
That word in the title is not a typo. Bleg is a compound of blog and beg.
But Sarah, you’re thinking, you just did a blog fundraiser.
I sure did. This is not a fundraiser and not a request for money. This is a request for help, some of which might be trivial to you — depending on who you are — and some of which might be a reach, or might be a matter of “I know a guy” (which I don’t.)
So, here’s the thing: As some of you know — those of you who follow my writing at least — I’ve just finished a mammoth of book, so mammoth it will be published in three volumes.
The book is No Man’s Land. the first volume is setup to come out on the 9th of September, with the other two volumes coming out at two week intervals thereafter.
Yes, the book is finished — in fact I have released earcs of the first two volumes to people who subscribe to my blog. (e-electronic. Arcs – advance reading copies.)
I have the first volume back from the copy-editor — to those who called me on it in the e-arc, yes, she was scathing on the subject of lightening/lightning. Look, I NEVER knew the difference. Or rather, I do, but I keep mixing it up all the same — and need to send her the second volume. It should have been done today, but for reasons difficult to explain I spent the day doing yard work, and will need to do it again tomorrow. (ARGH. Very good workout, but–) At any rate, it will be to her by Wednesday or so.
Anyway, if you want to know what whole three-part book is about, it’s up with a blurb for the whole story, and then a blurb per volume.
(Full disclosure, if you decide to buy when you click through, I get a small portion of the sale. I mean, as an associate link, beyond what I get because it’s my book!)

Sufficiently advanced science is indistinguishable from magic.
On a lost colony world, mad geneticists thought they could eliminate inequality by making everyone hermaphrodite. They were wrong. Catastrophically wrong.
Now technology indistinguishable from magic courses through the veins of the inhabitants, making their barbaric civilization survivable—and Publius Cornelius Scipio Africanus Kayel Hayden, Viscount Webson, Envoy of the Star Empire—Skip to his friends— has just crash-landed through a time-space rift into the middle of it all.
Dodging assassins and plummeting from high windows was just the beginning. With a desperate king and an archmagician as his only allies, Scipio must outrun death itself while battling beasts, traitors, and infiltrators bent on finishing what the founders started: total destruction.
Two worlds. One chance. No time to lose.
Volume 1
Volume 1
The Ambassador Corps has rules: you cannot know everything, don’t get horizontal with the natives, don’t make promises you can’t keep.
They’re a lot harder to follow when assassins are hunting you, your barbarian allies could kill you for the wrong word, and death lurks around every corner.
The unwritten rule? Never identify with the natives.
Skip’s already broken that one.
Now he’s racing against time to save his new friends from slavery—or worse—while dodging energy blasts and political intrigue. One crash-landed diplomat. A world of deadly secrets. And absolutely no backup.
Some rules are meant to be broken. Others will get you killed.
He was wrong.
Now his potential allies from the Star Empire are turning up dead, one by one. Spies and saboteurs have infiltrated every level of Ellyan society, and Skip is running out of people he can trust.
As he races to save the king and archmagician—his only remaining allies—disturbing secrets about Elly’s culture emerge alongside buried truths about his own family’s past. One moment he’s explaining the bewildering concept of binary gender to confused Ellyans, the next he’s making impossible choices that could strand him on this world forever.
His last gambit is reckless. The odds of success are slim. And failure means losing everything—his mission, his allies, his only way home.
But some fights are worth the risk, even when the deck is stacked against you.
Sometimes the most dangerous enemy is the one you never see coming.
Skip’s idea of crisis management?
Stress baking. While he’s kneading away his anxiety, Eerlen Troz is fighting for his life—and his unborn child’s—in an ancient and familiar battle.
When saving Eerlen’s life requires forging an unexpected blood brotherhood, it creates something neither person anticipated: a memory bond between two worlds.
Through shared consciousness, they uncover a conspiracy that threatens not just Elly, but the entire Star Empire.
The plot runs deeper than anyone imagined. Lives, fortunes, and freedom itself hang in the balance. But exposing the truth means surviving long enough to tell it—and their enemies have other plans. Two minds. One mission. A galaxies-spanning conspiracy that someone will kill to protect.
When the fate of worlds rests on an unlikely brotherhood forged in blood and baked goods.
*********
So, anyway, part of the problem with this book is that it’s odd. It simply is. I am not running it down mind, on the contrary, but you know, science fiction books come in a range, and mine is hanging out on the extreme end, or perhaps to the side, doing a little dance, fully out the “expected” range.
The other problem is that it’s a heart-book. I can’t explain that, I think, to anyone but a writer. Readers tend to think a heart-book is a book the author writes a book with his/her message, and makes sure the message gets through and–
It’s not like that at all. It has nothing to do with self insertion (which I just don’t do anyway, since I have my own life and don’t need to live the characters’ lives) or putting out the message you care about, or even “With this book I will fight communism forever.”
A heart book is like a favorite child. Which parents aren’t supposed to have but each writer has anyway. (Not in their kids, dorks, in the books.)
Some of it inexplicable. When I was writing short stories at one a week, most of the time I was okay with each of them. I wasn’t in love with, I didn’t hate it. I did the best job I could to get it out of my head and into everyone else’s. And then I sent it out. Was I happy when I got rejections? No. But unless it were the day I got sixty rejections back, I was fine.
However, one in fifty short stories just GOT me. It was a favorite child. And every time it got rejected, it gutted me.
Some of it, with this book, is explicable. This book first came to me when I was 14. And it’s been waiting. I wrote 8 versions of it before this, but I knew they weren’t right. This one IS. And this one is a piece of me.
I want to say here that this doesn’t mean heart-books are good. Jane Austen’s, bizarrely, was Emma, not Pride and Prejudice. Or even Persuasion.
HOWEVER, and keep in mind this is me, I’ve written a lot of books and normally my basic fail at publicity is that if you ask me if the book is good, I tell you “It’s a book. You might like it, or you might not. I don’t know.” But No Man’s Land is GOOD. It’s a d*mn good book.
Which brings us to problem three:
I have no idea how to market. NONE.
The main problem is that I never did. It’s not so much that I don’t want to promote, or that I’m afraid to, or that I’m shy, diffident or modest. None of that is quite right.
It’s more that I never had the right kind of contacts for traditional publishing. I never did. I never had a link to the powerful, the influential, the people who knew people in New York City publishing. I had editors and agents, but I think I was a bit of a kludge for them, (that not fitting into an easy category thing) and at any rate publishers and agents are not in the business of publicizing anyone but the already successful. Or those who for their own reasons are targeted and marked for success. I was never one of those. And I never had the alternative channels to do it.
I still don’t have the alternative channels.
I’m not going to lie, I do have some publicity ability: This blog. Instapundit links. I’ve used them for others and (sparingly) for myself, but for this book I’m willing to publicize myself as if I were someone I love who has written a — damn — good book.
But the thing is, the book deserves publicity. It deserves to reach farther than my normal captive audience.
And I have no clue how to do it.
Oh, there are …. webinars and methods and ways to evaluate it. And that’s fine. Except that a) that’s not the way my mind works. b) I don’t want to spend a year figuring out how to make it work. c) no one quite knows how to make it work.
I know the patter from these webinars. It’s just like the talks that published (but not crazy successful) writers used to do at cons. They sold you “my method for breaking in” and what you could be sure of is that the method was already oudated or had worked once, through freak chance.
Sure, ad campaigns work. They take a lot of time, but they work. And you can make a small fortune by spending a large fortune. I don’t have a large fortune. And if I did, I still wouldn’t want to spend it on that. Because you can, and it might never do anything. And the campaigns are less likely to work for a truly off beat property. They work much better with “This is the great thriller just like this other great thriller.” I don’t have that.
So here we are: I have this book I want to promote, and I have no idea how. So, hence the bleg.
A Writer’s Bleg
Let me start by saying I don’t want you to contact me if you are selling your for-pay blog review (I can get fifteen of those offers on linked in. But I don’t think they have more — and some have significantly less — reach than this blog and certainly than Instapundit.)
I don’t want you to contact me if you are a “publicist” who wants to “design a campaign for me” — not unless you have d*mn good references with clients I can verify exist and can contact independently. And even then I’d have to know what you intend to do for THIS particular book. And remember, I’m not made of money, nor is this a vanity project where I spend my retirement account for fame. I’m a working stiff, variety writer — unless you really are a unicorn. And a verifiable unicorn, not a goat with a horn velcroed on. I wasn’t born yesterday, I’m a veteran of 25 plus years as a professional, and you’re not — like someone tried on twitter — going to beguile me by praising the book you haven’t even read to the sky. No.
So, that should take care of most of the spam hitting my mailbox.
Now, what I DO WANT.
Are you a writer I have helped promote? I know you might — probably do — have fewer resources than I.
However, if you have resources, could you give me a little bit of promotion? No matter how small, it will get me a few eyes that would otherwise never see my book.
(If you’re uncomfortable (the book is almost distressingly wholesome, but it might not come across like that in the description) feel free to ping me for ARCs at Goldport Press at gmail dot com. And if you still feel uncomfortable, that’s fine.)
Just, you know, a mention, a review or if you really turn out to like it after reading the ARCs some “push” in the sense that you tell your friends it’s a d*mn good book. (Word of mouth still works best for books, I find.)
Other ways you can help: Do you have a blog? I would like to do your basic “blog tour”. I.e. I’ll come to your blog, be entertaining on the subject of whatever your theme is, and then plug my book at the end.
Do you have a podcast? I’m a d*mn good prospect for an interview, because I — allegedly — have an accent, and people tend to be fascinated by it. Also, I get nervous, and APPARENTLY I babble amusingly.
If you don’t have either a blog or a podcast, but have a friend who does? Can you ask them. I’m not telling you to take their pets hostage or anything, but just ask.
Do you have some idea how else to promote? And I mean a realistic idea not a “As G-d is my witness, I thought turkeys could fly” type of idea. Let me know.
This is a bleg. I can forecast social trends and politics, and kill current events to read the future in their entrails.
Publicity, though? I have no clue. There’s an art to it, and it’s not my art.
I want to be writing the second story, which is started, but… And I want to be finishing Witch’s Daughter and the two Dyce books. And the next Rhodes. And writing the next shifters and Fuse’s story in Darkship Thieves. Not trying to play games with impressions and conversions and hits and…
So, help a direwolf writer out, please?
I’m blegging you with tears in my eyes. Brother, can you spare some word of mouth and pass it on?










































































































































































