
Apparently over the weekend a movie called The American Society of Magical Negroes bombed pretty badly at the box office.
The first I heard of it was that Hollywood was blaming the black population of America for not doing enough to promote it. Which, as one of you put it, is bizarre lunacy, because even if all 14% of America that self identifies as black were madly in love with it and pushed it, how would it have made the movie a blockbuster.
Put that in your mental tab for a moment. We’ll come back to it.
Today I stumbled on an article on it in Bounding Into Comics, and in it this curious quote from the director.
In an interview with The Hollywood Reporter, when Grier, Smith, and Libii talked about their own “experience with racism,” Smith said, “It’s so funny because, as black audiences… as any marginalized person can attest to, we’ve had to find ourselves in white stories.”
“We’ve had to find white characters that we identify with for so long, and then now that we’re centering ourselves in these stories white audiences, for the first time ever, are being like, ‘Oh, like, like, now I have to find myself, even though no one in this looks like me. Like, I really identify with this protagonist.’ But that’s where empathy comes from, you know, that’s where actual movement comes from,” the actor asserted.
I was flabbergasted. The whole idea that there are black stories and white stories is bizarrely racist. There are human stories. There are cultural stories.
Most of the movies made in America, before the curious plague of woke, were simply American stories. They couldn’t be written or filmed anywhere else. The skin color of the actor playing it might matter, if the character’s back story indicated the character was black or of African origin, or white, or purple with polkadots. Or it might not matter at all. Men in Black (the first) would work just as well if both leads were white, or both were black, or whatever. It would not work if the characters were other than American.
The idea that skin color is somehow a culture is one that Hitler believed in. Your skin color, your level of tan, your ancestry defines everything about you, and you must think and feel and have a common culture and values of people of similar levels of tan. This is also self-evidently crazy cakes, if you’ve ever been outside the US where the northern European cultures span the gamut from England to Scandinavia to areas of France, and no, they’re not all the same, not even close.
Even more so, if you’ve ever been to or even studied Africa, you know that it’s not all the same culture. In fact, it’s a new culture every hundred miles or so, with completely different values, language, etc.
Seriously, it’s an idea so stupid and provincial, only our exquisitely educated entertainment elites could believe this. And that’s because they’ve been indoctrinated into believing it.
Ultimately, though, given the joy with which they take over those “white stories” like, oh, the life of Anne Boleyn (I do realize that was in England, but the overculture at this point is all the same crazy) or “the Little Mermaid” just by changing the characters to black, the truth is that I have to suspect they really are extremely shallow and only believe they can “see themselves” in the stories if they are played out before their eyes by people of the same exact skin color or close enough.
I can’t describe the level of shallowness of this, which makes it doubly hilarious to hear the director lecture the world on empathy. That’s just the chef’s kiss.
To be fair I started being furious at this with women who couldn’t read books — fantasy, science fiction, whatever — unless the protagonist were a woman.
This is just as childish, and a fatal flaw of human empathy and understanding of humanity.
I don’t think it’s normal either. I think you need to be indoctrinated to be that bizarrely incapable of functioning like a normal human being.
Because as an eleven year old girl in Portugal I could read stories of middle aged men in a future US and empathize with the heroes and dread the villains. The story didn’t need to have women, or people with Portuguese names or whatever.
Okay, Sarah, you say, but if you don’t need it, why not let them do the good stories with an all black cast? Why aren’t people going to it?
Well, you know the problem is… remember I told you to open a tab and leave it open? These people apparently believe that the black population of the US is about 50%. Mostly because that’s what they see in the movies and TV. And if they grew in urban areas, they might very well think that’s reality too.
But it isn’t. And this is why movies and TV shows that have entirely black casts tend to strike people as false. And even black people tend to bounce away from it, because it’s not real, and at some level they know it’s not real. At least black people that live in the real world.
You can tell a story with an all white cast, sure, because you can tell a story with roughly 75% of the population and it just incidentally doesn’t include any other parts of it. But telling the entire story with 14% is ridiculous and it feels forced and bizarre.
And what’s causing all this lunacy, including people thinking they can’t identify with other humans of different sex or skin color, is … well, propaganda.
Propaganda has convinced people that they’re widgets who belong only with other people who look exactly like them.
And it has driven deep rifts between men and women, between people of different tans (or not even that. Again a world in which Megan Markle is black is a world not in contact with reality.) It has brought us to the edge of destruction, with everyone thinking everyone slightly different from them is out to get them.
And it’s ridiculous. All of it is utterly ridiculous.
The people who bought into it hook line and sinker, and think it’s vital to propagate it in every piece of entertainment and every news item, and every possible mass communication, also expect to be rewarded for it with accolades and told they’re doing good.
And when it doesn’t happen, they’re baffled and angry because it must mean people are really out to get them.
And this is where we are.
The only way to back out of this, particularly now when they are so lacking into imagination that they can’t tell compelling stories that aren’t the equivalent of just screaming at the audience, is to replace them.
We have to tell stories that appeal to people. And keep doing it. And break all the stereotypes. And bring people together, instead of apart.
It’s nothing, right? So?
Roll up the sleeves and get to it.
























































































