning” is stunning.
I know I’ve said this before, but I just wish people would THINK.

mikecane's avatarMike Cane’s xBlog

It comes from the New York Times today — Book Publishing’s Real Nemesis — and is manufactured by David Carr, who has a shocking ignorance of eBook history, recent history, and is plainly biased towards the status quo.

The Justice Department finally took aim at the monopolistic monolith that threatened to dominate the book industry. So imagine the shock when the bullet aimed at threats to competition went whizzing by Amazon — which not long ago had a 90 percent stranglehold on e-books — and instead, struck five of the six biggest publishers and Apple, a minor player in the realm of books.

That’s the modern equivalent of taking on Standard Oil but breaking up Ed’s Gas ’N’ Groceries on Route 19 instead.

What the hell is this guy talking about?

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