Holy Tectonic Plates, Batman!

So, you’re thinking, as you sit out there in the audience, chewing your gum – yes, I see you, did you bring enough to share with everyone? – and reading my blog so you can avoid getting any writing done,  you’re thinking "Once I get published, that’s it. I’ll know exactly what I’m doing, and everything will be perfect forever and ever amen."

Of course, if you’re already published, you’re probably aware that no elf came by with a magic wand and endowed you with the ability to write effortlessly. (If one did I don’t want to hear it. Lalalalalalalala.)

The truth is not just that it never ends. The truth is that it never stops being weird and painful. I’ve published now – counts on fingers – one, two three, seven, ten (removes shoes) fourteen novels, if you count a couple that are absolutely secret (if I told you they wouldn’t be secret, now, would they? However, the first bright boy or girl to come to my house, do the litter boxes, dust, sweep and cook dinner for the next week gets told the names and author name) and I’ve always been aware that there were things I didn’t do right.

Oh, come on, admit it, those of you who are writers know this. There’s things you can do, and things you can’t. You start out and – if you’re honest with yourself – you see all these huge flaws. You look at published stories and you wonder how the hell they do it. You know your stuff is not just different quantitatively – it’s not just "he does more of this" – but qualitatively. It’s a different beast altogether. You gape in wonder at the grownups stuff and you go "Oh, wow, if only I could write a story like THAT I’d be happy."

And you read and you study, you learn, you look for hints. And you collect your kicks in the… er… I mean rejections, advice letters and critiques. And you sit up in the cold, dark night and wonder if you’ll ever be a real writer and you know that when you get there, you’ll do everything perfectly and it will be EASY.

Continue reading “Holy Tectonic Plates, Batman!”

Bowl of fruit

As some of you know, I’ve been taking art classes. Mostly because it forces me to use a completely different part of the brain. I’d got to a point in writing where I was SO tired nothing worked to rest . Not sleep. Not vacation. My mind was still fully occupied by whatever story had taken possession. (And sometimes it does feel just like that. They move in.)

One of the things I like about art class — other than being able to write again when I come out — is that it gives me some insight into how writing works, particularly for when I’m trying to teach others. Because, you see, I started so long ago that I’ve forgotten the process. In a way I’ve always been telling stories. (No, seriously. Ask my mom.)

Like… contrast. I’m a contrast wuss in art, which is apparently normal for beginners. It’s the same in fiction, if you think on it. Beginners avoid the extremely dark and the very light and PARTICULARLY avoid the very dark and the very light in close juxtaposition. Real pros, let alone the real artists use it all the time. Read your Shakespeare if you doubt me.

Continue reading “Bowl of fruit”