
Covers are a funny thing, you know. And by that I don’t mean funny ah ah.
It’s one thing to do a cover for another person. I only really need a blurb, pick out central elements and mood, and I very very rarely go wrong.
But for me, it gets complicated. Usually it gets complicated because whatever I’m using to do covers can’t do what I wanted. I had Musketeer problems until AI got good enough to do Musketeers.
And the clanker has real issues with Ellyans, because, well, if it gets them right our hypersensitized eyes see “trans.” And that on a cover would not be really good to sell. Not for me, at least. Besides having the major problem that the people who bought it for the cover would really, really hate it with a burning passion.
So I had a cover and I was happy with it. It conveyed the duality of the worlds, and while Brundar (the Ellyan) looked a little odd, it wasn’t wrong.
And then Dan hated it. So I tried to do another figure….
Look, We Don’t Talk About Covers.
They looked okay before I uploaded them, and then I wanted to claw my eyes out because after processing by Amazon and in thumbnail, they looked horrible.
I should explain, lest you think it’s ignorance that I was DELIBERATELY going for a late seventies early eighties feel to the cover. This came about while talking to Foxfier and Holly F. who were my unwilling cover sounding board.
I had come up with more modern covers, but they either gave the feeling of “mil sf” which it ain’t or “YA sf” which it CERTAINLY ain’t.
So the two juvenile delinquents (look, they’re in their forties) said “the problem is that nothing like this has been published since the early eighties.
And my brain flicked. The unofficial name for this cover is “That seventies cover.” It’s not ideal, nothing is, but it’s the best I could do for the feel. (The cover before last of the alternates was ALMOST perfect, except all the colors were too dark and believe it or not that immediately gives the feel the book also is “dark.” So.)
If it sells really well, there will be an artsy cover, probably centering on a hand holding the power ruby, and there will be interior illustrations too. BUT that’s if it sells really well.
So, we don’t talk about covers…. And last night, just before the gate clanked shut, I looked at the covers on the side of the site, because my web person hasn’t been able to change it (Because I kept changing them. some lasted hours) and realized I still like it best of all. So were back to the first cover, and we don’t talk about covers.!
Meanwhile, of course, on Sunday as I was trying to figure out how to do a promo push (do you see a promo push? I don’t see a promo push!
Yeah, I gave it to a bunch of people with blogs, and hoped– But that’s fine. if people don’t like it, they don’t like it.
I know some are still reading, and a couple got back to me with “wow, just wow.” Which is highly gratifying. But I still don’t know how to do promo.
I’ve done very strange little videos, and some even capture the dual nature of the critters.
Like this one, of Nikre Lyto, Archmagician in waiting. (Can’t remember if I’ve shared before.)
Most of them, though are just… odd. Midge has the certainty that what you really really want is a sword. or at least it does that in MY videos. “Nice family breakfast!” “Why did someone pull excalibur out of their pocket and brandish with intent? But anyway….
I found Uncle Lar’s blurb for No Man’s Land (it really is just a blurb) and since I’m all out of crying I can do it now:
It’s an open secret that I do beta reads, copy edits, and some subject matter research for a small cadre of indie authors.
Mostly SF, but I’m a pushover so western and even Regency romances have been slipped in front of my red pen for a quick scrub.
So when Sarah asked me to take a look at her latest of course I agreed as I always have since millenia ago when she first delved into independent publishing.
I am not writing this bit for her fans or those long time readers of her works. All y’all already know what you’re getting. This is for the readers looking to pick something interesting up by an unfamiliar author. My message is simple, dive in and stick with it. First ten pages or so I felt like walling the thing out of frustration. Things were not adding up. By a quarter through I was disgusted with myself for failing to properly appreciate her skills in foreshadowing and the planting of suggestions that would take full flower later in the tale.
Now done I’ve gone back and reread the first several chapters just to chastise myself for missing so very many hints.
Sarah tells me she was inspired to write this in response to Left Hand of Darkness, and that certainly makes sense, but for me I caught a definite whiff of Keith Laumer’s Retief stories.
A word of general caution, even though my review copy clocks in at 275 pages do not expect everything to be wrapped up in a bow and settled. The title is after all No Man Volume 1.
My recommendation, buckle up, dive in, and enjoy the ride.
Larry A. Bauer
aka Uncle Lar
I’m going to miss him terribly, and can’t believe this is the last book in which he’ll be in acknowledgements. Maybe Mom has found him and is trying to organize him. (For some reason the idea amuses me, even though it would drive him to distraction.)
Anyway, when I got word mom died, I’d just discovered (via my kid) a site where I could put lyrics and it wrote music and “sang” it for me.
I don’t know if it was finding it out right then, but I got stuck writing lyrics and putting them to music and having AI sing it to me. Every style from sea shanty (son’s favorite) to Celtic metal. I might not be totally sane just now.
Anyway, I am going to share, but you’re not obligated to hear them. Mostly I’m doing this post today because it’s easy and because I am starting to stress over not doing promo.
So, I started with songs FROM Elly, two of which are quoted in the book. The first one is their culture hero story (Amissar (Missa) Mahar.) Or as Foxfier calls it “the cowboy murder suicide song.” (I honestly don’t know why cowboy.) It sounds subtly “off” because it’s of course a translation. And though their voices run the gamut don’t for the love of your sanity imagine this sung by a male.
Oh, for those not having seen that, Elly is populated by humans genetically modified to be hermaphrodites. It is the longest waiting book in my head, as it appeared there when i was 14 because I read Left Hand of Darkness and decided I could do better. I couldn’t, of course, but the irritation the book sparked led to this world and to my learning to write.
It’s in two parts, because it is in two parts, though usually sung together in Elly.
Another song, in volume 2 is Master of Illusion, so of course, I did it too: Master of Illusion. (Eighth circles are … um… the lowest power in the brotherhood of magicians, but also they have a knack for people and creating illusions and have a reputation.)
And for a palate cleanser, this doesn’t appear in the book (other songs do) but it will appear in book two, and it’s a parent singing to his future eighth circle child. Because eighth circle’s have a reputation, they’re called “snakes” which they tend to embrace, though not complimentary. So this is: The Snake’s Lullaby.
But then I got caught in making …. well music to advertise the book. Something might come from it…. or not.
Anyway, lookit (They all have slightly different lyrics. Lyrics mine, the rest AI with some… okay a lot of direction “I created a monster” quoth younger son.):
The Ballad of Skip Hayden — Power Celtic Metal version.
I did a lot others. How many? Well, younger son likes sea shanties and…
HOWEVER I’ll just share two more. Dan’s favorite: Skip Hayden Goes Kpop.
And mine: Skip Hayden’s No Man’s Land.
So, yeah, I’m done with that now, before it becomes “We don’t talk about songs.”
If you want to read the first chapters of the first book, it’s on my website which is mostly unbuilt, but hey. And you get to see the problem with covers, since it has the second cover we came up with: https://www.sarahahoyt.com/shrodinger-worlds/
Anyway, all this was in the name of promoting, so I’ll end in a link, and I promise to have a real post tomorrow when hopefully I’ll write something other than… lyrics? What even?
No Man’s Land: Volume 1 (Chronicles of Lost Elly)
Sufficiently advanced science is indistinguishable from magic.
On a lost colony world, mad geneticists thought they could eliminate inequality by making everyone hermaphrodite. They were wrong. Catastrophically wrong.
Now technology indistinguishable from magic courses through the veins of the inhabitants, making their barbaric civilization survivable—and Publius Cornelius Scipio Africanus Kayel Hayden, Viscount Webson, Envoy of the Star Empire—Skip to his friends— has just crash-landed through a time-space rift into the middle of it all.
Dodging assassins and plummeting from high windows was just the beginning. With a desperate king and an archmagician as his only allies, Scipio must outrun death itself while battling beasts, traitors, and infiltrators bent on finishing what the founders started: total destruction.
Two worlds. One chance. No time to lose.
Volume 1
The Ambassador Corps has rules: you cannot know everything, don’t get horizontal with the natives, don’t make promises you can’t keep.
They’re a lot harder to follow when assassins are hunting you, your barbarian allies could kill you for the wrong word, and death lurks around every corner.
The unwritten rule? Never identify with the natives.
Skip’s already broken that one.
Now he’s racing against time to save his new friends from slavery—or worse—while dodging energy blasts and political intrigue. One crash-landed diplomat. A world of deadly secrets. And absolutely no backup.
Some rules are meant to be broken. Others will get you killed.












































































































































